Author: Walter CarterPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The History of the Ovation Guitar Edited by Jon Eiche
Author: Walter CarterThe History of the Ovation Guitar
Author: Walter CarterPublisher: Hal Leonard Publishing Corporation
ISBN: 9780793559480
Category : Guitar
Languages : en
Pages : 128
Book Description
inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
Legends of Rock Guitar
Author: Pete PrownPublisher: Hal Leonard Corporation
ISBN: 9780793540426
Category : Music
Languages : en
Pages : 272
Book Description
Presents a comprehensive encyclopedia of rock guitar legends examining over three hundred artists beginning in the 1950s and covering a wide range of styles and includes performers such as Chuck Berry, Eric Clapton, Duane Eddy, Buddy Holly, Keith Richards, and more.
Journal of the American Musical Instrument Society
Author: American Musical Instrument SocietyPublisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 228
Book Description
“The” Guitar Handbook
Author: Ralph DenverDead City
Author: Erich Wolfgang KorngoldPublisher:
ISBN:
Category : Operas
Languages : en
Pages : 108
Book Description
Acoustic Guitar Owner's Manual
Author: String Letter PublishingPublisher: Hal Leonard Corporation
ISBN: 9781890490218
Category : Music
Languages : ru
Pages : 116
Book Description
(String Letter Publishing). Acoustic guitarists can now better understand their instruments, preserve and protect their value, and get the sounds they really want, thanks to this new book from the experts at Acoustic Guitar magazine. This indispensable guide begins by acquainting players with their instruments and laying to rest some pervasive guitar myths, then proceeds through various aspects of basic care, setup, common repairs, and pickup installation. Whether it's cleaning and polishing a beloved guitar, protecting it from theft or changes in humidity, selecting a case, or performing diagnostics, readers will become more savvy acoustic guitar owners and repair-shop customers and can forego dubious advice from well-meaning friends and anonymous "experts" on the Web. Includes a primer and glossary of terms.
Merriam-Webster's Rhyming Dictionary
Author: Publisher:
ISBN: 9780329641788
Category : English language
Languages : en
Pages : 340
Book Description
"This new edition of Merriam-Webster's Rhyming Dictionary contains over 71,000 rhyming words, about 16,000 more than the first edition. The additions naturally include words that have come into common use since the earlier book's publication -- words such as busk, blog, out-there, dreadlocked, fearmonger, and jaw-dropper. But most of the book's additions are not actually new to the language. For the first time, most of the two-, three-, four-, and five-word entries found in Merriam-Webster's Collegiate Dictionary have been given their own place in this volume's lists of rhyming words."--Preface.
The Guitar and its Music
Author: James TylerPublisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349
Book Description
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Hollywood Highbrow
Author: Shyon BaumannPublisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.