Author: Frederic HarrisonPublisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 234
Book Description
John Ruskin
Author: Frederic HarrisonPublisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 234
Book Description
Barn Club
Author: Robert SomervillePublisher: Chelsea Green Publishing
ISBN: 1603589678
Category : Crafts & Hobbies
Languages : en
Pages : 290
Book Description
“In today’s ego-techno-centred world, Robert Somerville’s . . . Barn Club approach is a way forward that utilizes local traditions, local materials, and local hands to create a built environment that is more harmonious with the natural world and of course more beautiful.”—Jack A. Sobon, architect, timber framer, and author of Hand Hewn “Somerville knows more about wooden barn construction than almost anyone alive.”—The Telegraph Natural history meets traditional hand craft in this celebration of the elm tree and community spirit. When renowned craftsman Robert Somerville moved to Hertfordshire in southern England, he discovered an unexpected landscape rich with wildlife and elm trees. Nestled within London’s commuter belt, this wooded farmland inspired Somerville, a lifelong woodworker, to revive the ancient tradition of hand-raising barns. Barn Club follows the building of Carley Barn over the course of one year. Volunteers from all walks of life joined Barn Club, inspired to learn this ancient skill of building elm barns by hand, at its own quiet pace and in the company of others, while using timber from the local woods. The tale of the elm tree in its landscape is central to Barn Club. Its natural history, historic importance, and remarkable survival make for a fascinating story. This is a tale of forgotten trees, a local landscape, and an ancient craft. This book includes sixteen pages of color photographs, and black and white line drawings of techniques and traditional timber frame barns feature throughout. Perfect for fans of Norwegian Wood and The Hidden Life of Trees.
Fors Clavigera
Author: John RuskinThe Lost Companions and John Ruskin’s Guild of St George
Author: Mark FrostPublisher: Anthem Press
ISBN: 1783082836
Category : History
Languages : en
Pages : 264
Book Description
This important work in Ruskin studies provides for the first time an authoritative study of Ruskin’s Guild of St George. It introduces new material that is important in its own right as a significant piece of social history, and as a means to re-examine Ruskin’s Guild idea of self-sufficient, co-operative agrarian communities founded on principles of artisanal (non-mechanised) labour, creativity and environmental sustainability. The remarkable story of William Graham and other Companions lost to Guild history provides a means to fundamentally transform our understanding of Ruskin’s utopianism.
The Works of John Ruskin: The Guild and museum of St. George
Author: John RuskinThe Guild and Museum of St. George
Author: John RuskinThe Works of John Ruskin: The guild and museum of St. George
Author: John RuskinRuskin, Turner and the Storm Cloud
Author: Suzanne Fagence CooperPublisher:
ISBN: 9781911300601
Category :
Languages : en
Pages : 120
Book Description
Ruskin, Turner & the Storm Cloud presents new writing on John Ruskin's vision of art and its relationship with modern society and a changing environment. As part of the re-evaluation of Ruskin, 200 years after his birth in 1819, art historians, scientists, geographers, artists and curators explore the critic's lifelong commitment to the painted landscapes of JMW Turner and his own artistic ambitions, as well as his prophetic concerns about the world's darkening skies, pollution and psychological turbulence. In 1884 John Ruskin spoke out against an encroaching "Storm Cloud"--a darkening of the skies that he attributed to the belching chimneys of the modern world. The imagery of the pollution-stained sky also allowed Ruskin to articulate the internal distress that seemed to engulf him. His analysis of a "blanched sun, blighted grass [and] blinded man" overwhelmed by a modern "plague-wind" expresses both the visible climatic effects of industrialization and the effects of his own worsening mental health. Propelled by bereavement and anxieties over his religious faith, Ruskin became fixated on the skies, "watching a cloud from four in the afternoon to four in the morning". This collection of essays examining Ruskin's distinctive blend of meteorology, morality and social criticism brings new perspectives to one of the most influential and provocative thinkers of the nineteenth century. Ruskin's deep and personal engagement with Turner's work over many decades emerges as a recurring theme. In Turner, Ruskin found the ideal "Modern Painter"--an artist whose powerful sunrises and sunsets, mountains and storms, inspired his own critical engagement with the natural world. As an artist and critic, Ruskin consistently challenged the way others experienced the world, encouraging his audiences to recognise and record nature's transient beauty, and doing the same with his own intimately observed drawings of animals, flora and weathered buildings. As an environmentalist, he witnessed a natural world changing before his eyes, as the landscapes, buildings and skies he had seen as a young man came under threat. As an ethical provocateur ahead of his time, he condemned the throwaway culture that spoilt the towns and rivers he loved, urging his audiences to take responsibility for these changes. Responding to this rich and troubled legacy, the book brings together original contributions by artists and curators, art historians, geographers and climate change specialists, each of whom shares new insights into Ruskin's concerns about the changing weather patterns and shifting landscapes of the modern world. Individual essays reconsider Ruskin alongside a range of contemporary issues, encompassing mental health, technology, environmental pollution and climate change. The collection's diverse voices make a compelling case for the continuing relevance of Ruskin and his ways of seeing in the twenty-first century. Ruskin, Turner & the Storm Cloud accompanies a major exhibition at York Art Gallery and Abbot Hall Art Gallery.
Luxury Arts of the Renaissance
Author: Marina BelozerskayaPublisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Effie
Author: Suzanne Fagence CooperPublisher: St. Martin's Press
ISBN: 1429962380
Category : Biography & Autobiography
Languages : en
Pages : 307
Book Description
Effie Gray, a beautiful and intelligent young socialite, rattled the foundations of England's Victorian age. Married at nineteen to John Ruskin, the leading art critic of the time, she found herself trapped in a loveless, unconsummated union after Ruskin rejected her on their wedding night. On a trip to Scotland she met John Everett Millais, Ruskin's protégé, and fell passionately in love with him. In a daring act, Effie left Ruskin, had their marriage annulled and entered into a long, happy marriage with Millais. Suzanne Fagence Cooper has gained exclusive access to Effie's previously unseen letters and diaries to tell the complete story of this scandalous love triangle. In Cooper's hands, this passionate love story also becomes an important new look at the work of both Ruskin and Millais with Effie emerging as a key figure in their artistic development. Effie is a heartbreakingly beautiful book about three lives passionately entwined with some of the greatest paintings of the pre-Raphaelite period.