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Author: Nancy Macdonald Publisher: Palgrave Macmillan ISBN: 9780333781913 Category : Social Science Languages : en Pages : 272
Book Description
This book is the most extensive contribution to our understanding of the graffiti subculture to date. Using insights from ethnographic research conducted in London and New York, this book explores the varying ways young men use graffiti to construct masculinity, claim power, and establish independence from the institutions which define, and often limit, them as young people. Forging a link between subcultural practice and identity construction, this book will be essential reading for anyone interested in new understandings of youth and their subcultures.
Author: Nancy Macdonald Publisher: Palgrave Macmillan ISBN: 9780333781913 Category : Social Science Languages : en Pages : 272
Book Description
This book is the most extensive contribution to our understanding of the graffiti subculture to date. Using insights from ethnographic research conducted in London and New York, this book explores the varying ways young men use graffiti to construct masculinity, claim power, and establish independence from the institutions which define, and often limit, them as young people. Forging a link between subcultural practice and identity construction, this book will be essential reading for anyone interested in new understandings of youth and their subcultures.
Author: Stefano Bloch Publisher: University of Chicago Press ISBN: 022649358X Category : Biography & Autobiography Languages : en Pages : 212
Book Description
“We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.” In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.
Author: John Bushnell Publisher: Taylor & Francis ISBN: 1040229980 Category : History Languages : en Pages : 280
Book Description
First Published in 1990, Moscow Graffiti is a unique and unprecedented look at the graffiti that began to appear for the first time on the walls of Moscow and other Soviet cities in the late 1970s. John Bushnell first traces the social and cultural changes that fostered the emergence of a multifaceted Soviet subculture and the appearance of graffiti. He explains the common graffiti argot of Russian slang, English, and pictographs, and then examines the disparate groups that produced it-adolescent gangs, heavy metal fans, pacifists, punks, hippies, and even the fans of a popular Soviet novel (Mikhail Bulgakov’s The Master and Margarita). Through graffiti these conflicting and alienated groups produce an explicit cultural alternative to the official culture they disdain. Fully illustrated with over eighty drawings and photos, Moscow Graffiti is a unique look at an underexplored area of Soviet society. The book will prove fascinating reading to all those interested in Soviet society, history, and popular culture.
Author: Jessica Nydia Pabón-Colón Publisher: NYU Press ISBN: 1479821330 Category : Social Science Languages : en Pages : 276
Book Description
An inside look at women graffiti artists around the world Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions. A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.
Author: Janice Rahn Publisher: Praeger ISBN: 0897898109 Category : Art Languages : en Pages : 0
Book Description
Rahn (art education, U. of Lethbridge, Canada), a converted skeptic of graffiti as art, begins with a definition and summary of the structure of traditional hip-hop graffiti culture based on research centered on subculture websites, magazines, and books and beginning with traditional New York hip-hop graffiti culture as the conceptual framework. Interviews with graffiti artists of different races, classes, and genders comprise the second section. In the third, the social activities of the graffiti community are explored. Issues addressed in the last two chapters are graffiti as performance in public spaces and pedagogical issues. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Gregory J. Snyder Publisher: NYU Press ISBN: 0814740464 Category : Art Languages : en Pages : 254
Book Description
On the sides of buildings, on bridges, billboards, mailboxes, and street signs, and especially in the subway and train tunnels, graffiti covers much of New York City. This book offers a rare look into this world of contemporary graffiti culture.
Author: David A. Ensminger Publisher: Univ. Press of Mississippi ISBN: 160473969X Category : Music Languages : en Pages : 359
Book Description
Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine Left of the Dial, looks at how mainstream and punk media shape the public's outlook on the music's history and significance. Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities. This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, Visual Vitriol includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.
Author: David Matza Publisher: Routledge ISBN: 1351523023 Category : Social Science Languages : en Pages : 300
Book Description
The first C. Wright Mills Award-winning book, Delinquency and Drift has become a recognized classic in the fields of criminology and social problems. In it, Matza argues persuasively that delinquent thought and delinquent action are distorted reflections of the ideas and practices that pervade contemporary juvenile law and its administration. His ideas are as persuasive today as when they were first published twenty-five years ago. By example and illustration, Matza argues that the delinquent subculture is based on many of the same standards as the conventional social order, and that the delinquent's negation of the law is the result of his relations with an inconsistent and vulnerable legal code. Once the juvenile breaks his or her ties to the legal order, the drift to delinquency becomes relatively easy to justify. The author also maintains that being liberated from legal constraint does not necessarily lead to delinquency; that event depends on the will to commit crime. Because delinquency remains one of our most serious social problems, it is important to consider Matza's thesis that the drift toward delinquency is frequently aided by the unwitting support of society and the guardians of social order.
Author: Henry Chalfant Publisher: Thames & Hudson ISBN: 0500772193 Category : Art Languages : en Pages : 251
Book Description
Authentic first–person accounts from the graffiti artists whose creative genius fueled the movement from its beginning in late 1970s and early 1980s New York Late 1970s New York City was bankrupt and its streets dirty and dangerous. But thecity had a wild, raw energy that made it the crucible for the birth of rap culture and graffiti. Graffiti writers worked in extremely tough conditions: uncollected garbage, darkness, cramped spaces, and the constant threat of police raids, assault by security staff and attacks by rival crews. It was not unlike practicing performance art in a war zone. Yet during the fertile years of the late 1970s and 1980s they evolved their art from stylized signatures to full-blown Technicolor dreamscapes. Henry Chalfant created panoramic images of painted trains by photographing overlapping shots along the train’s length. It took time to earn the writers’ trust andrespect, but Chalfant became their revered confidant and with Tony Silver went on to produce the classic documentary film Style Wars (1983). Through a series of interviews conducted by Sacha Jenkins, we hear the voices of these characters of old New York. Quite a few of the original writers are no longer with us, but those who have survived have continued to push the envelope as artists and individuals in a new millennium.The stories they tell, included here alongside iconic, raw photographs of their work, will enthrall graffiti fans everywhere.
Author: Steve Grody Publisher: ISBN: Category : Art Languages : en Pages : 312
Book Description
This comprehensive and visual history of graffiti in Los Angeles examines the myriad styles and techniques used by writers today.A.Us most prolific and infamous writers provide insight into the lives of these fugitive artists.
Author: Nancy Macdonald
Author: Nancy Macdonald
Author: Stefano Bloch
Author: John Bushnell
Author: Jessica Nydia Pabón-Colón
Author: Janice Rahn
Author: Gregory J. Snyder
Author: David A. Ensminger
Author: David Matza
Author: Henry Chalfant
Author: Steve Grody