Author: Universiṭah ha-ʻIvrit bi-Yerushalayim. Makhon le-śafot ṿe-sifruyot
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 692
Book Description
The Hebrew University Studies in Literature
Author: Universiṭah ha-ʻIvrit bi-Yerushalayim. Makhon le-śafot ṿe-sifruyot
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 692
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 692
Book Description
Literary Passports
Author: Shachar Pinsker
Publisher: Stanford University Press
ISBN: 0804777241
Category : Literary Criticism
Languages : en
Pages : 666
Book Description
Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.
Publisher: Stanford University Press
ISBN: 0804777241
Category : Literary Criticism
Languages : en
Pages : 666
Book Description
Literary Passports is the first book to explore modernist Hebrew fiction in Europe in the early decades of the twentieth century. It not only serves as an introduction to this important body of literature, but also acts as a major revisionist statement, freeing this literature from a Zionist-nationalist narrative and viewing it through the wider lens of new comparative studies in modernism. The book's central claim is that modernist Hebrew prose-fiction, as it emerged from 1900 to 1930, was shaped by the highly charged encounter of traditionally educated Jews with the revolution of European literature and culture known as modernism. The book deals with modernist Hebrew fiction as an urban phenomenon, explores the ways in which the genre dealt with issues of sexuality and gender, and examines its depictions of the complex relations between tradition, modernity, and religion.
The Yeshiva and the Rise of Modern Hebrew Literature
Author: Marina Zilbergerts
Publisher: Indiana University Press
ISBN: 0253059429
Category : Religion
Languages : en
Pages : 168
Book Description
The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in secular culture, Marina Zilbergerts points to the practices and metaphysics of Talmud study as its essential animating forces. Focusing on the early works and personal histories of founding figures of Hebrew literature, from Moshe Leib Lilienblum to Chaim Nachman Bialik, The Yeshiva and the Rise of Modern Hebrew Literature reveals the lasting engagement of modern Jewish letters with the hallowed tradition of rabbinic learning.
Publisher: Indiana University Press
ISBN: 0253059429
Category : Religion
Languages : en
Pages : 168
Book Description
The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in secular culture, Marina Zilbergerts points to the practices and metaphysics of Talmud study as its essential animating forces. Focusing on the early works and personal histories of founding figures of Hebrew literature, from Moshe Leib Lilienblum to Chaim Nachman Bialik, The Yeshiva and the Rise of Modern Hebrew Literature reveals the lasting engagement of modern Jewish letters with the hallowed tradition of rabbinic learning.
Hebrew University Studies in Literature and the Arts
Literary Studies in the Hebrew Bible
Author: Shemaryahu Talmon
Publisher: BRILL
ISBN: 9004677038
Category : Religion
Languages : en
Pages : 318
Book Description
The studies assembled in this volume focus on two issues: firstly, the analysis and illustration of literary techniques employed by authors and compilers of the books of the Hebrew bible. In several instances, their development is followed into the early post-biblical Qumran writings and Apocrypha. Thus, the essays in this section relate to biblical literature qua literature, an issue which has especially attracted scholars in the field of recent times. In a second group of essays, the author sets out to probe the interconnection of literature and society in biblical Israel. Literary patterns, foremost motifs, are analyzed in the attempt to extract from them facets of underlying conceptual or speculative thought. Since biblical authors refrained, on the whole, from presenting systematically their world of ideas, the proposed evaluation of literary patterns may help in better gauging the conceptual universe of Israel in the biblical period
Publisher: BRILL
ISBN: 9004677038
Category : Religion
Languages : en
Pages : 318
Book Description
The studies assembled in this volume focus on two issues: firstly, the analysis and illustration of literary techniques employed by authors and compilers of the books of the Hebrew bible. In several instances, their development is followed into the early post-biblical Qumran writings and Apocrypha. Thus, the essays in this section relate to biblical literature qua literature, an issue which has especially attracted scholars in the field of recent times. In a second group of essays, the author sets out to probe the interconnection of literature and society in biblical Israel. Literary patterns, foremost motifs, are analyzed in the attempt to extract from them facets of underlying conceptual or speculative thought. Since biblical authors refrained, on the whole, from presenting systematically their world of ideas, the proposed evaluation of literary patterns may help in better gauging the conceptual universe of Israel in the biblical period
Literary Motifs and Patterns in the Hebrew Bible
Author: Shemaryahu Talmon
Publisher: Penn State Press
ISBN: 1575068540
Category : History
Languages : en
Pages : 520
Book Description
This collection gathers together Professor Shemaryahu Talmon’s contributions to the literary study of the Bible, and complements his acclaimed Literary Studies in the Hebrew Bible: Form and Content: Collected Studies (Jerusalem: Magnes / Leiden: Brill, 1993). The articles included herein span a broad range of topics, closely and comprehensively assessing fundamental themes and stylistic conceits present in biblical literature. Each study picks up one of these motifs or patterns, and traces its meaning and usage throughout the entire Bible. In Talmon’s estimation, these literary markers transcend all strata of the Bible, and despite diachronic developments, they retain their basic meanings and connotations throughout, even when employed by different authors over a span of hundreds of years. He demonstrates this convincingly by marshaling dozens of examples, each of which is valuable in its own right, and when taken all together, these building-blocks form a solid edifice that validate his approach. He judiciously employs this synchronic method throughout, frequently invoking an exegetical principle according to which one biblical verse can be employed to interpret the other, if they are found in similar contexts and with overlapping formulation. To use an expression that he coined elsewhere, his hermeneutical method can be described first and foremost as “The World of the Bible from Within.” Throughout the articles that appear in this volume, one is repeatedly struck by his sensitivity to the language and style of the biblical authors. He was blessed with a rich literary intuition, and shares with his readers his ability to see, hear, and understand the rhythms and poetics of biblical literature. In this volume, many of Talmon’s contributions are made accessible in fresh form to the benefit of both those who already know his work and to a newer generation of scholars for whom his work continues to prove important.
Publisher: Penn State Press
ISBN: 1575068540
Category : History
Languages : en
Pages : 520
Book Description
This collection gathers together Professor Shemaryahu Talmon’s contributions to the literary study of the Bible, and complements his acclaimed Literary Studies in the Hebrew Bible: Form and Content: Collected Studies (Jerusalem: Magnes / Leiden: Brill, 1993). The articles included herein span a broad range of topics, closely and comprehensively assessing fundamental themes and stylistic conceits present in biblical literature. Each study picks up one of these motifs or patterns, and traces its meaning and usage throughout the entire Bible. In Talmon’s estimation, these literary markers transcend all strata of the Bible, and despite diachronic developments, they retain their basic meanings and connotations throughout, even when employed by different authors over a span of hundreds of years. He demonstrates this convincingly by marshaling dozens of examples, each of which is valuable in its own right, and when taken all together, these building-blocks form a solid edifice that validate his approach. He judiciously employs this synchronic method throughout, frequently invoking an exegetical principle according to which one biblical verse can be employed to interpret the other, if they are found in similar contexts and with overlapping formulation. To use an expression that he coined elsewhere, his hermeneutical method can be described first and foremost as “The World of the Bible from Within.” Throughout the articles that appear in this volume, one is repeatedly struck by his sensitivity to the language and style of the biblical authors. He was blessed with a rich literary intuition, and shares with his readers his ability to see, hear, and understand the rhythms and poetics of biblical literature. In this volume, many of Talmon’s contributions are made accessible in fresh form to the benefit of both those who already know his work and to a newer generation of scholars for whom his work continues to prove important.
Jewish Primitivism
Author: Samuel J. Spinner
Publisher: Stanford University Press
ISBN: 1503628280
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
Publisher: Stanford University Press
ISBN: 1503628280
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism, Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized.
The Object of Jewish Literature
Author: Barbara E. Mann
Publisher: Yale University Press
ISBN: 0300234112
Category : History
Languages : en
Pages : 278
Book Description
A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.
Publisher: Yale University Press
ISBN: 0300234112
Category : History
Languages : en
Pages : 278
Book Description
A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise of digital media, the "death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge. The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.
Poetic Trespass
Author: Lital Levy
Publisher: Princeton University Press
ISBN: 0691176094
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
A Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.
Publisher: Princeton University Press
ISBN: 0691176094
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
A Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.
Strangers in Berlin
Author: Rachel Seelig
Publisher: University of Michigan Press
ISBN: 0472130099
Category : History
Languages : en
Pages : 241
Book Description
Insightful look at the interactions between German and migrant Jewish writers and the creative spectrum of Jewish identity
Publisher: University of Michigan Press
ISBN: 0472130099
Category : History
Languages : en
Pages : 241
Book Description
Insightful look at the interactions between German and migrant Jewish writers and the creative spectrum of Jewish identity