Author: Celia Rees Publisher: A&C Black ISBN: 0747597340 Category : Juvenile Fiction Languages : en Pages : 321
Book Description
Nominated for the Carnegie Medal 2011 Shakespeare in Love meets Twelfth Night - A gripping and evocative historical novel by bestselling Celia Rees
Author: Christopher Moore Publisher: Harper Collins ISBN: 0061974773 Category : Fiction Languages : en Pages : 356
Book Description
“Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students.” —Dallas Morning News Fool—the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore—is a hilarious new take on William Shakespeare’s King Lear…as seen through the eyes of the foolish liege’s clownish jester, Pocket. A rousing tale of “gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,” Fool joins Moore’s own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore “a very sick man, in the very best sense of the word.”
Author: Frederick B. Warde Publisher: ISBN: Category : Fools and jesters in literature Languages : en Pages : 280
Book Description
I have found occasion in several instances, to differ with some of the well known Shakespearean scholars; but it must always be remembered that I speak from the viewpoint of the actor, for whom, and for whom alone the plays were written. I have not entered the literary dissecting room, nor invaded the realm of psychology. The line of demarcation between humor and imbecility, folly and insanity, I leave to the professional alienist. I have taken the characters as they appear in the plays and as I conceive the author intended them, with due reference to their relation to the other characters. - Preface.
Author: Jeffrey Kahan Publisher: Routledge ISBN: 1135973652 Category : Literary Criticism Languages : en Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author: Northrop Frye Publisher: University of Toronto Press ISBN: 1442656239 Category : Literary Criticism Languages : en Pages : 70
Book Description
In the Alexander Lectures for 1965-66 at the University of Toronto, Dr. Frye describes the basis of the tragic vision as "being in time," in which death as "the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future." In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of "being in time" shapes the action. In the first type, of which Julius Caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is "the impact of heroic energy on the human situation" with the result that the "heroic is normally destroyed ... and the human situation goes on surviving." Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature.
Author: Peter J. Leithart Publisher: Wipf and Stock Publishers ISBN: 153263854X Category : Literary Criticism Languages : en Pages : 192
Book Description
This book gives close attention to the poetry and plotting of six Shakespeare plays, three tragedies (Coriolanus, Richard III, and King Lear) and three comedies (Midsummer Night's Dream, Twelfth Night, The Merchant of Venice), paying particular attention to biblical imagery and theological themes of the plays.
Author: Sam Hall Publisher: Routledge ISBN: 1317223608 Category : Literary Criticism Languages : en Pages : 215
Book Description
This study contends that folly is of fundamental importance to the implicit philosophical vision of Shakespeare’s drama. The discourse of folly’s wordplay, jubilant ironies, and vertiginous paradoxes furnish Shakespeare with a way of understanding that lays bare the hypocrisies and absurdities of the serious world. Like Erasmus, More, and Montaigne before him, Shakespeare employs folly as a mode of understanding that does not arrogantly insist upon the veracity of its own claims – a fool’s truth, after all, is spoken by a fool. Yet, as this study demonstrates, Shakespearean folly is not the sole preserve of professional jesters and garrulous clowns, for it is also apparent on a thematic, conceptual, and formal level in virtually all of his plays. Examining canonical histories, comedies, and tragedies, this study is the first to either contextualize Shakespearean folly within European humanist thought, or to argue that Shakespeare’s philosophy of folly is part of a subterranean strand of Western philosophy, which itself reflects upon the folly of the wise. This strand runs from the philosopher-fool Socrates through to Montaigne and on to Nietzsche, but finds its most sustained expression in the Critical Theory of the mid to late twentieth-century, when the self-destructive potential latent in rationality became an historical reality. This book makes a substantial contribution to the fields of Shakespeare, Renaissance humanism, Critical Theory, and Literature and Philosophy. It illustrates, moreover, how rediscovering the philosophical potential of folly may enable us to resist the growing dominance of instrumental thought in the cultural sphere.
Author: John Keats Publisher: Pickle Partners Publishing ISBN: 1786257726 Category : History Languages : en Pages : 753
Book Description
The time: 1942. The place: The Japanese-occupied island of Mindanao in the Philippines. The Story: A stirring true account of a man who refused to be defeated. When the American forces in the Philippines surrendered in May, 1942, a mining engineer named Wendell Fertig chose to take his chances in the jungle. What happened to him during nearly three years far behind enemy lines is the amazing story that John Keats tells in They Fought Alone. For Fertig, with the aid of a handful of Americans who also refused to surrender, led thousands of Filipinos in a seemingly hopeless war against the Japanese. They made bullets from curtain rods; telegraph wire from iron fence. They fought off sickness, despair and rebellion within their own forces. Their homemade communications were MacArthur’s eyes and ears in the Philippines. When the Americans finally returned to Mindanao, they found Fertig virtually in control of one of the world’s largest islands, commanding an army of 35,000 men, and at the head of a civil government with its own post office, law courts, currency, factories, and hospitals. John Keats, who also served in the Philippines, has captured all the pain, brutality, and courage of this incredible drama, in which many memorable men and women play their parts. But They Fought Alone is essentially the story of one man—a testament to the ingenuity and sheer guts of an authentic American hero. “This remarkable story of guerrilla fighting in the Philippines during WWII...it is absorbing reading. . . . More remarkable still, though it contains death, torture, and desolation, it bubbles with humor.” —S. L. A. Marshall, The NY Times Book Review “A true and admirably researched account of an American hero who refused to accept defeat. His courage was incredible and his resourcefulness equally so. . . . I have read scores of books in this genre and Keats’ is one of the best.” —Chicago Tribune
Author: Celia Rees
Author: Christopher Moore
Author: Frederick B. Warde
Author: Jeffrey Kahan
Author: David Wiles
Author: Northrop Frye
Author: Robert Hillis Goldsmith
Author: Peter J. Leithart
Author: Sam Hall
Author: John Keats