Author: James L. McHardPublisher: The Future of Modern Music
ISBN: 9780977819508
Category : Music
Languages : en
Pages : 354
Book Description
The Future of Modern Music
Author: James L. McHardPublisher: The Future of Modern Music
ISBN: 9780977819508
Category : Music
Languages : en
Pages : 354
Book Description
The Future of Modern Music
Author: James L. McHardPublisher: American Book Publishing Group
ISBN: 9781930586246
Category : Music
Languages : en
Pages : 0
Book Description
With this brave new book, James McHard pulls away all the negativity shrouding the word modern in the realm of classical music. Through a skilled analysis of prominent composers from 1890 to the present, along with their musical styles, philosophies, and incentives, McHard reveals modern music as the fully enriched and enriching listening experience that it is.
The Future of Live Music
Author: Ewa MazierskaPublisher: Bloomsbury Publishing USA
ISBN: 1501355899
Category : Music
Languages : en
Pages : 256
Book Description
What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.
Modern Music
Author: Future Days
Author: David StubbsPublisher: Melville House
ISBN: 1612194745
Category : History
Languages : en
Pages : 514
Book Description
"First published in Great Britain in 2014 by Faber and Faber Ltd"--Title page verso.
Whose Blues?
Author: Adam GussowPublisher: UNC Press Books
ISBN: 1469660377
Category : Music
Languages : en
Pages : 333
Book Description
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
The History of Modern Music
Author: John HullahThe history of modern music, lectures
Author: John Pyke HullahModern Music and Musicians
Author: Richard Alexander StreatfeildPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 426
Book Description
The Future of Music
Author: Edward J. DentPublisher: Elsevier
ISBN: 1483137678
Category : Music
Languages : en
Pages : 54
Book Description
The Future of Music was first published under the title TERPANDER or Music and the Future in 1926 in a series ""To-day and Tomorrow"" (Kegan Paul, Trench, Trubner & Co. Ltd.). It has been reset and is reissued as a tribute to a great British musician, Edward J. Dent. Dent was fifty years old when he wrote this little book the future of music. Though his book is concerned with twentieth-century music he scarcely mentions any living composer by name. He is dealing primarily with taste and with our varied reactions to the music of the past and the present. The past is important, because it is both a key and an obstacle to our appreciation of the present. For this reason Dent includes a masterly summary of the history of music, from which his own preferences are almost entirely excluded; and to this is added a miniature essay on aesthetics which can be read with profit even by those who have no special interest in music.