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Author: Jean-Michel Rabaté Publisher: Crosscurrents: Comparative Stu ISBN: 9780813035642 Category : Literary Criticism Languages : en Pages : 288
Book Description
"Rabaté's strength is that he does not treat modernism as a monolith. The study's originality is in its close examination of several 'key' themes in several 'key' texts, almost all of which he reads autobiographically. . . . It is the pattern of these themes as well as the psychoanalytic method that holds these essays together. The result is a fresh look not at modernism as a whole, but at some central themes and images of the modernists."--S. E. Gontarski, Crosscurrents Series Editor Jean-Michel Rabaté, the eminent French Joycean, combines psychoanalytical and philosophical concepts in rereading the history of modernity to give a more precise meaning to the term "modernism." Rabaté focuses throughout on a single theme, the ghostly nature of modernity. In writing a history of the concept of modernity with the awareness that the radically new has often been subject to the effects of the return of the repressed, Rabaté analyzes the notion of loss in various fields: in Freudian aesthetics of color, in literary history, and in philosophy. The postmodernist fascination with a lost object allows a reconsideration of the boundaries of such terms as "modernism" and "postmodernism." The conclusion ties together all these motifs, from Joyce to Barthes, together and shows their theoretical basis in Marx's criticism of ideology and in Freud's consideration of mourning. From the analysis of "color" as an unthinkable object of discourse to an aesthetics of the unpresentable, Rabaté points to the possibility of an "ethics of mourning," which would seem capable of overcoming the dead end of history whose ending condemns it to eternal repetition. This work will appeal to a wide community of scholars. Its strong French and continental emphasis has application in literary studies, particularly English, French, and comparative studies.
Author: Jean-Michel Rabaté Publisher: Crosscurrents: Comparative Stu ISBN: 9780813035642 Category : Literary Criticism Languages : en Pages : 288
Book Description
"Rabaté's strength is that he does not treat modernism as a monolith. The study's originality is in its close examination of several 'key' themes in several 'key' texts, almost all of which he reads autobiographically. . . . It is the pattern of these themes as well as the psychoanalytic method that holds these essays together. The result is a fresh look not at modernism as a whole, but at some central themes and images of the modernists."--S. E. Gontarski, Crosscurrents Series Editor Jean-Michel Rabaté, the eminent French Joycean, combines psychoanalytical and philosophical concepts in rereading the history of modernity to give a more precise meaning to the term "modernism." Rabaté focuses throughout on a single theme, the ghostly nature of modernity. In writing a history of the concept of modernity with the awareness that the radically new has often been subject to the effects of the return of the repressed, Rabaté analyzes the notion of loss in various fields: in Freudian aesthetics of color, in literary history, and in philosophy. The postmodernist fascination with a lost object allows a reconsideration of the boundaries of such terms as "modernism" and "postmodernism." The conclusion ties together all these motifs, from Joyce to Barthes, together and shows their theoretical basis in Marx's criticism of ideology and in Freud's consideration of mourning. From the analysis of "color" as an unthinkable object of discourse to an aesthetics of the unpresentable, Rabaté points to the possibility of an "ethics of mourning," which would seem capable of overcoming the dead end of history whose ending condemns it to eternal repetition. This work will appeal to a wide community of scholars. Its strong French and continental emphasis has application in literary studies, particularly English, French, and comparative studies.
Author: María del Pilar Blanco Publisher: Fordham Univ Press ISBN: 0823242145 Category : Literary Collections Languages : en Pages : 241
Book Description
Ghost-watching American Modernity explores the intersections of haunting and space in nineteenth- and twentieth-century works from Spanish America and the US. In an intervention that will reconfigure the critical uses of haunting for scholars across different fields, Blanco advances ghost-watching as a method for rediscovering haunting on its own terms.
Author: M. Luckhurst Publisher: Springer ISBN: 1137345071 Category : Performing Arts Languages : en Pages : 237
Book Description
Theatre and Ghosts brings theatre and performance history into dialogue with the flourishing field of spectrality studies. Essays examine the histories and economies of the material operations of theatre, and the spectrality of performance and performer.
Author: Jeremy Gray Publisher: Princeton University Press ISBN: 1400829046 Category : Mathematics Languages : en Pages : 528
Book Description
Plato's Ghost is the first book to examine the development of mathematics from 1880 to 1920 as a modernist transformation similar to those in art, literature, and music. Jeremy Gray traces the growth of mathematical modernism from its roots in problem solving and theory to its interactions with physics, philosophy, theology, psychology, and ideas about real and artificial languages. He shows how mathematics was popularized, and explains how mathematical modernism not only gave expression to the work of mathematicians and the professional image they sought to create for themselves, but how modernism also introduced deeper and ultimately unanswerable questions. Plato's Ghost evokes Yeats's lament that any claim to worldly perfection inevitably is proven wrong by the philosopher's ghost; Gray demonstrates how modernist mathematicians believed they had advanced further than anyone before them, only to make more profound mistakes. He tells for the first time the story of these ambitious and brilliant mathematicians, including Richard Dedekind, Henri Lebesgue, Henri Poincaré, and many others. He describes the lively debates surrounding novel objects, definitions, and proofs in mathematics arising from the use of naïve set theory and the revived axiomatic method—debates that spilled over into contemporary arguments in philosophy and the sciences and drove an upsurge of popular writing on mathematics. And he looks at mathematics after World War I, including the foundational crisis and mathematical Platonism. Plato's Ghost is essential reading for mathematicians and historians, and will appeal to anyone interested in the development of modern mathematics.
Author: Luke Gibbons Publisher: University of Chicago Press ISBN: 022652695X Category : History Languages : en Pages : 307
Book Description
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
Author: Helen Sword Publisher: Cornell University Press ISBN: 1501717669 Category : Literary Criticism Languages : en Pages : 227
Book Description
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.
Author: Marilyn Ivy Publisher: University of Chicago Press ISBN: 0226388344 Category : Social Science Languages : en Pages : 285
Book Description
Japan today is haunted by the ghosts its spectacular modernity has generated. Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this provocative conjoining of ethnography, history, and cultural criticism, Marilyn Ivy discloses these anxieties—and the attempts to contain them—as she tracks what she calls the vanishing: marginalized events, sites, and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early twentieth-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of premodern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theater.
Author: Timothy Chesters Publisher: Oxford University Press ISBN: 0199599807 Category : History Languages : en Pages : 296
Book Description
This work describes the ideological, intellectual, and literary role of ghost stories in late Renaissance France. It takes in prominent literary figures as well as lesser known tracts and pamphlets to shed light on the beliefs, fears, and desires of a period on the threshold of modernity.
Author: Matt Foley Publisher: Springer ISBN: 3319654853 Category : Literary Criticism Languages : en Pages : 225
Book Description
This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.
Author: S. Hay Publisher: Springer ISBN: 0230316832 Category : Literary Criticism Languages : en Pages : 260
Book Description
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.
Author: Jean-Michel Rabaté
Author: Jean-Michel Rabaté
Author: María del Pilar Blanco
Author: M. Luckhurst
Author: Jeremy Gray
Author: Luke Gibbons
Author: Helen Sword
Author: Marilyn Ivy
Author: Timothy Chesters
Author: Matt Foley
Author: S. Hay