The History of Minoan Pottery PDF Download

Author: Philip P. Betancourt
Publisher:
ISBN: 9780691035796
Category : Art
Languages : en
Pages : 226

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Book Description
The Description for this book, The History of Minoan Pottery, will be forthcoming.

Author: Philip P. Betancourt
Publisher:
ISBN: 9780691101682
Category : Crete
Languages : en
Pages : 226

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Book Description
The Description for this book, The History of Minoan Pottery, will be forthcoming.

Author: Philip P. Betancourt
Publisher:
ISBN: 9780783781617
Category :
Languages : en
Pages : 289

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Book Description

Author: Peter Tomkins
Publisher:
ISBN:
Category : History
Languages : en
Pages : 306

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Book Description
Accompanying CD-ROM contains ... "colour images of selected Knossian ceramics."--P. [4] of cover.

Author: L. Vance Watrous
Publisher: Cambridge University Press
ISBN: 1108424503
Category : History
Languages : en
Pages : 249

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Book Description
A new look at the Cult of the Saints in late antiquity: Did it really dominate Christianity in late antique Rome?

Author: Eric H. Cline
Publisher: Oxford University Press
ISBN: 019024075X
Category : History
Languages : en
Pages : 968

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Book Description
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.

Author: Guy D. Middleton
Publisher: Cambridge University Press
ISBN: 110715149X
Category : History
Languages : en
Pages : 463

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Book Description
In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted.

Author: Reynold Alleyne Higgins
Publisher: Thames & Hudson
ISBN: 9780500203033
Category : Art
Languages : en
Pages : 216

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Book Description
The magnificent works of ancient Crete, Mycenae, and the Cycladic Islands are awe-inspiring in their richness and variety. Frescoes, jewelry, sculpture, gold funeral masks, ivories, and countless other beautiful artifacts--all the significant works of art and architecture that are our legacy from those great civilizations in the third and second millennia BC are described and illustrated in Dr. Higgins's distinguished survey. This fully revised and updated edition includes greater coverage of the breathtaking frescoes from Akrotiri on the island of Thera. Other recent findings are also illustrated and described in detail, such as the unique ivory figure from Palaikastro, objects from the palace of Mallia, and the intriguing discovery of Minoan frescoes in Egypt.

Author: Nanno Marinatos
Publisher: Bloomsbury Publishing
ISBN: 0857725165
Category : History
Languages : en
Pages : 304

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Book Description
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.

Author: Jennifer Chi
Publisher: Princeton University Press
ISBN: 0691178690
Category : Architecture
Languages : en
Pages : 132

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Book Description
How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book considers two imaginative restorations of the ancient world that test the boundaries of interpretation and invention by bringing together the discovery of Minoan culture by the British archaeologist Sir Arthur Evans (1851–1941) and the work of the Turner Prize–winning video artist Elizabeth Price (b. 1966). Featured essays examine Evans’s interpretation and restoration of the Knossos palace and present fresh photography of Minoan artifacts and archival photographs of the dig alongside beautiful, previously unpublished watercolors and drawings by the archaeological illustrators and restorers who worked on the site: Émile Gilliéron père(1850–1924), Émile Gilliéron fils (1885–1939), Piet de Jong (1887–1967), and others. An interview with Price explores how her attraction to the Sir Arthur Evans Archive became the basis for her commissioned video installation at the University of Oxford’s Ashmolean Museum and offers insight into her creative practice. Exhibition dates: October 5, 2017–January 7, 2018