The German-language Emblem in Its European Context PDF Download

Author: Anthony John Harper
Publisher: Librairie Droz
ISBN: 9780852617304
Category : Emblem books
Languages : de
Pages : 196

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Author: Paul J. Smith
Publisher: BRILL
ISBN: 9004347070
Category : Art
Languages : en
Pages : 700

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Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.

Author: Nicholas J. Crowe
Publisher: Routledge
ISBN: 1317111222
Category : History
Languages : en
Pages : 162

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First published in 1622, Jeremias Drexel's 'Zodiacus christianus' (or 'Christian Zodiac') was a remarkable work of religious iconography and spiritual self-help. Raised a Lutheran but converting to Catholicism in his youth, Drexel (1581-1638) was well placed to publish a book that appealed to Protestants as well as Catholics, his 'Zodiac' appearing in multiple reprints, re-editions and translations across Europe during his lifetime and posthumously across the rest of the seventeenth century in an astonishing arc of popularity. The orbit of his readers' catchment was geographically - and denominationally - wide to a conspicuous degree. Drexel was among the most-read authors of that century, a genuine luminary in the culture of the German Baroque, and arguably the most published writer of the period. Offering the first modern translation into English since the early seventeenth century, this critical edition re-acquaints Anglophone audiences with a sample of the spiritual and philosophical writings of a figure whose significant publication record made him a bestseller during his lifetime and for many decades afterwards. As well as addressing issues of spiritual iconography with relation to 'signs of predestination', the book also has much to say about authorship, publishing and the dissemination of ideas. Including a scholarly introduction, full footnotes and an up-to-date bibliography, this new edition does much to help reveal these themes within the complex interconnections between religion, mysticism, iconography and scholarship in early modern Europe.

Author: Helen Matheson-Pollock
Publisher: Springer
ISBN: 331976974X
Category : History
Languages : en
Pages : 291

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The discourse of political counsel in early modern Europe depended on the participation of men, as both counsellors and counselled. Women were often thought too irrational or imprudent to give or receive political advice—but they did in unprecedented numbers, as this volume shows. These essays trace the relationship between queenship and counsel through over three hundred years of history. Case studies span Europe, from Sweden and Poland-Lithuania via the Habsburg territories to England and France, and feature queens regnant, consort and regent, including Elizabeth I of England, Catherine Jagiellon of Sweden, Catherine de’ Medici and Anna of Denmark. They draw on a variety of innovative sources to recover evidence of queenly counsel, from treatises and letters to poetry, masques and architecture. For scholars of history, politics and literature in early modern Europe, this book enriches our understanding of royal women as political actors.

Author: Simon McKeown
Publisher: Librairie Droz
ISBN: 9780852618226
Category : Emblem books
Languages : en
Pages : 372

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Author: Mara R. Wade
Publisher: BRILL
ISBN: 900469160X
Category : Art
Languages : en
Pages : 348

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Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.

Author: Alison M. Saunders
Publisher: Librairie Droz
ISBN: 9780852618141
Category : Art
Languages : en
Pages : 260

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Author: Amy Wygant
Publisher: Librairie Droz
ISBN: 9780852616925
Category : Emblem books
Languages : en
Pages : 172

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Author: Anthony John Harper
Publisher: Librairie Droz
ISBN: 9780852618219
Category : Emblems in art
Languages : en
Pages : 228

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Author: Walter Frisch
Publisher: Princeton University Press
ISBN: 1400833620
Category : Music
Languages : en
Pages : 479

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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.