The History of Wood-engraving in America PDF Download

Author: William James Linton
Publisher: Boston : Estes and Lauriat
ISBN:
Category : Wood-engraving
Languages : en
Pages : 138

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Author: William James Linton
Publisher: BoD – Books on Demand
ISBN: 3385443962
Category : Fiction
Languages : en
Pages : 90

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Book Description
Reprint of the original, first published in 1882.

Author: George Edward Woodberry
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 218

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Book Description

Author: Simon Brett
Publisher: Bloomsbury Publishing
ISBN: 1789941261
Category : Art
Languages : en
Pages : 160

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Book Description
Wood Engraving is an easily followed, practical manual on wood engraving for the beginner, written by a master in the field. The processes of printing and engraving are clearly explained, together with their material requirements. Up-to-date variations on techniques, and all the tips and methods that the author has found helpful in 30 years as a practitioner are included. The book is also a beautiful art object in its own right as Simon Brett's work is highly collectible. This book is a must have for all those who treasure his work and fine wood engraving in general.

Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 0816648468
Category : Art
Languages : en
Pages : 235

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Book Description
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

Author: William James Linton
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 178

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Author: William James Linton
Publisher: BoD – Books on Demand
ISBN: 3385443970
Category : Fiction
Languages : en
Pages : 89

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Book Description
Reprint of the original, first published in 1882.

Author: Samuel Weller Singer
Publisher:
ISBN:
Category : Card games
Languages : en
Pages : 450

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Book Description
Investigaciones acerca de la historia de las cartas de juego, con ilustraciones del origen de la impresión y el grabado en madera.

Author: Rob Roy Kelly
Publisher:
ISBN: 9780978588175
Category : Design
Languages : en
Pages : 352

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Book Description
The first and most authoritative history of wood type in the United States is now reissued in paperback. This book tells the complete story of wood type, beginning with the history of wood as a printing material, the development of decorated letters and large letters, and the invention of machinery for mass-producing wood letters. The 19th-century heyday of wood type is explored in great detail, including all aspects of design, manufacture, and marketing, and the evolution of styles. Many related trades interacted with wood type production; the book examines the influence of lithography, letterpress, metal-plate and wood engraving, sign painting and calligraphy, poster printing, and type-founding. Long out of print, the book is still regarded by scholars and designers as an invaluable resource for a rich legacy of typographic art. More than 600 specimens of wood type are classified and annotated, as are more than 100 specimens of complete fonts. This reissue includes a new foreword by David Shields, Design Curator of the Rob Roy Kelly Wood Type Collection at the University of Texas at Austin, discussing the renewed interest in the subject since the mid-1990s as well as ongoing research into the history of wood type.

Author: Joseph Cundall
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 152

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