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Author: Laurent Mannoni Publisher: ISBN: Category : History Languages : en Pages : 584
Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
Author: Laurent Mannoni Publisher: ISBN: Category : History Languages : en Pages : 584
Book Description
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth. First published in French in 1994 and now translated into English, Laurent Mannoni's account projects a broad picture of the subject area now known as 'pre-cinema'. Starting from the earliest uses of the camera obscura in astronomy and entertainment, Mannoni discusses, among many other devices, the invention and early years of the magic lantern in the seventeenth century, the peepshows and perspective views of the eighteenth century, and the many weird and wonderful nineteenth-century attempts to recreate visions of real life in different ways and forms. This fully-illustrated and accessible account of a strange mixture of science, magic, art and deception introduces to an English-speaking readership many aspects of pre-cinema history from other European countries.
Author: William B Lawrence Publisher: Echo Point Books & Media, LLC ISBN: Category : Art Languages : en Pages : 239
Book Description
Push your watercolor painting to the next level by mastering the use of color, light, and shadows. Go beyond trying to copy what you see by designing with shapes, shadows, and highlights. Deepen the expressive nature of your paintings as you capture the subject's luminosity. Master painter William B. Lawrence offers hands-on techniques and insights for intermediate to advanced artists. Light and color take the viewer on a journey. Properly harnessed, they can convey emotion, create a mood, or tell a story. Whether your work is realistic, expressive, or abstract, the options are unlimited. Lawrence explores pattern, hue, contrast, and texture in this treasured classic. Using a combination of theory, demonstration, and practical suggestions this new arsenal of tools, will help you grow as an artist. Other techniques covered include: How to design with light and shadow The use of overlapping patterns How light can express movement Learning to use light and dark to add drama and intensity to your work Discover how to guide the viewer's eye through floodlights, spotlights, and other advanced light-manipulation techniques. Painting Light and Shadow in Watercolor will help you create radiant watercolor paintings and give you greater painting pleasure as you develop new skills which bring your imagination to life.
Author: E. L. Koller Publisher: Courier Corporation ISBN: 0486145328 Category : Art Languages : en Pages : 82
Book Description
Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.
Author: Gabriel Martín i Roig Publisher: B.E.S. Publishing ISBN: 9780764159909 Category : Drawing Languages : en Pages : 0
Book Description
(back cover) Titles in Barron's Drawing Academy series guide beginning students through a detailed training course in the art of drawing. The books open with basic instruction, then proceed to analyze the details that make up a successfully executed drawing. Drawing Academy titles make fine self-instruction manuals and can also serve as textbooks in formal art classes. LEARNING BY DOING Constant practice teaches you to analyze the characteristics and understand the difficulties you must overcome in developing techniques to produce light and shadow effects. Exercises will teach you mastery of strokes, shadings, and tonal ranges. ANALYSIS It is not enough to practice. You must also learn to see. The Analysis Section following each exercise shows how professional artists resolve difficulties and achieve desired graphic effects in their drawings. You'll learn to profit from others' achievements and incorporate some of their solutions and effects into your own work. SKETCHBOOK A section at the end of each chapter is the sketchbook section. It allows you to analyze the difficulties you encountered and isolate different parts of your overall composition to measure your success in attempting light and shadow effects, tone-building processes, applying tonal scales, and fully developing your draftsman's skills. Available titles in Drawing Academy Series: The Basics of Drawing Line and Shading in Drawing Light and Shadow in Drawing
Author: Francesca Fiorani Publisher: Macmillan + ORM ISBN: 0374715297 Category : Art Languages : en Pages : 373
Book Description
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
Author: Publisher: Amherst Media, Inc ISBN: 1682031438 Category : Photography Languages : en Pages : 128
Book Description
Studio lighting offers portrait photographers unlimited creative control. Mastering its use requires a specific skill set, however. Fortunately, portrait photography legend Tony Corbell is up to the task of showing readers how to harness its full power. He sets a foundation for mastering the use of strobes and continuous lighting sources (LEDs, tungsten lights, and fluorescent sources), creating effective lighting setups (with the aid of detailed, yet simple-to-understand diagrams), metering and adjusting the light, correcting color imbalances, softening harsh shadows, and more. He also introduces readers to the proper use of standard photographic modifiers — softboxes, umbrellas, octoboxes, beauty dishes, and other tools — so that they can sculpt their every portrait subject with incredibly flattering light. This book is filled with over 150 inspiring and instructive images from a true master of the craft. In these pages, readers will learn step-by-step instructions for mastering the many critical concepts one must understand to gain mastery over light. Armed with simple strategies for studio lighting, readers can repeatedly re-create Corbell’s award-winning portrait lighting looks with their own clients.
Author: Publisher: Amherst Media ISBN: 1608959945 Category : Photography Languages : en Pages : 181
Book Description
Natural light portraiture is hugely popular. The light source is free, malleable, and available anywhere. Mastering its use requires a specific skill set, however. Fortunately, Tony Corbell is up to the task of showing readers how to harness its full power. He sets a foundation for mastering this powerful source, beginning with a discussion on how to set camera controls to ensure the right amount of light is allowed to strike the image sensor to create the portrait and how to read a histogram to ensure that a subject-appropriate (versus so-called “correct”) exposure results. Next, he moves on to discuss light quantity and quality and how each can be modified and manipulated to produce dimensional, lifelike portraits. Readers will learn techniques for using hard/soft light, working with window light, ensuring a proper white balance (so that colors in the scene are true-to-life in the final image), and adding or subtracting light to achieve the desired effect. Corbell’s images and instructions show readers how to produce the flattering, highly salable portraits they’re after—indoors and out.