The Genesis of Modern Chinese Literary Criticism (1917-1930) PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Genesis of Modern Chinese Literary Criticism (1917-1930) PDF full book. Access full book title The Genesis of Modern Chinese Literary Criticism (1917-1930) by Marián Gálik. Download full books in PDF and EPUB format.
Author: Marián Gálik Publisher: Routledge ISBN: 9781032250700 Category : Chinese literature Languages : en Pages : 356
Book Description
This book, first published in 1980, is a history of modern Chinese literary criticism between the years 1917 and 1930. It examines its development within the framework of Chinese national literature undergoing a literary revolution in as well as that of world literature and the impact of progressive literary criticism.
Author: Marián Gálik Publisher: Routledge ISBN: 9781032250700 Category : Chinese literature Languages : en Pages : 356
Book Description
This book, first published in 1980, is a history of modern Chinese literary criticism between the years 1917 and 1930. It examines its development within the framework of Chinese national literature undergoing a literary revolution in as well as that of world literature and the impact of progressive literary criticism.
Author: Marián Gálik Publisher: Routledge ISBN: 1000583171 Category : Social Science Languages : en Pages : 401
Book Description
This book, first published in 1980, is a history of modern Chinese literary criticism between the years 1917 and 1930. It examines its development within the overall frame of reference of Chinese national literature from the beginnings of the Chinese literary revolution in 1917 until the end of the first efforts at a revolutionary proletarian literature in 1930. Chinese literary criticism is also analysed within the framework of world literature, of world literary thought, especially of the impact of the progressive literary criticism.
Author: Yi Zheng Publisher: Purdue University Press ISBN: 1612491855 Category : Literary Criticism Languages : en Pages : 160
Book Description
This volume presents a historical-textual study about transformations of the aesthetics of the sublime—the literary and aesthetic quality of greatness under duress —from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke's Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth's Prelude, and Guo Moruo's experimental poem "Fenghuang Niepan" ("Nirvana of the Phoenix") and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures' traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies.
Author: Yingjin Zhang Publisher: John Wiley & Sons ISBN: 1118451619 Category : Literary Criticism Languages : en Pages : 592
Book Description
This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship
Author: Caroline Baillie Publisher: Campus Verlag ISBN: 9783593375076 Category : Computers Languages : en Pages : 240
Book Description
Travelling Facts explores the production and distribution of facts : their life cycles as well as the material networks through which they travel. Acknowledging that facts are fallible and originate primarily in isolated laboratories and field sites, the volume includes discussions about how facts are reassembled into practical knowledge, how they translate locally, and what lessons may be learned from those who attempt to regulate fact production and circulation in the face of the marked acceleration and expansion of digital technologies worldwide.
Author: Publisher: BRILL ISBN: 9004483543 Category : Literary Criticism Languages : en Pages : 244
Book Description
The present volume is the product of a joint effort made by scholars from across China (including Hong Kong), Japan and Europe. The book gathers sixteen papers devoted to literary and cultural criticism from a comparative point of view. A perspective prominent in this volume is imagology, an approach first developed by Daniel-Henry Pageaux, and which focuses on specific images in literary and other texts. The study of the image of the “foreign” in national literary traditions, for instance, belongs to the traditional purview of comparative literature. Pageaux did more than uphold this tradition. He practically reinvented it using new theoretical concepts and perspectives (in particular, semiotics and reception aesthetics). On this basis, he was able to develop a theory and a methodology that are both usable and in tune with contemporary concerns. The present book covers a wide range of topics in the study of images of Westerners in Chinese and Japanese literature. Individual contributions deal with issues such as the genesis of the Chinese term Foreign Devil, the occurrence of Westerners in modern Chinese and Japanese literature, and the Chinese and Japanese reception of indiviual western authors and artists such as, amongst others, Oscar Wilde, Vincent Van Gogh, and Madame Roland. Some papers examine individual authors such as Lu Xun and Takeyama Michio. Others examine historical periods or literary movements. The approaches followed range from historical investigations of linguistic practices to detailed literary analyses.
Author: Mau-sang Ng Publisher: SUNY Press ISBN: 9780887068805 Category : Literary Criticism Languages : en Pages : 352
Book Description
The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novel's form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the People's Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houying's Man ah, Man! and Zhao Zhenkai's Waves.
Author: Li-hua Ying Publisher: Rowman & Littlefield ISBN: 1538130068 Category : Literary Collections Languages : en Pages : 825
Book Description
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
Author: Marián Gálik
Author: Marián Gálik
Author: Marián Gálik
Author: Yi Zheng
Author: Yingjin Zhang
Author: Caroline Baillie
Author: 
Author: Mau-sang Ng
Author: Nils Göran David Malmqvist
Author: Haft
Author: Li-hua Ying