Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
ISBN: 0313029903
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.
Voltaire and the Theatre of the Eighteenth Century
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
ISBN: 0313029903
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.
Publisher: Bloomsbury Publishing USA
ISBN: 0313029903
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.
Shakespeare on the French Stage in the Eighteenth Century
Author: Marion Monaco
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 256
Book Description
Reading Drama in Eighteenth-Century France
Author: Thomas Wynn
Publisher: Oxford University Press
ISBN: 0198895321
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Publisher: Oxford University Press
ISBN: 0198895321
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
The French Drama in America in the Eighteenth Century and Its Influence on the American Drama of that Period, 1701-1800
Author: Lewis Patrick Waldo
Publisher: Baltimore [Md.] : J. Hopkins Press
ISBN:
Category : American drama
Languages : en
Pages : 316
Book Description
Publisher: Baltimore [Md.] : J. Hopkins Press
ISBN:
Category : American drama
Languages : en
Pages : 316
Book Description
Architecture, Print Culture and the Public Sphere in Eighteenth-Century France
Author: Richard Wittman
Publisher: Routledge
ISBN: 0429565917
Category : Architecture
Languages : en
Pages : 320
Book Description
This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution. Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon]. Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.
Publisher: Routledge
ISBN: 0429565917
Category : Architecture
Languages : en
Pages : 320
Book Description
This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution. Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon]. Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.
Books of Reference for Students & Teachers of French
Author: Eugen Braunholtz
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 92
Book Description
The Bookmart
Author: Richard Halkett
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 732
Book Description
Catalogue of the Library of the Late Alfred Henry Lewis of New York...books and Autographs Consigned by Mrs. Albert Tucker, Mrs. Elizabeth B. Levy, a Private Collector, a Gentleman of New York, and William V. Farrell of Brooklyn...Sold on [December 1st and 2nd, 1915]...at Unrestricted Public Sale by Mr. Thomas E. Kirby...of the American Art Association ...
Author: American Art Association
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 180
Book Description
Colley Cibber
Author: Helene Koon
Publisher: University Press of Kentucky
ISBN: 081318522X
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation. Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.
Publisher: University Press of Kentucky
ISBN: 081318522X
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation. Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.
French Theatre in the Neo-classical Era, 1550-1789
Author: William Driver Howarth
Publisher: Cambridge University Press
ISBN: 9780521230131
Category : Drama
Languages : en
Pages : 764
Book Description
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
Publisher: Cambridge University Press
ISBN: 9780521230131
Category : Drama
Languages : en
Pages : 764
Book Description
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.