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Author: R.H. Major Publisher: Taylor & Francis ISBN: 1317028740 Category : History Languages : en Pages : 254
Book Description
From the 1588 black-letter edition, after the 1586 Madrid edition. The supplementary material includes the 1852 annual report. This is a new print-on-demand hardback edition of the volume first published in 1853.
Author: R.H. Major Publisher: Taylor & Francis ISBN: 1317028740 Category : History Languages : en Pages : 254
Book Description
From the 1588 black-letter edition, after the 1586 Madrid edition. The supplementary material includes the 1852 annual report. This is a new print-on-demand hardback edition of the volume first published in 1853.
Author: Juan González de Mendoza Publisher: e-artnow ISBN: Category : History Languages : en Pages : 551
Book Description
"History of the Kingdom of China" in 2 volumes is an account of observations several Spanish travelers in China published by Juan González de Mendoza in 1586. An English translation by Robert Parke appeared in 1588 and was reprinted by the Hakluyt Society and edited by Sir George Thomas Staunton. This carefully edited book has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Author: YANG YUANZHENG Publisher: Hong Kong University Press ISBN: 9888805665 Category : Music Languages : en Pages : 317
Book Description
Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who have visited China and their contribution to the understanding of a more vernacular instrument, the erhu. “Like the 2021 exhibition called ‘Music in Print’ that preceded it, this exploration of Chinese music history introduces many rare books from the University of Hong Kong Libraries. The essays combine professional expertise in musicology with an excellent grasp of traditional bibliography, which allows the one to illuminate the other. Bravo!” —J. S. Edgren, Princeton University “I am most impressed by the critical reading of the author who excels in classical studies, whose expertise in calligraphy, seals, editions, and other related disciplines in Sinology is admirable. His meticulous investigation into the complicated situation regarding the book printing business of dynastic China is professional and convincing.” —Yu Siu-wah, chief editor of Anthology of Chinese Folk and Ethnic Instrumental Music: The Hong Kong Volume “Such a wide-ranging but meticulously researched book that now contextualizes the dissemination and transmission of music into the discussion of manuscript and printed culture in China will clearly be an important addition to the holdings of libraries supporting Chinese studies and book studies broadly taken, as well as those supporting the study of music. Obviously, it will be of direct importance for specialists in East Asian book studies and for musicologists of East Asian traditions.” —Elizabeth Markham, University of Arkansas “This beautifully illustrated and carefully edited book is the first English-language monograph dedicated exclusively to the history of Chinese music as captured through the medium of print. It introduces a host of new sources and methodologies to the English-speaking public, fruitfully complicates established narratives of music history and of print cultures in both East and West, and offers a vital building-block for the creation of a truly global music history.” —Karl Kügle, University of Oxford
Author: R.H. Major
Author: R.H. Major
Author: Martín Ignacio de Loyola
Author: Juan González de Mendoza
Author: Sir George Thomas Staunton
Author: 
Author: Sir Leslie Stephen
Author: Juan González de Mendoza
Author: 
Author: New York Public Library
Author: YANG YUANZHENG