Author: Preserved Smith
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 722
Book Description
A History of Modern Culture: The Enlightenment, 1687-1776
Author: Preserved Smith
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 722
Book Description
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 722
Book Description
A History of Popular Culture
Author: Raymond F. Betts
Publisher: Routledge
ISBN: 1134598394
Category : History
Languages : en
Pages : 188
Book Description
Surveying a range of topics, this lively and informative survey provides an up-to-date, thematic global history of popular culture focusing on the period since the end of the Second World War.
Publisher: Routledge
ISBN: 1134598394
Category : History
Languages : en
Pages : 188
Book Description
Surveying a range of topics, this lively and informative survey provides an up-to-date, thematic global history of popular culture focusing on the period since the end of the Second World War.
A History of Modern Culture
Author: Preserved Smith
Publisher: Cambridge University Press
ISBN: 1108074650
Category : History
Languages : en
Pages : 717
Book Description
Published 1930-4, this two-volume work considers the emergence of modern society in the wake of the Protestant reformation.
Publisher: Cambridge University Press
ISBN: 1108074650
Category : History
Languages : en
Pages : 717
Book Description
Published 1930-4, this two-volume work considers the emergence of modern society in the wake of the Protestant reformation.
Aristocratic Experience and the Origins of Modern Culture
Author: Jonathan Dewald
Publisher:
ISBN: 9780520078376
Category : History
Languages : en
Pages : 231
Book Description
"No other work covers the subject that Dewald presents. . . . A learned tour de force."--Orest Ranum, Johns Hopkins University "No other work covers the subject that Dewald presents. . . . A learned tour de force."--Orest Ranum, Johns Hopkins University
Publisher:
ISBN: 9780520078376
Category : History
Languages : en
Pages : 231
Book Description
"No other work covers the subject that Dewald presents. . . . A learned tour de force."--Orest Ranum, Johns Hopkins University "No other work covers the subject that Dewald presents. . . . A learned tour de force."--Orest Ranum, Johns Hopkins University
A History of Modern Culture
A Cultural History of the Modern Age Vol. 2
Author: Egon Friedell
Publisher: Transaction Publishers
ISBN: 1412820979
Category : Science
Languages : en
Pages : 496
Book Description
This is the second volume of Friedell's monumental A Cultural History of the Modern Age. A key figure in the flowering of Viennese culture between the two world wars, this three volume work is considered his masterpiece. The centuries covered in this second volume mark the victory of the scientifi c mind: in nature-research, language-research, politics, economics, war, even morality, poetry, and religion. All systems of thought produced in this century, either begin with the scientifi c outlook as their foundation or regard it as their highest and fi nal goal. Friedell claims three main streams pervade the eighteenth century: Enlightenment, Revolution, and Classicism. In ordinary use, by "Enlightenment" we mean an extreme rationalistic tendency of which preliminary stages were noted in the seventeenth century. Th e term "Classicism", is well understood. Under the term "Revolution" Friedell includes all movements directed against what has been dominant and traditional. Th e aims of such movements were remodeling the state and society, banning all esthetic canons, and dethronement of reason by sentiment, all in the name of the "Return to Nature." Th e Enlightenment tendency might be seen as laying the ground for an age of revolution. Th is second volume continues Friedell's dramatic history of the driving forces of the twentieth century.
Publisher: Transaction Publishers
ISBN: 1412820979
Category : Science
Languages : en
Pages : 496
Book Description
This is the second volume of Friedell's monumental A Cultural History of the Modern Age. A key figure in the flowering of Viennese culture between the two world wars, this three volume work is considered his masterpiece. The centuries covered in this second volume mark the victory of the scientifi c mind: in nature-research, language-research, politics, economics, war, even morality, poetry, and religion. All systems of thought produced in this century, either begin with the scientifi c outlook as their foundation or regard it as their highest and fi nal goal. Friedell claims three main streams pervade the eighteenth century: Enlightenment, Revolution, and Classicism. In ordinary use, by "Enlightenment" we mean an extreme rationalistic tendency of which preliminary stages were noted in the seventeenth century. Th e term "Classicism", is well understood. Under the term "Revolution" Friedell includes all movements directed against what has been dominant and traditional. Th e aims of such movements were remodeling the state and society, banning all esthetic canons, and dethronement of reason by sentiment, all in the name of the "Return to Nature." Th e Enlightenment tendency might be seen as laying the ground for an age of revolution. Th is second volume continues Friedell's dramatic history of the driving forces of the twentieth century.
Modern Culture
Author: Roger Scruton
Publisher: Bloomsbury Publishing
ISBN: 1408193507
Category : Social Science
Languages : en
Pages : 215
Book Description
What do we mean by 'culture'? This word, purloined by journalists to denote every kind of collective habit, lies at the centre of contemporary debates about the past and future of society. In this thought-provoking book, Roger Scruton argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics. He offers a theory of pop culture, a panegyric to Baudelaire, a few reasons why Wagner is just as great as his critics fear him to be, and a raspberry to Cool Britannia. A must for all people who are fed up to their tightly clenched front teeth with Derrida, Foucault, Oasis and Richard Rogers.
Publisher: Bloomsbury Publishing
ISBN: 1408193507
Category : Social Science
Languages : en
Pages : 215
Book Description
What do we mean by 'culture'? This word, purloined by journalists to denote every kind of collective habit, lies at the centre of contemporary debates about the past and future of society. In this thought-provoking book, Roger Scruton argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics. He offers a theory of pop culture, a panegyric to Baudelaire, a few reasons why Wagner is just as great as his critics fear him to be, and a raspberry to Cool Britannia. A must for all people who are fed up to their tightly clenched front teeth with Derrida, Foucault, Oasis and Richard Rogers.
Modern Culture from a Comparative Perspective
Author: Wilfred Cantwell Smith
Publisher: SUNY Press
ISBN: 9780791433942
Category : Religion
Languages : en
Pages : 196
Book Description
A distinguished historian of religion explores the contemporary culture of the Western world.
Publisher: SUNY Press
ISBN: 9780791433942
Category : Religion
Languages : en
Pages : 196
Book Description
A distinguished historian of religion explores the contemporary culture of the Western world.
Opera and Modern Culture
Author: Lawrence Kramer
Publisher: Univ of California Press
ISBN: 0520251601
Category : Music
Languages : en
Pages : 264
Book Description
"Outstanding. Kramer's scholarship is as impeccable as his insights are at once original and consistently brilliant. The presentation is thorough, and the argument is well anchored in theory, history and musical detail. Kramer's discourse is crystalline and jargon free. The connections from one chapter to another are seamless. The story is, simply stated, a page-turner."—Richard Leppert, editor of Theodor W. Adorno's Essays on Music "Lawrence Kramer's Opera and Modern Culture is remarkable both for its imaginative exploration of important issues and for the rich array of the author's engagements with other thinkers. In particular, by decentering without dismissing the composer (who could dismiss Wagner?), he makes works of reception—productions of Salome on video, uses of the Lohengrin Prelude by Charlie Chaplin and W.E.B. Du Bois—central texts in the process of understanding the phenomenon of opera, rather than footnotes to an idea that he really does dismiss: 'the work itself.'"—James Parakilas, author of Piano Roles: 300 Years of Life with the Piano and Introduction to Opera (forthcoming)
Publisher: Univ of California Press
ISBN: 0520251601
Category : Music
Languages : en
Pages : 264
Book Description
"Outstanding. Kramer's scholarship is as impeccable as his insights are at once original and consistently brilliant. The presentation is thorough, and the argument is well anchored in theory, history and musical detail. Kramer's discourse is crystalline and jargon free. The connections from one chapter to another are seamless. The story is, simply stated, a page-turner."—Richard Leppert, editor of Theodor W. Adorno's Essays on Music "Lawrence Kramer's Opera and Modern Culture is remarkable both for its imaginative exploration of important issues and for the rich array of the author's engagements with other thinkers. In particular, by decentering without dismissing the composer (who could dismiss Wagner?), he makes works of reception—productions of Salome on video, uses of the Lohengrin Prelude by Charlie Chaplin and W.E.B. Du Bois—central texts in the process of understanding the phenomenon of opera, rather than footnotes to an idea that he really does dismiss: 'the work itself.'"—James Parakilas, author of Piano Roles: 300 Years of Life with the Piano and Introduction to Opera (forthcoming)
Revival: A History of Modern Culture: Volume I (1930)
Author: Preserved Smith
Publisher: Routledge
ISBN: 1351349554
Category : History
Languages : en
Pages : 684
Book Description
The best excuse for writing the history of anything is the intrinsic interest of the subject. Most men of past generations have thought, and many men still think, of politics as the warp and woof of social life. History for a long time therefore treated chiefly politics. Then came the economists to arouse the interest of scholars and of the public in the production and distribution of wealth. Economic history rightly absorbs much attention, for it illumines, with its new searchlight, many a dark corner of the past, and explains many features of present-day society. But to many men today the most interesting thing about society is its culture; just as the most interesting thing about an individual is his thought. Indeed, it has begun to be suspected that even politics and economics, each sometimes worshipped as a First Cause, are but secondary effects of somthing still deeper, namely, of the progress of man's intellectual life. The present volume aims to exhibit, as a unified whole, thestate and progress of modern culture.
Publisher: Routledge
ISBN: 1351349554
Category : History
Languages : en
Pages : 684
Book Description
The best excuse for writing the history of anything is the intrinsic interest of the subject. Most men of past generations have thought, and many men still think, of politics as the warp and woof of social life. History for a long time therefore treated chiefly politics. Then came the economists to arouse the interest of scholars and of the public in the production and distribution of wealth. Economic history rightly absorbs much attention, for it illumines, with its new searchlight, many a dark corner of the past, and explains many features of present-day society. But to many men today the most interesting thing about society is its culture; just as the most interesting thing about an individual is his thought. Indeed, it has begun to be suspected that even politics and economics, each sometimes worshipped as a First Cause, are but secondary effects of somthing still deeper, namely, of the progress of man's intellectual life. The present volume aims to exhibit, as a unified whole, thestate and progress of modern culture.