The Guitar Anthologies of Santiago de Murcia PDF Download

Author: Monica Hall
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 1421

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Author: Monica Hall
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages :

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Author: Gabriel Saldívar
Publisher: University of Illinois Press
ISBN: 9780252020926
Category : Music
Languages : en
Pages : 334

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Author: Santiago de Murcia
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Santiago de Murcia
Publisher: A-R Editions, Inc.
ISBN: 9780895796783
Category : Music
Languages : en
Pages : 156

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xlvi + 106 pp. URL: https://www.areditions.com/rr/rrb/b167.html

Author: Craig H. Russell
Publisher:
ISBN:
Category : Continuo
Languages : en
Pages : 1360

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Author: Elena Machado Lowenfeld
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 200

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Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 9780521000406
Category : Music
Languages : en
Pages : 284

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Book Description
From its origins in the culture of late medieval Europe to enormous global popularity in the twentieth, the guitar and its development comprise multiple histories, each characterized by distinct styles, playing techniques, repertories, and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions, and Western and non-Western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring twelve essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and the differences between guitar traditions; all styles--from baroque, classical, country, blues, and rock to flamenco, African, and Celtic--will share the same platform, along with instrument making. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.

Author: James Tyler
Publisher:
ISBN: 019816713X
Category : Guitar
Languages : en
Pages : 349

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Book Description
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

Author: Frank Koonce
Publisher: Mel Bay Publications
ISBN: 160974621X
Category : Music
Languages : en
Pages : 177

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Book Description
A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. for the uninitiated, just knowing where to start can be difficult.This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.