Author: Luigi Lanzi
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
Book Description
The History of Painting in Italy from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century Translated from the Italian of the Abate Luigi Lanzi by Thomas Roscoe
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Author: Luigi Antonio Lanzi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 724
Book Description
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Author: Luigi Lanzi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 200
Book Description
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century: The schols of Bologna, Ferrara, Genoa, and Piedmont, with the indexes
Author: Luigi Antonio Lanzi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 514
Book Description
A catalogue of works in all departments of English literature
Author: Longmans, Green and co
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Renaissance to Rococo
Author: Edgar Peters Bowron
Publisher: Yale University Press
ISBN: 0300102054
Category : Art
Languages : en
Pages : 192
Book Description
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.
Publisher: Yale University Press
ISBN: 0300102054
Category : Art
Languages : en
Pages : 192
Book Description
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.
A catalogue of works in all departments of English Literature, classified; with a general alphabetical index. The full titles, sizes, prices and dates of the last editions are given. Second edition, corrected to January 1st, 1848
HENRY G. BOHN'S CATALOGUE OF BOOKS
A Catalogue of Books
Author: Henry George BOHN
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Publishers' catalogs
Languages : en
Pages : 594
Book Description
Written in Water
Author: Rochelle Gurstein
Publisher: Yale University Press
ISBN: 0300277318
Category : History
Languages : en
Pages : 519
Book Description
A deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.
Publisher: Yale University Press
ISBN: 0300277318
Category : History
Languages : en
Pages : 519
Book Description
A deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.