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Author: Huimin Zhou Publisher: ISBN: Category : Languages : en Pages : 25
Book Description
Schubert's Symphony No.8 in B minor is one of the most popular orchestral pieces in today's classical music concert. One reason is that the historical mystery behind the incomplete sketches of the composer arouses audiences' curiosities. The other reason is that the beautiful melodic line and delicate orchestral sonority in the symphony attracts listeners to admire Schubert's musical talent. Many musicologists relate the moods and the musical contents in this symphony to the characteristics of Schubert's art song. This paper will give a brief introduction about research on the authenticity of the score and the comparison between Schubert's art songs and the Symphony No. 8. I will discuss the rehearsal and conducting practice of the symphony through the examination on the critical score, the musical recordings and the secondary references. Additionally, this study will explain how the familiarity to Schubert's art songs assist a conductor to comprehend and project "Unfinished" Symphony, and describe how a conductor takes a neutral position, leading audiences to composer's musical narration.
Author: Huimin Zhou Publisher: ISBN: Category : Languages : en Pages : 25
Book Description
Schubert's Symphony No.8 in B minor is one of the most popular orchestral pieces in today's classical music concert. One reason is that the historical mystery behind the incomplete sketches of the composer arouses audiences' curiosities. The other reason is that the beautiful melodic line and delicate orchestral sonority in the symphony attracts listeners to admire Schubert's musical talent. Many musicologists relate the moods and the musical contents in this symphony to the characteristics of Schubert's art song. This paper will give a brief introduction about research on the authenticity of the score and the comparison between Schubert's art songs and the Symphony No. 8. I will discuss the rehearsal and conducting practice of the symphony through the examination on the critical score, the musical recordings and the secondary references. Additionally, this study will explain how the familiarity to Schubert's art songs assist a conductor to comprehend and project "Unfinished" Symphony, and describe how a conductor takes a neutral position, leading audiences to composer's musical narration.
Author: David Montgomery Publisher: Brown Walker Press (FL) ISBN: 9781627346603 Category : Biography & Autobiography Languages : en Pages : 270
Book Description
This study addresses a long-standing mythology concerning the -Unfinished- Symphony and reviews anachronistic performance practices that prevent listeners from experiencing the work as a product of its own time. David Montgomery's Unfinished History challenges the traditional story of Franz Schubert's B-minor Symphony and searches for a more credible account of this great work. Written for all Schubert lovers from lay readers to musicians and musicologists, the book reviews a strangely persistent mythology concerning the symphony, continuing with the first in-depth examination of its manuscript and related documents. Details of handwriting, notation, paper, watermarks, compositional procedures, and stylistic contexts suggest a new year and country of origin for the -Unfinished- Symphony, a possible explanation for the absence of a finale in the sketches, and an alternative account of the score's disappearance and prolonged sequestration. The author concludes with an essay on performing the work in the context of its own times. The story of the Unfinished has been based partly upon three conflicting letters written in old age by Schubert's former secretary long after the composer's death. A fourth document in this insupportable mythology is a photograph of a lost letter purportedly sent from Schubert to the Styrian Music Society in Graz, promising to send them a symphony. Many historians still believe the letter to be genuine, despite the fact that its signature has been traced. David Montgomery's handwriting analysis finally identifies the real writer of this odd missive, clearing a further path to new research.
Author: Franz Schubert Publisher: ISBN: Category : Orchestral music Languages : en Pages : 150
Book Description
Schubert's Symphony in B minor, known as "Unfinished," has been one of the central works of the musical literature for over a century, since its discovery and first performance thirty-seven years after the composer's death. This volume includes the complete musical score of the work, and a stimulating selection of materials illuminating its historical and musical background.For this edition, the musical text that Johannes Brahms prepared for the Schubert Gesamtausgabe has been revised and corrected on the basis of a thorough comparison with Schubert's manuscript. The surviving piano sketches for the symphony, including the incomplete third movement, are for the first time presented in the same volume with the score; the orchestrated fragment of the third movement is also reprinted. The complex history of the symphony and the riddle of its incompleteness are traced in essays referring to original source material, while the editor's detailed analysis and his selection of views and comments (ranging from a review of the first performance up to the present) acquaint the reader with the views of such figures as Wolf, Dvor̆ák, Stravinsky, and Copland. A selective bibliography is also provided. -- from dust jacket.
Author: Brian Newbould Publisher: Routledge ISBN: 135154991X Category : Music Languages : en Pages : 201
Book Description
The eleven essays that comprise this volume represent some of the most significant strands of current Schubert research. Arising from an international conference organized by the Schubert Institute (UK) and the University of Leeds in 2000, the emphasis of the papers is on issues of performance practice, analysis and hermeneutics. In the opening essay of the book, Charles Rosen illuminates some of Schubert's compositional practices and their implications for performers. Further performance problems are explored by Walther D rr who highlights the paradox between Schubert's precise notation of pitches and rhythm and his imprecision in relation to dynamics and articulation. As Roy Howat makes clear in his essay, the performer needs to read between the lines of even the best Schubert editions.Aspects of Schubert's style are explored in other essays. Clive McClelland discusses the composer's use of ombra style, while Brian Newbould examines Schubert's techniques of compression and expansion as illustrated in his dances and in sonata movements. Robert Hatten explores the G major Piano Sonata as pastoral, and James Sobaskie and Nicholas Rast provide complementary analyses of the A minor Quartet.The organization of musical time in Schubert and his relationship in this regard to later composers is the subject of Susanne Kogler's essay, while Walburga Litschauer discusses Schubert's early piano sonatas and previously unknown versions of them. Various enigmas surrounding Schubert's life and music are discussed by Roger Neighbour.With contributions from both internationally acclaimed and younger scholars, this volume represents a further step in the multifaceted direction that Schubert research is taking.
Author: David Montgomery Publisher: Pendragon Press ISBN: 9781576470251 Category : Juvenile Nonfiction Languages : en Pages : 346
Book Description
In Franz Schubert's Music in Performance David Montgomery challenges many operative myths about the music of this great, but often misunderstood, Viennese master. Chief among them is the lingering notion that Schubert was poorly-trained but still managed to turn out brilliant, if often flawed, scores. Modern adherents of this view believe that Schubert could not notate his own musical wishes accurately, and that he was principally a creature of intuition. Accordingly, musicians might allow themselves wide intuitive leeway in the interpretation of his music. Another myth challenged by Montgomery is that Schubert was a conservative, or perhaps even a chronological throwback. Opposing recent attempts to legitimize performer-generated embellishment of Schubert's music in the style of the eighteenth century, He clarifies Schubert's contributions to the radical intellectualism of nineteenth-century romanticism. The book offers six informative chapters ranging from aesthetics and acoustics to the specifics of tempo and expression, plus an appendix of pertinent Viennese pedagogical sources. In addition to many years of musicological research, Montgomery brings long experience as a concertizing pianist and conductor to this engaging and controversial work.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429932880 Category : Music Languages : en Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Conrad Wilson Publisher: Wm. B. Eerdmans Publishing ISBN: 9780802829283 Category : Literary Criticism Languages : en Pages : 146
Book Description
This modern exploration of Schubert's complex personality and inner conflicts takes a look at the notion that Schubert was moving into a new phase when he died and wonders if his sexual orientation would have any bearing on perceptions of the man and his music.
Author: Huimin Zhou
Author: Huimin Zhou
Author: David Montgomery
Author: Franz Schubert
Author: Brian Newbould
Author: David Montgomery
Author: Lorraine Byrne Bodley
Author: Alex Ross
Author: Conrad Wilson
Author: David Ewen
Author: Madeleine Goss