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Author: Heinz Juergen Schueler Publisher: Springer ISBN: 940150959X Category : Language Arts & Disciplines Languages : en Pages : 150
Book Description
The almost complete disregard of the verse epic as a genre still worthy of meaningful discussion and earnest investigation is all too apparent in German literary criticism. The only attempt to view the genre in its evolution through the centuries is Heinrich Maiworm's valuable but necessarily somewhat perfunctory historical survey of the German epic which appeared in the second volume of Deutsche Philologie im Auf,iss. There is as yet, however, no literary study of the German verse epic in the nineteenth and twentieth centuries, a period which is of particular interest to such a study and indeed crucial to the genre itself, since it was during this period that the novel claimed its final and apparently irrevocable victory over its predecessor, a form which had once been hallowed but was now declared a dead genre. It is not the lack of sufficient material that could explain this neglect, for in terms of sheer quantity and, we believe, not quantity alone, there is enough material for more than one study. The prime purpose of this work, then, is to attempt, if not to fill this conspicuous gap, at least to begin narrowing it somewhat, and in so doing to determine in how far the continuing existence of this vacuum in German literary appreciation is in fact justified.
Author: Heinz Juergen Schueler Publisher: Springer ISBN: 940150959X Category : Language Arts & Disciplines Languages : en Pages : 150
Book Description
The almost complete disregard of the verse epic as a genre still worthy of meaningful discussion and earnest investigation is all too apparent in German literary criticism. The only attempt to view the genre in its evolution through the centuries is Heinrich Maiworm's valuable but necessarily somewhat perfunctory historical survey of the German epic which appeared in the second volume of Deutsche Philologie im Auf,iss. There is as yet, however, no literary study of the German verse epic in the nineteenth and twentieth centuries, a period which is of particular interest to such a study and indeed crucial to the genre itself, since it was during this period that the novel claimed its final and apparently irrevocable victory over its predecessor, a form which had once been hallowed but was now declared a dead genre. It is not the lack of sufficient material that could explain this neglect, for in terms of sheer quantity and, we believe, not quantity alone, there is enough material for more than one study. The prime purpose of this work, then, is to attempt, if not to fill this conspicuous gap, at least to begin narrowing it somewhat, and in so doing to determine in how far the continuing existence of this vacuum in German literary appreciation is in fact justified.
Author: Ritchie Robertson Publisher: OUP Oxford ISBN: 0191610143 Category : Literary Criticism Languages : en Pages : 465
Book Description
This is a study of mock-epic poetry in English, French, and German from the 1720s to the 1840s. While mock-heroic poetry is a parodistic counterpart to serious epic, mock-epic poetry starts by parodying epic but moves on to much wider and richer literary explorations; it relies heavily on intertextual allusion to other works, on narratorial irony, on the sympathetic and sometimes libertine presentation of sexual relatons, and on a range of satirical devices. It includes well-known texts (Pope's Dunciad, Byron's Don Juan, Heine's Atta Troll) and others which are little known (Ratschky's Melchior Striregel, Parny's La Guerre des Dieux). It owes a marked debt to Italian romance epic (especially Ariosto). The study places these texts in the literary context of the decline of serious epic, which helped mock epic to flourish, and of the 'Querelle des Anciens et des Modernes' which questioned the authority of Homer's and Virgil's epics; and it relates their substance to contemporary debates about questions of religion and gender.
Author: J. W. Thomas Publisher: University of North Carolina S ISBN: 9780807880449 Category : Poetry Languages : en Pages : 0
Book Description
This anthology presents in English verse translation a selection of the best of German poetry, together with discussions of the chief authors and literary periods and brief explications of the individual poems. Taking the reader from the Minnesingers' songs of courtly love to Goethe and Rilke, this volume gives an excellent introduction to eight centuries of German poetry.
Author: Kuno Francke Publisher: Createspace Independent Publishing Platform ISBN: 9781722759759 Category : Languages : en Pages : 624
Book Description
The German Classics of the Nineteenth and Twentieth Centuries, Volume 03 Masterpieces of German Literature Translated into English. in Twenty Volumes by Kuno Francke He kept the faith. The ardent poet-soul, Once thrilled to madness by the fiery gleam Of Freedom glimpsed afar in youthful dream, Henceforth was true as needle to the pole. The vision he had caught remained the goal Of manhood's aspiration and the theme Of those high luminous musings that redeem Our souls from bondage to the general dole Of trivial existence. Calm and free He faced the Sphinx, nor ever knew dismay, Nor bowed to externalities the knee, Nor took a guerdon from the fleeting day; But dwelt on earth in that eternity Where Truth and Beauty shine with blended ray. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Author: Herbert F. Tucker Publisher: Oxford University Press ISBN: 0199232997 Category : Literary Criticism Languages : en Pages : 748
Book Description
Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.
Author: Amanda Gagel Publisher: Taylor & Francis ISBN: 1134976739 Category : Literary Collections Languages : en Pages : 707
Book Description
Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction, her support of the Aesthetic Movement and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with a newly written introduction that explains their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this first volume, tracing the years 1856– 1884, the assembled letters cover the beginnings of her career, encompassing her first publication, visits to London and encounters with some of the important artistic figures of the time. As her career begins to blossom, the letters also reflect the expansion of her subject matter from cultural studies and art history to novels and aesthetic philosophy. Correspondents include Lee’s parents, Matilda and Henry Paget; her brother the poet Eugene Lee-Hamilton; English poet Mary Robinson; English authors Henrietta Jenkin and Linda Villari; and Italian writers Enrico Nencioni, Mario Pratesi, and Angelo De Gubernatis, among others.
Author: Peter Paret Publisher: Berghahn Books ISBN: 0857453467 Category : Art Languages : en Pages : 140
Book Description
In interpreting its own age art often turns to the past. At the beginning of the twentieth century one of these encounters between present and past was prompted by the interest a major figure in German modernism, the sculptor Ernst Barlach, came to take in the medieval epic The Song of the Nibelungen. There exists no statement by Barlach to explain what prompted his interest and the resulting sequence of large drawings on the epic’s climactic final segment, reproduced here. In conception and execution these drawings stand out in Barlach’s graphic oeuvre, as they stand apart from the multitude of interpretations the Nibelungen inspired in art, literature, and music. This book discusses the epic and its course through German history, the artist’s biography and the course of his work, as well as the place the drawings occupy in the art, culture, and politics of Germany in the 1920s and 30s and beyond to the ideological and political crises of Central Europe before and after the First World War.
Author: Lyn Marven Publisher: Boydell & Brewer ISBN: 1640140468 Category : German fiction Languages : en Pages : 355
Book Description
Since the 1990s, the short story has re-emerged in the German-speaking world as a vibrant literary genre, serving as a medium for both literary experimentation and popular forms. Authors like Judith Hermann and Peter Stamm have had a significant impact on German-language literary culture and, in translation, on literary culture in the UK and USA. This volume analyzes German-language short-story writing in the twenty-first century, aiming to establish a framework for further research into individual authors as well as key themes and formal concerns. An introduction discusses theories of the short-story form and literary-aesthetic questions. A combination of thematic and author-focused chapters then discuss key developments in the contemporary German-language context, examining performance and performativity, Berlin and crime stories, and the openendness, fragmentation, liminality, and formal experimentations that characterize short stories in the twenty-first century. Together the chapters present the rich field of short-story writing in Germany, Austria, and Switzerland, offering a variety of theoretical approaches to individual stories and collections, as well as exploring connections with storytelling, modernist short prose, and the novella. The volume concludes with a survey of broad trends, and three original translations exemplifying the breadth of contemporary German-language short-story writing.
Author: Heinz Juergen Schueler
Author: Heinz Juergen Schueler
Author: Heinz Jürgen Schueler![The German Verse Epic in the Nineteenth and Twentieth Centuries [microform] PDF](https://books.google.com/books/content/images/frontcover/2ORrtgAACAAJ?fife=w80-h100)
Author: H. J. (Heinz Juergen) Schueler
Author: Ritchie Robertson
Author: J. W. Thomas
Author: Kuno Francke
Author: Herbert F. Tucker
Author: Amanda Gagel
Author: Peter Paret
Author: Lyn Marven