The Great War Relic PDF Download

Author: Charles L. Cummings
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 48

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Author: Stel Pavlou
Publisher: HarperCollins
ISBN: 0062126075
Category : Juvenile Fiction
Languages : en
Pages : 183

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An epic and funny outer space adventure from acclaimed science fiction author and screenwriter Stel Pavlou! Bestselling author of Artemis Fowl Eoin Colfer says of Daniel Coldstar: The Relic War: "Sci-fi has never been so much fun. I loved it!" Below the surface on a forgotten planet, Daniel Coldstar searches for relics from a lost civilization. Daniel has no memory of his past. All he knows is to do his job and fear the masters of the mines. Until he unearths a relic more powerful than anything he has ever seen. A relic that might help him escape… What follows is an epic outer space adventure filled with Truth Seekers, anatoms, Leechers, and the evil Sinja who seek to control the universe. All that stands in their way is a boy named Daniel Coldstar, whose journey will change the galaxy forever.

Author: Cotton & Hills
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 48

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Author: Michael Hammond
Publisher: SUNY Press
ISBN: 1438476973
Category : History
Languages : en
Pages : 322

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Assesses how America’s film industry remembered World War I during the interwar period. This is the definitive account of how America’s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war’s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell’s Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry. “Hammond’s intelligent and insightful account of the formation of cinematic treatments of the Great War in America constitutes a major addition to the critical literature on film. It acts as a prism through which to see refracted multiple themes central to the social and cultural history of the interwar years.” — Jay Winter, author of War beyond Words: Languages of Memory from the Great War to the Present

Author: David A. Finlayson
Publisher: Pen and Sword
ISBN: 1526715074
Category : History
Languages : en
Pages : 345

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Pioneers of Armour in the Great War tells the story of the only Australian mechanized units of the Great War. The 1st Australian Armoured Car Section, later the 1st Australian Light Car Patrol, and the Special Tank Section were among the trailblazers of mechanization and represented the cutting edge of technology on the Great War battlefield.The1st Armoured Car Section was raised in Melbourne in 1916, the brainchild of a group of enthusiasts who financed, designed and then built two armored cars. Having persuaded the Australian Army of the vehicles' utility in the desert campaign, the armored car section, later re-equipped with Model T Fords and retitled the 1st Australian Light Car Patrol, provided valuable service until well after the Armistice.The First World War also saw the emergence of the tank which, despite unpromising beginnings, was to realize its potential in the crucial 1918 battles of Hamel and Amiens. A British Mark IV tank which toured Australia in 1918 demonstrated the power of this new weapon to an awestruck Australian public.Much of the story of the armored cars is told in the voices of the original members of the section and in newspaper articles of the time which highlight the novelty of these vehicles. Painstaking research has produced a remarkable collection of images to accompany the narrative, many never previously published. Biographies of the members of these extraordinary units are also a feature of this book, their stories told from the cradle to the grave. Appendixes provide a wealth of supporting biographical and technical information that enriches the text and adds factual detail.

Author: Michael Hammond
Publisher: State University of New York Press
ISBN: 1438476981
Category : Performing Arts
Languages : en
Pages : 322

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Book Description
This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell's Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.

Author: Malcolm Graham
Publisher: Pen and Sword
ISBN: 1473842980
Category : History
Languages : en
Pages : 227

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This book tells the fascinating, and largely forgotten, story of Oxford's part in the Great War. The University City became a military training camp as soldiers and officer cadets occupied men's colleges left virtually empty as undergraduates enlisted. Public buildings were converted into military hospitals where many war casualties were treated. The City also took in Belgian and Serbian refugees.Oxford dons engaged in vital war work, and academic life largely depended upon the women's colleges. Local industries, including Morris's new car factory at Cowley, converted to war production, and women made munitions or replaced men in other work.Fear of invasion sparked the formation of a Dad's Army, and a black-out protected the City from air raids. Civilians, especially women, supported the war effort through fund-raising and voluntary work. They also cultivated war allotments as food shortages led to communal kitchens and rationing.This expert account shows a civilian population coping with anxiety during a titanic struggle in which college heads and the humblest citizens were afflicted equally by the loss of loved ones.

Author: Edwin Forbes
Publisher: Digital Scanning Inc
ISBN: 9781582187211
Category : Art
Languages : en
Pages : 340

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Edwin Forbes was born in New York City in 1839. He worked as a sketch artist for Frank Leslie's Illustrated Newspaper joining the staff at age 22. In 1861 he was attached to the Army of the Potomac, and was one of the youngest and one of the few artists who covered the entire war. Most of his illustrations were of the daily life of the soldiers, but he also depicted battle scenes including the Second Battle of Bull Run, and Hooker's Charge at Antietam. As a young man, Forbes was a student of Arthur Fitzwilliam Tait, and from 1861 to 1882, exhibited at the National Academy of Design. Originally he started his career as an animal painter and then did some genre and landscape, but after the Civil War, drew primarily upon his sketches from that period for his paintings and etchings. Late in his career, his right side was paralyzed, and he learned to paint left handed. His drawings won a medal at the Centennial Exposition of 1876. Forbes died in 1895.

Author:
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 398

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Author: Richard F Welch
Publisher: Arcadia Publishing
ISBN: 1439672741
Category : History
Languages : en
Pages : 150

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At the outbreak of World War I, the Gold Coast of Long Island was home to the most concentrated combination of financial, political and social clout in the country. Bankers, movie producers, society glitterati, government officials and an ex-president mobilized to arrange massive loans, send supplies and advocate for the Allied cause. The efforts undercut the Wilson administration's official policy of neutrality and set the country on a course to war with Germany. Members of the activist families--including Morgans, Davisons, Phippses, Martins, Hitchcocks, Stimsons and Roosevelts--served in key positions or fought at the front. Historian Richard F. Welch reveals how a potent combination of ethno-sociological solidarity, clear-eyed geopolitical calculation and financial self-interest inspired the North Shore elite to pressure the nation into war.