Author: William N. Goetzmann Publisher: ISBN: 9780300162462 Category : Colonial companies Languages : en Pages : 0
Book Description
The world's first global stock market bubble suddenly burst in 1720, destroying the dreams and fortunes of speculators in London, Paris, and Amsterdam virtually overnight. Their folly and misfortune inspired the publication of an extraordinary Dutch collection of satirical prints, plays, poetry, commentary, and financial prospectuses entitled Het groote Tafereel de Dwaasheid (The Great Mirror of Folly), a unique and lavish record of the financial crisis and its cultural dimensions. The current book adopts the title. It is a book about the book, a wide-ranging interdisciplinary collaboration that uncovers the meaning and influence of the Tafereel and the profound, lasting, and multifaceted impact of the crash of 1720 on European cultures and financial markets.
Author: Nina Dubin Publisher: Harvey Miller ISBN: 9781912554515 Category : Languages : en Pages : 250
Book Description
The international crash of 1720 long served as a touchstone for behavioral economists who perceive it as a gateway to the boom-and-bust cycles of the modern world. Perhaps not surprisingly, art history has contributed relatively little to our understanding of the significance of 1720. This book aims to redress this imbalance via a focus on the depiction of the first international financial crisis following the 1720 collapse of stock market bubbles in England, France, and the Netherlands. Its most important visual source, Het groote tafereel der dwaasheid ('The Great Mirror of Folly'), is a series of approximately seventy-five bawdy, tragicomic engravings satirizing the crisis and its catastrophic effects. The visual sources of the series are also explored, including prints related to the earlier 'tulip mania' bubble, as well as related materials including propaganda and satirical pamphlets, letters, coins, and paper currency. Key themes or motifs that recur in the Tafereel prints, include the New World and colonial trade; mass illness; paper and its association with insubstantiality, illusion and trickery; debauchery; and the carnivalesque.
Author: José de la Vega Publisher: Colchis Books ISBN: Category : Business & Economics Languages : en Pages : 104
Book Description
This book is the first that describes the practices of any stock exchange; it makes evident a high development of practices, with puts, calls, pools, and manipulations; and it appeared as early as the seventeenth century. Not inappropriately the stock exchange described is that of Amsterdam, a city which at the date of the volume’s publication —1688 — was still the leading financial center of the world. The book, to be sure, is hardly a systematic account of the institution; the author pursued moral, philosophical, and rhetorical objectives, and, while saying a lot that seems now to be of little value, manages somehow to leave unsaid a great deal that would be of interest for us. Nevertheless, it represents, even in its peculiar form, a really important source of information about the stock exchange, and indeed about the Dutch business world of that period.
Author: Allison Levy Publisher: Medieval Institute Publications ISBN: 1580442617 Category : History Languages : en Pages : 354
Book Description
An innovative volume of fifteen interdisciplinary essays at the nexus of material culture, performance studies, and game theory, Playthings in Early Modernity emphasizes the rules of the game(s) as well as the breaking of those rules. Thus, the titular "plaything" is understood as both an object and a person, and play, in the early modern world, is treated not merely as a pastime, a leisurely pursuit, but as a pivotal part of daily life, a strategic psychosocial endeavor.
Author: Anne Goldgar Publisher: University of Chicago Press ISBN: 0226301303 Category : History Languages : en Pages : 458
Book Description
In the 1630s the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story—how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn’t) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation. But it wasn’t like that. As Anne Goldgar reveals in Tulipmania, not one of these stories is true. Making use of extensive archival research, she lays waste to the legends, revealing that while the 1630s did see a speculative bubble in tulip prices, neither the height of the bubble nor its bursting were anywhere near as dramatic as we tend to think. By clearing away the accumulated myths, Goldgar is able to show us instead the far more interesting reality: the ways in which tulipmania reflected deep anxieties about the transformation of Dutch society in the Golden Age. “Goldgar tells us at the start of her excellent debunking book: ‘Most of what we have heard of [tulipmania] is not true.’. . . She tells a new story.”—Simon Kuper, Financial Times
Author: Darius A. Spieth Publisher: BRILL ISBN: 9004276750 Category : Art Languages : en Pages : 535
Book Description
Revolutionary Paris and the Market for Netherlandish Art restores attention to the aesthetic, intellectual, and economic link between two key periods in the history of art: the “Golden Age” of Dutch and Flemish painting and that of the French Revolution.