Author: Antonio Lanzi Luigi
Publisher:
ISBN: 3752408898
Category : Fiction
Languages : en
Pages : 182
Book Description
Reproduction of the original: The History of Painting in Italy, Volume VI (of 6) by Antonio Lanzi Luigi
The History of Painting in Italy, Volume VI (of 6)
Author: Antonio Lanzi Luigi
Publisher:
ISBN: 3752408898
Category : Fiction
Languages : en
Pages : 182
Book Description
Reproduction of the original: The History of Painting in Italy, Volume VI (of 6) by Antonio Lanzi Luigi
Publisher:
ISBN: 3752408898
Category : Fiction
Languages : en
Pages : 182
Book Description
Reproduction of the original: The History of Painting in Italy, Volume VI (of 6) by Antonio Lanzi Luigi
The History of Painting in Italy from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century Translated from the Italian of the Abate Luigi Lanzi by Thomas Roscoe
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Author: Luigi Lanzi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 200
Book Description
The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Author: Luigi Antonio Lanzi
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 724
Book Description
The History of Painting in Italy, Vol. 6 (of 6) : from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century (6 Volumes)
Author: Luigi Lanzi
Publisher:
ISBN: 9781530211142
Category :
Languages : en
Pages : 140
Book Description
Luigi Lanzi was an Italian art historian and archaeologist. When he died he was buried in the church of the Santa Croce at Florence by the side of Michelangelo.
Publisher:
ISBN: 9781530211142
Category :
Languages : en
Pages : 140
Book Description
Luigi Lanzi was an Italian art historian and archaeologist. When he died he was buried in the church of the Santa Croce at Florence by the side of Michelangelo.
Bulletin
Author: Boston Public Library
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 428
Book Description
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Publisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 428
Book Description
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Reference Library Catalogue
Author: Bristol (England). Public Libraries
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 150
Book Description
Written in Water
Author: Rochelle Gurstein
Publisher: Yale University Press
ISBN: 0300277318
Category : History
Languages : en
Pages : 519
Book Description
A deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.
Publisher: Yale University Press
ISBN: 0300277318
Category : History
Languages : en
Pages : 519
Book Description
A deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.