The Herakles Theme PDF Download

Author: Karl Galinsky
Publisher: Totowa, N.J. : Rowman and Littlefield
ISBN:
Category : Social Science
Languages : en
Pages : 358

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Author: Gotthard Karl Galinsky
Publisher:
ISBN:
Category :
Languages : en
Pages : 317

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Author: James J. Clauss
Publisher: Univ of California Press
ISBN: 9780520079250
Category : History
Languages : en
Pages : 272

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This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful. In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.

Author: Euripides,
Publisher: Oxford University Press
ISBN: 0199555095
Category : Drama
Languages : en
Pages : 225

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The first three plays in this volume are typical of Euripides, filled with violence or its threat, while the fourth, Cyclops, is a satyr play, full of crude and slapstick humour. Alcestis shows various reactions to death with pathos and grim humour while the blood-soaked Heracles portrays deep emotional pain and undeserved suffering. Children of Heracles deals with the effects of war on refugees and the consequences of sheltering them.

Author: Emma Stafford
Publisher: Routledge
ISBN: 1136519262
Category : History
Languages : en
Pages : 483

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There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day. In Herakles, Emma Stafford has successfully tackled the ‘Herculean task’ of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece’s most popular hero.

Author: Emma Stafford
Publisher: Routledge
ISBN: 1136519270
Category : History
Languages : en
Pages : 338

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Book Description
There is more material available on Herakles than any other Greek god or hero. His story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents. In literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry. In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media. He was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis. Often referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day. In Herakles, Emma Stafford has successfully tackled the ‘Herculean task’ of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure. Covering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues. Easy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient Greece’s most popular hero.

Author: Stephen Gaukroger
Publisher: Springer Science & Business Media
ISBN: 9780792311300
Category : History
Languages : en
Pages : 288

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The institutionalization of History and Philosophy of Science as a distinct field of scholarly endeavour began comparatively earl- though not always under that name - in the Australasian region. An initial lecturing appointment was made at the University of Melbourne immediately after the Second World War, in 1946, and other appoint ments followed as the subject underwent an expansion during the 1950s and 1960s similar to that which took place in other parts of the world. Today there are major Departments at the University of Melbourne, the University of New South Wales and the University of W ollongong, and smaller groups active in many other parts of Australia and in New Zealand. 'Australasian Studies in History and Philosophy of Science' aims to provide a distinctive pUblication outlet for Australian and New Zealand scholars working in the general area of history, philosophy and social studies of science. Each volume comprises a group of essays on a connected theme, edited by an Australian or a New Zealander with special expertise in that particular area. Papers address general issues, however, rather than local ones; parochial topics are avoided. Further more, though in each volume a majority of the contributors is from Australia or New Zealand, contributions from elsewhere are by no means ruled out. Quite the reverse, in fact - they are actively encouraged wherever appropriate to the balance of the volume in question.

Author: Neil Bernstein
Publisher: Bloomsbury Publishing
ISBN: 1474254918
Category : Drama
Languages : en
Pages : 170

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Hercules is the best-known character from classical mythology. Seneca's play Hercules Furens presents the hero at a moment of triumph turned to tragedy. Hercules returns from his final labor, his journey to the Underworld, and then slaughters his family in an episode of madness. This play exerted great influence on Shakespeare and other Renaissance tragedians, and also inspired contemporary adaptations in film, TV, and comics. Aimed at undergraduates and non-specialists, this companion introduces the play's action, historical context and literary tradition, critical reception, adaptation, and performance tradition.

Author: Jason A. Whitlark
Publisher: Bloomsbury Publishing
ISBN: 0567008266
Category : Religion
Languages : en
Pages : 245

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This book offers a fresh reading about the purpose for which Hebrews was written. In this book Whitlark argues that Hebrews engages both the negative pressures (persecution) and positive attractions (honor/prosperity) of its audience's Roman imperial context. Consequently, the audience of Hebrews appears to be in danger of defecting to the pagan imperial context. Due to the imperial nature of these pressures, Hebrews obliquely critiques the imperial script according to the rhetorical expectations in the first-century Mediterranean world-namely, through the use of figured speech. This critique is the primary focus of Whitlark's project. Whitlark examines Hebrews's figured response to the imperial hopes boasted by Rome along with Rome's claim to eternal rule, to the power of life and death, and to be led by the true, victorious ruler. Whitlark also makes a case for discerning Hebrews's response to the challenges of Flavian triumph. Whitlark concludes his study by suggesting that Hebrews functions much like Revelation, that is, to resist the draw of the Christians' Roman imperial context. This is done, in part, by providing a covert opposition to Roman imperial discourse. He also offers evaluation of relapse theories for Hebrews, of Hebrews's place among early Christian martyrdom, and of the nature of the resistance that Hebrews promotes.

Author: Jim Whiting
Publisher: Mitchell Lane Publishers, Inc.
ISBN: 1612284167
Category : Juvenile Nonfiction
Languages : en
Pages : 52

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Hercules was the son of Zeus, the chief god of the ancient Greeks, and a mortal woman. He had a reputation for great strength. This strength was apparent even as an infant, when he strangled two large snakes. His strength also landed him in trouble. In a fit of madness caused by Hera, he killed his wife and sons. For his punishment, he had to serve his cousin Eurystheus. Eurystheus was afraid of Hercules and wanted him to be killed, so he ordered Hercules to do twelve labors. Though these labors were very dangerous, Hercules accomplished them all. Even though the labors had been completed, Hercules kept getting into trouble. Finally his luck ran out. His mortal part, which he had from his mother, died. He was changed into an immortal and joined the other gods and goddesses on Mt. Olympus.