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Author: Robert W. Demaree Publisher: ISBN: Category : Haydn, Joseph Languages : en Pages : 906
Book Description
"This book examines chronologically the history, sources, character, style, and performance choices within each of the Haydn Masses in careful detail. All this is set in a framework of Haydn's involvement with church music over his whole life span, and, in the context of his childhood as a singer, his career as Kapellmeister to the Princes Esterhazy, and his international prestige at the turn of the nineteenth century. Special focus is given to his performance practices in the churches in which he performed these Masses, his evolving style of orchestration, and his crucial, engaging preferences in rhythmic motion and tempi."--From publisher description.
Author: Robert W. Demaree Publisher: ISBN: Category : Haydn, Joseph Languages : en Pages : 906
Book Description
"This book examines chronologically the history, sources, character, style, and performance choices within each of the Haydn Masses in careful detail. All this is set in a framework of Haydn's involvement with church music over his whole life span, and, in the context of his childhood as a singer, his career as Kapellmeister to the Princes Esterhazy, and his international prestige at the turn of the nineteenth century. Special focus is given to his performance practices in the churches in which he performed these Masses, his evolving style of orchestration, and his crucial, engaging preferences in rhythmic motion and tempi."--From publisher description.
Author: VictoriaL. Cooper Publisher: Routledge ISBN: 1351543571 Category : Music Languages : en Pages : 186
Book Description
By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.
Author: VictoriaL. Cooper Publisher: Routledge ISBN: 135154358X Category : Music Languages : en Pages : 221
Book Description
By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.
Author: Jonathan D. Green Publisher: Scarecrow Press ISBN: 9780810842069 Category : Music Languages : en Pages : 220
Book Description
A Conductor's Guide to the Choral-Orchestral Works of the Classical Period, Part I: Haydn and Mozart is the fourth volume in Jonathan Green's innovative study of the vast body of choral-orchestral repertoire. A treasure-trove for conductors of choir and orchestras, in this volume all of the masses, oratorios, cantatas, litanies, vespers, and minor sacred works of Haydn and Mozart are carefully examined. For each work, the author has compiled the text source, duration, date of composition, date and place of premiere, location of manuscript materials, commercially available editions, a selected discography, a bibliography, and a brief history of the work. Most importantly, the performance concerns for the choir, orchestra, and soloists of each work are evaluated and described. This will prove to be an invaluable programming aid for conductors and a touchstone for anyone embarking on research into this music.
Author: Stephanie Rocke Publisher: Routledge ISBN: 1000300196 Category : Music Languages : en Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.
Author: David P. Schroeder Publisher: ISBN: Category : Music Languages : en Pages : 238
Book Description
IntroductionPart I Haydn and Enlightened Though 1. Haydn and Shaftesbury: Music and Morality2. Pre-English Literary Influences3. The Lodge `Zur wahren Eintracht'4. Opera, Rhetoric, and Rittergedichte5. String Quartets, Op. 33: `A New and Special Way'6. Theory versus Practice: Aesthetics and Instrumental Music7. Symphonies Ascent: Pre-Paris to the Loge OlympiquePart II Audience Receptionand England 8. The Composer-Audience Relationship9. Haydn and the English AudiencePart III The Symphonies 10. Symphonic Intelligibility and Sonata Form11. Melodic Sources and Musical Images12. Symphonies and t.
Author: Robert W. Demaree
Author: Robert W. Demaree
Author: Joseph Haydn
Author: VictoriaL. Cooper
Author: VictoriaL. Cooper
Author: Joseph Haydn
Author: Joseph Haydn
Author: Jonathan D. Green
Author: Stephanie Rocke
Author: David P. Schroeder
Author: Cassius C. Stearns