Author: Bruce Thomas Boehrer
Publisher: University of Pennsylvania Press
ISBN: 1512800899
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
In The Fury of Men's Gullets, Bruce Boehrer explores the poet's fascination with alimentary matters and the ways in which such references describe Jonson's personal and cultural transformation. In his wide-ranging examination of Jonson's plays, prose, and nondramatic verse, Boehrer discusses the sociohistorical significance of food, the politics of conspicuous consumption, the infrastructure of Jacobean London, and pertinent aspects of Renaissance medical practice and physiological theory. The Fury of Men's Gullets uniquely interprets Jonson's construction of early modern English literary sensibility.
The Fury of Men's Gullets
Author: Bruce Thomas Boehrer
Publisher: University of Pennsylvania Press
ISBN: 1512800899
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
In The Fury of Men's Gullets, Bruce Boehrer explores the poet's fascination with alimentary matters and the ways in which such references describe Jonson's personal and cultural transformation. In his wide-ranging examination of Jonson's plays, prose, and nondramatic verse, Boehrer discusses the sociohistorical significance of food, the politics of conspicuous consumption, the infrastructure of Jacobean London, and pertinent aspects of Renaissance medical practice and physiological theory. The Fury of Men's Gullets uniquely interprets Jonson's construction of early modern English literary sensibility.
Publisher: University of Pennsylvania Press
ISBN: 1512800899
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
In The Fury of Men's Gullets, Bruce Boehrer explores the poet's fascination with alimentary matters and the ways in which such references describe Jonson's personal and cultural transformation. In his wide-ranging examination of Jonson's plays, prose, and nondramatic verse, Boehrer discusses the sociohistorical significance of food, the politics of conspicuous consumption, the infrastructure of Jacobean London, and pertinent aspects of Renaissance medical practice and physiological theory. The Fury of Men's Gullets uniquely interprets Jonson's construction of early modern English literary sensibility.
The Works of Ben Jonson
Author: Ben Jonson
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 488
Book Description
Playing Dirty
Author: Will Stockton
Publisher: U of Minnesota Press
ISBN: 0816674590
Category : History
Languages : en
Pages : 205
Book Description
The repression of desire uncovered in the production of scatological comedy.
Publisher: U of Minnesota Press
ISBN: 0816674590
Category : History
Languages : en
Pages : 205
Book Description
The repression of desire uncovered in the production of scatological comedy.
The Works
The Works of Ben Jonson, in Nine Volumes: The devil is an ass ; The staple of news ; The New Inn
Author: Ben Jonson
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 472
Book Description
The Works with Notes Critical and Explanatory, and a Biographical Memoir, by W. Gifford
The Works of Ben Jonson: The devil is an ass
The Staple of Newes. A Comedie Acted in the Yeare, 1625. By His Maiesties Servants
Author: Ben Jonson
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 76
Book Description
Ben Jonson's 'Dotages'
Author: Larry S. Champion
Publisher: University Press of Kentucky
ISBN: 0813187915
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Although there has been a general revival of interest in Ben Jonson's dramatic work in the past twenty years, little critical effort has been directed to his late plays—dismissed by John Dryden as the "dotages" of an aging mind. Through a close reading of The Devil Is an Ass, The Staple of News, The New Inn, and The Magnetic Lady in light of Jonson's own theories of comedy, author Larry S. Champion demonstrates that they reveal the same precise construction and dramatic control found in his acclaimed masterpieces. Furthermore, these works reflect Jonson's continued emphasis upon realism and satiric attack, though they may not be equal in quality or dramatic effectiveness. The brief and undistinguished stage runs of the late plays are not an accurate gauge of their dramatic merit. Rather than indicating an enfeebled mind, these late plays reveal Jonson to be a continuing innovator—adapting the forms of the pastoral, the romance, and the morality play to the purposes of comic satire. Previous critics have charged that Jonson was merely desirous of regaining public favor at the expense of his artistic integrity. The present study suggests, however, that Jonson in these plays was in reality burlesqueing the popular fad of exaggerated romantic comedy, which he considered a degradation of the dramatic art.
Publisher: University Press of Kentucky
ISBN: 0813187915
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
Although there has been a general revival of interest in Ben Jonson's dramatic work in the past twenty years, little critical effort has been directed to his late plays—dismissed by John Dryden as the "dotages" of an aging mind. Through a close reading of The Devil Is an Ass, The Staple of News, The New Inn, and The Magnetic Lady in light of Jonson's own theories of comedy, author Larry S. Champion demonstrates that they reveal the same precise construction and dramatic control found in his acclaimed masterpieces. Furthermore, these works reflect Jonson's continued emphasis upon realism and satiric attack, though they may not be equal in quality or dramatic effectiveness. The brief and undistinguished stage runs of the late plays are not an accurate gauge of their dramatic merit. Rather than indicating an enfeebled mind, these late plays reveal Jonson to be a continuing innovator—adapting the forms of the pastoral, the romance, and the morality play to the purposes of comic satire. Previous critics have charged that Jonson was merely desirous of regaining public favor at the expense of his artistic integrity. The present study suggests, however, that Jonson in these plays was in reality burlesqueing the popular fad of exaggerated romantic comedy, which he considered a degradation of the dramatic art.
Passionate Playgoing in Early Modern England
Author: Allison P. Hobgood
Publisher: Cambridge University Press
ISBN: 1107783054
Category : Drama
Languages : en
Pages : 247
Book Description
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for example - and how did their own reactions in turn make an impact on stage performances? Addressing these questions and many more, this book discerns not just how theatregoers were altered by drama's affective encounters, but how they were undeniable influences upon those encounters. Overall, Hobgood reveals a unique collaboration between the English world and stage, one that significantly reshapes the ways we watch, read and understand early modern drama.
Publisher: Cambridge University Press
ISBN: 1107783054
Category : Drama
Languages : en
Pages : 247
Book Description
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for example - and how did their own reactions in turn make an impact on stage performances? Addressing these questions and many more, this book discerns not just how theatregoers were altered by drama's affective encounters, but how they were undeniable influences upon those encounters. Overall, Hobgood reveals a unique collaboration between the English world and stage, one that significantly reshapes the ways we watch, read and understand early modern drama.