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Author: Jana Groh Publisher: GRIN Verlag ISBN: 3638877574 Category : Foreign Language Study Languages : en Pages : 11
Book Description
Essay from the year 2006 in the subject Orientalism / Sinology - Chinese / China, grade: 2,0, University College Cork (UK - University College York), language: English, abstract: At the beginning of the twentieth century China experienced many changes in nearly every respect. The country transformed into a modern state and in doing so traditions changed as well. For example China changed its form of government by abolishing its empire and establishing a republic. The old imperial regime was seen as very old-fashioned: „un monde que la technique et les idées modernes n‘ont pas encore touché“ (Bauchau, 1982, p. 19; translation: a world which has not yet been touched by the modern technic and ideas). If China wanted to be part of the modern westernised world, it had to modernise itself. But even though the last emperor abdicated in 1912, many traditions still lived in the Republic of China, some until the 1940s (cf. Brugger, 1977, p. 20). This can be seen in the Chinese film „Raise the Red Lantern“. This movie which original title is „Dà hóng denglóng gaogaou gua“ was made by the fifth generation director Zhang Yimou, and was published in 1991. The film set in the 1920s is about the young woman Songlian who actually has studied at university for one year. When her father dies, she cannot afford going to university any longer. Her stepmother marries her off to a rich man, Chen Zuoqian, in whose household traditions are most important. Songlian becomes the fourth concubine of this man. Every evening red lanterns are being hung up in the quarter of that wife who Chen Zuoqian is going to spend the night with. This also means that the respective wife seems to be the favourite one so that she gets more power over the whole family, e.g. she can decide about the dishes. Thus the four women, who see each other as rivals, fight each other whenever they can. Songlian tries to struggle hard for a place in the family, but she somehow fails. In the end she causes the death of two people, of her servant Yan‘er and of the third concubine Meishan, so that she finally gets insane. In this film one can watch the traditional Chinese gender relationships. These are analysed more closely in this essay.
Author: Jana Groh Publisher: GRIN Verlag ISBN: 3638877574 Category : Foreign Language Study Languages : en Pages : 11
Book Description
Essay from the year 2006 in the subject Orientalism / Sinology - Chinese / China, grade: 2,0, University College Cork (UK - University College York), language: English, abstract: At the beginning of the twentieth century China experienced many changes in nearly every respect. The country transformed into a modern state and in doing so traditions changed as well. For example China changed its form of government by abolishing its empire and establishing a republic. The old imperial regime was seen as very old-fashioned: „un monde que la technique et les idées modernes n‘ont pas encore touché“ (Bauchau, 1982, p. 19; translation: a world which has not yet been touched by the modern technic and ideas). If China wanted to be part of the modern westernised world, it had to modernise itself. But even though the last emperor abdicated in 1912, many traditions still lived in the Republic of China, some until the 1940s (cf. Brugger, 1977, p. 20). This can be seen in the Chinese film „Raise the Red Lantern“. This movie which original title is „Dà hóng denglóng gaogaou gua“ was made by the fifth generation director Zhang Yimou, and was published in 1991. The film set in the 1920s is about the young woman Songlian who actually has studied at university for one year. When her father dies, she cannot afford going to university any longer. Her stepmother marries her off to a rich man, Chen Zuoqian, in whose household traditions are most important. Songlian becomes the fourth concubine of this man. Every evening red lanterns are being hung up in the quarter of that wife who Chen Zuoqian is going to spend the night with. This also means that the respective wife seems to be the favourite one so that she gets more power over the whole family, e.g. she can decide about the dishes. Thus the four women, who see each other as rivals, fight each other whenever they can. Songlian tries to struggle hard for a place in the family, but she somehow fails. In the end she causes the death of two people, of her servant Yan‘er and of the third concubine Meishan, so that she finally gets insane. In this film one can watch the traditional Chinese gender relationships. These are analysed more closely in this essay.
Author: Diana Maury Robin Publisher: SUNY Press ISBN: 9780791439937 Category : Performing Arts Languages : en Pages : 404
Book Description
Examines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Author: Hsiu-Chuang Deppman Publisher: University of Hawaii Press ISBN: 0824833732 Category : Performing Arts Languages : en Pages : 258
Book Description
Hsiu-Chang Deppman puts landmark contemporary Chinese films in the context of their literary origins & explores how the best Chinese directors adapt fictional narratives & styles for film.
Author: Wendy Larson Publisher: Cambria Sinophone World ISBN: 9781604979756 Category : History Languages : en Pages : 440
Book Description
In this first critical study of films by Zhang Yimou in English, Wendy Larson plumbs the larger field of debate to suggest thought-provoking ways of thinking about the films and their relationship to Chinese culture.
Author: Tong Su Publisher: William Morrow ISBN: Category : Fiction Languages : en Pages : 280
Book Description
This collection of three novellas includes "Nineteen Thirty-Four Escapes," "Opium Family," and "Raise the Red Lantern," upon which the Academy Award(-nominated film was based.
Author: Doran Doran Publisher: BRILL ISBN: 1684170877 Category : History Languages : en Pages : 272
Book Description
The exceptionally powerful Chinese women leaders of the late seventh and early eighth centuries—including Wu Zhao, the Taiping and Anle princesses, Empress Wei, and Shangguan Wan’er—though quite prominent in the Chinese cultural tradition, remain elusive and often misunderstood or essentialized throughout history. Transgressive Typologies utilizes a new, multidisciplinary approach to understand how these figures’ historical identities are constructed in the mainstream secular literary-historical tradition and to analyze the points of view that inform these constructions. Using close readings and rereadings of primary texts written in medieval China through later imperial times, this study elucidates narrative typologies and motifs associated with these women to explore how their power is rhetorically framed, gendered, and ultimately deemed transgressive. Rebecca Doran offers a new understanding of major female figures of the Tang era within their literary-historical contexts, and delves into critical questions about the relationship between Chinese historiography, reception-history, and the process of image-making and cultural construction.
Author: Ken Albala Publisher: Routledge ISBN: 1136741666 Category : Social Science Languages : en Pages : 425
Book Description
Over the past decade there has been a remarkable flowering of interest in food and nutrition, both within the popular media and in academia. Scholars are increasingly using foodways, food systems and eating habits as a new unit of analysis within their own disciplines, and students are rushing into classes and formal degree programs focused on food. Introduced by the editor and including original articles by over thirty leading food scholars from around the world, the Routledge International Handbook of Food Studies offers students, scholars and all those interested in food-related research a one-stop, easy-to-use reference guide. Each article includes a brief history of food research within a discipline or on a particular topic, a discussion of research methodologies and ideological or theoretical positions, resources for research, including archives, grants and fellowship opportunities, as well as suggestions for further study. Each entry also explains the logistics of succeeding as a student and professional in food studies. This clear, direct Handbook will appeal to those hoping to start a career in academic food studies as well as those hoping to shift their research to a food-related project. Strongly interdisciplinary, this work will be of interest to students and scholars throughout the social sciences and humanities.
Author: Chiew-Siah Tei Publisher: Pan Macmillan ISBN: 0330479083 Category : Fiction Languages : en Pages : 328
Book Description
Mingzhi is the formidable Master Chai’s first grandson and groomed for a grand destiny from the very moment of his birth. But while Master Chai beats out orders with his dragon stick, there are threats to the future he has planned – from both within and without. Inside the mansion, there are secrets, lies, and plots; in the surrounding fields, there is the newly planted opium that signifies trouble ahead; and, further away, still, the foreign devils, intent on taking their own piece of the pie that is China. ‘Like a good Chinese drawing but always in motion . . . with the same breadth of scope and wealth of characters as many great nineteenth-century novels’ ALASDAIR GRAY, TLS ‘Chiew-Siah Tei is a master storyteller, and a rare talent, with that magical ability of being able to weave a spell over her readers, with riveting plots and prose that glows with life' Time Out HK
Author: Andrew B. Kipnis Publisher: Duke University Press ISBN: 9780822318736 Category : History Languages : en Pages : 246
Book Description
Throughout China the formation of guanxi, or social connections, involves friends, families, colleagues, and acquaintances in complex networks of social support and sentimental attachment. Focusing on this process in one rural north China village, Fengjia, Andrew Kipnis shows what guanxi production reveals about the evolution of village political economy, kinship and gender, and local patterns of subjectivity in Dengist China. His work offers a detailed description of the communicative actions--such as gift giving, being a host or guest, participating in weddings or funerals--that produce, manage, and deny guanxi in a specific time and place. Kipnis also offers a rare comparative analysis of how these practices relate to the varied and variable phenomenon of guanxi throughout China and as it has changed over time. Producing Guanxi combines the theory of Pierre Bourdieu and the insights of symbolic anthropology to contest past portrayals of guanxi as either a function of Chinese political economics or an unchanging Confucian social structure. In this analysis guanxi emerges as a purposeful human effort that makes use of past cultural logics while generating new ones. By exploring the role of sentiment in the creation of self, Kipnis critiques recent theories of subjectivity for their narrow focus on language and discourse, and contributes to the anthropological discussion of comparative selfhood. Navigating a path between mainstream social science and abstract social theory, Kipnis presents a more nuanced examination of guanxi than has previously been available and contributes generally to our understanding of relationships and human action.
Author: Jostein Gaarder Publisher: Farrar, Straus and Giroux ISBN: 1466804270 Category : Fiction Languages : en Pages : 735
Book Description
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.