Author: George ScharfPublisher:
ISBN:
Category : Architecture, Greek
Languages : en
Pages : 134
Book Description
The Greek Court Erected in the Crystal Palace by Owen Jones
Author: George ScharfPublisher:
ISBN:
Category : Architecture, Greek
Languages : en
Pages : 134
Book Description
Description of the Egyptian Court; Erected in the Crystal Palace. By Owen Jones, and Joseph Bonomi. With an Historical Notice of the Monuments of Egypt, by Samuel Sharpe, Esq
Author: Owen Jones (Architect.)Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Description of the Egyptian Court Erected in the Crystal Palace ... With an Historical Notice of the Monuments of Egypt; by Samuel Sharpe, Esq
Author: Owen JONES (Architect and BONOMI (Joseph))Publisher:
ISBN:
Category :
Languages : en
Pages : 82
Book Description
The Fine Arts'Courts in the Crystal Palace. First Series. North-west Side, Etc
Author: The Roman Court (including the Antique Sculptures in the Nave) Erected in the Crystal Palace by Owen Jones
Author: George ScharfThe Italian Court in the Crystal Palace
Author: Sir Matthew Digby WyattPublisher:
ISBN:
Category : Art
Languages : en
Pages : 108
Book Description
A catalogue for one of the great courts in the 1854 Crystal Palace at Sydenham. The authors provide a synoptic history of the Italian Renaissance and its main influences across Europe, providing a rationale and walking tour for the exhibition.
Greece and Rome at the Crystal Palace
Author: Kate NicholsPublisher: OUP Oxford
ISBN: 0191016918
Category : Art
Languages : en
Pages : 321
Book Description
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
Sculpture and the Vitrine
Author: JohnC. WelchmanPublisher: Routledge
ISBN: 1351549499
Category : Art
Languages : en
Pages : 304
Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Catalogue of the Library of the United States Patent Office
Author: United States. Patent Office. LibraryPublisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 750
Book Description
Author: USA Patent Office