The Golden Age of American Illustration PDF Download

Author: Bennard B. Perlman
Publisher: North Light Books
ISBN:
Category : Design
Languages : en
Pages : 240

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Author: Judy L. Larson
Publisher: Calgary : Glenbow Museum
ISBN:
Category : Design
Languages : en
Pages : 168

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Book Description
This book explores the popularity of American illustration from the late 1800s through the 1920s. Illustrated books, periodicals, the public consumption of illustrations, and various themes of illustration are discussed. Themes include: (1) "The Smart Set"; (2) "The Masses"; (3) "The Domestic Scene"; (4) "Town and Country"; (5) "Let Me Call You Sweetheart"; (6) "Deeds of Derring Do"; (7) "Mystery and Suspense"; (8) "The Great Outdoors"; (9) "Dream Days"; (10) "War!"; (11) "The Sporting Life"; and (12) "Faraway Places." Illustrations provided are from the Collection of the Glenbow-Alberta Institute, better known as the Glenbow Museum. A "Tribute" remembers art collector Helen Card. Brief, alphabetically listed biographies are given for 114 American illustrators. The book concludes with a bibliography, and an itinerary and exhibition catalogue for the related museum exhibition of the same name. (NP)

Author: Michele H. Bogart
Publisher: University of Chicago Press
ISBN: 9780226063072
Category : Art
Languages : en
Pages : 460

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Leyendecker and Georgia O'Keeffe, the Metropolitan Museum of Art and Pepsi-Cola, the avant garde and the Famous Artists Schools, Inc.

Author: Gordon Norton Ray
Publisher: Courier Corporation
ISBN: 9780486269559
Category : Art
Languages : en
Pages : 390

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Book Description
Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.

Author: Whitney Museum of American Art. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708

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Author: Brad Evans
Publisher: University of Chicago Press
ISBN: 0226222640
Category : Social Science
Languages : en
Pages : 255

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The term culture in its anthropological sense did not enter the American lexicon with force until after 1910—more than a century after Herder began to use it in Germany and another thirty years after E. B. Tylor and Franz Boas made it the object of anthropological attention. Before Cultures explores this delay in the development of the culture concept and its relation to the description of difference in late nineteenth-century America. In this work, Brad Evans weaves together the histories of American literature and anthropology. His study brings alive not only the regionalist and ethnographic fiction of the time but also revives a range of neglected materials, including the Zuni sketchbooks of anthropologist Frank Hamilton Cushing; popular magazines such as Century Illustrated Monthly, which published Cushing's articles alongside Henry James's; the debate between Joel Chandler Harris, author/collector of the Uncle Remus folktales, and John Wesley Powell, perhaps the most important American anthropologist of the time; and Du Bois's polemics against the culture concept as it was being developed in the early twentieth century. Written with clarity and grace, Before Cultures will be of value to students of American literature, history, and anthropology alike.

Author: Irene Tichenor
Publisher: David R. Godine Publisher
ISBN: 9781567922868
Category : Biography & Autobiography
Languages : en
Pages : 356

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"But it is his skill as a historian as well as a printer that endears his name to the student of typography. His four volumes on the practice of typography are considered classics. In an age when few American scholars were examining early printed books, he made significant scholarly contributions to the study of incunables. When the Grolier Club was founded in 1884, it was not surprising that, as New York's most illustrious printer, he was asked to be one of the founding members and to provide much the Club's early printing."--BOOK JACKET.

Author: Jean Lee Cole
Publisher: Univ. Press of Mississippi
ISBN: 1496826566
Category : Literary Criticism
Languages : en
Pages : 203

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2021 Honorable Mention Recipient of the Charles Hatfield Book Prize from the Comics Studies Society Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895–1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the “other half” laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity—how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole’s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them—including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens—and traces the form’s emergence in the pages of Joseph Pulitzer’s New York World and William Randolph Hearst’s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.

Author: Michael Oriard
Publisher: U of Nebraska Press
ISBN: 1496200101
Category : Art
Languages : en
Pages : 281

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Book Description
The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard’s analysis shows how these early artists had to work out for themselves—and for readers—what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football’s dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.

Author: Maria Witt
Publisher: Walter de Gruyter
ISBN: 3110975076
Category : Reference
Languages : en
Pages : 420

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