The Golden Age of Dutch Manuscript Painting PDF Download

Author: H. L. M. Defoer
Publisher: George Braziller
ISBN:
Category : Architecture
Languages : en
Pages : 328

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Book Description
During the 15th century, some of the most glorious manuscript illuminations were produced in the Dutch artistic centers of Utrecht, Haarlem and Delft. Here, scholars from Holland and America present new information on these strikingly beautiful manuscripts. 108 color plates, 20 black-and-white illustrations.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 318

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Book Description

Author: H. L. M. Defoer
Publisher:
ISBN: 9780807612286
Category : Illumination of books and manuscripts
Languages : en
Pages : 318

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Book Description

Author: Norbert Wolf
Publisher: National Geographic Books
ISBN: 3791384066
Category : Art
Languages : en
Pages : 0

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Book Description
This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664

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Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.

Author: Irina Sokolova
Publisher: Brill Academic Pub
ISBN: 9789004292413
Category : Art
Languages : en
Pages : 445

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Book Description
In 'The Russian Passion for Dutch Painting of the Golden Age' Irina Sokolova presents the collection of paintings created by Pyotr Petrovich Semenov-Tyan-Shansky (1827–1914), an outstanding scholar and Russian statesman during the era of liberal reforms in Russia. Not only did this man of great erudition assemble a unique body of more than 700 works by Dutch and Flemish masters, but he pushed hard to ensure that it entered the Imperial Hermitage in 1914. His activities as a collector have until recently remained largely unknown. For the first time in English, this book unfolds the history of Semenov’s gallery against the background of cultural and artistic life in St Petersburg and the close ties between Russian and European connoisseurs of his time.00About this new series: This peer reviewed book series will focus on scholarly publications (monographs, edited volumes, catalogues) on visual arts in the Netherlands up to 1900.0It is closely related to the journal 'Oud Holland, Quarterly for Dutch Art History', the oldest surviving art historical journal in the world. The book series is a platform for larger studies on topics relevant for the journal. Books are published in English. The series editor is R.E.O. Ekkart.0.

Author: Esmée Quodbach
Publisher: Penn State University Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 272

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Book Description
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.

Author: Robert Lima
Publisher: University Press of Kentucky
ISBN: 0813137462
Category : Literary Criticism
Languages : en
Pages : 344

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Book Description
"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. Early writers used theater to communicate human experiences and to display reverence for the gods governing daily life. Playwrights from Euripides onward sought inspiration from this interplay between the worldly and the occult, using human belief in the divine to govern characters' actions within a dramatic arena. The constant adherence to the supernatural, despite changing religious ideologies over the centuries, testifies to a deep and continuing belief in the ability of a higher power to interfere in human life. Stages of Evil is the first book to examine the representation and relationship of evil and the occult from the prehistoric origins of drama through to the present day. Drawing on examples of magic, astronomy, demonology, possession, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo, author Robert Lima explores how theater shaped American and European perceptions of the occult and how the dramatic works studied here reflect society back upon itself at different points in history. From representations of Dionysian rites in ancient Greece, to the Mouth of Hell in the Middle Ages, to the mystical cabalistic life of the Hasidic Jews, to the witchcraft and magic of the Elizabethan and Jacobean stage, Lima traces the recurrence of supernatural motifs in pivotal plays and performance works of the Western tradition. Considering numerous myths and cultural artifacts, such as the "wild man," he describes the evolution and continual representation of supernatural archetypes on the modern stage. He also discusses the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. Delving into his own theatrical, literary, folkloric, and travel experiences to enhance his observations, Lima assays the complex world of occultism and examines diverse works of Western theater and drama. A unique and comprehensive bibliography of European and American plays concludes the study and facilitates further research into the realm of the social and literary impact of the occult.

Author: Mette Buchardt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111338142
Category :
Languages : en
Pages : 345

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Book Description

Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783742364
Category : Literary Criticism
Languages : en
Pages : 226

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Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?