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Author: Lynn Hershman Leeson Publisher: ISBN: 9781736394908 Category : Languages : en Pages :
Book Description
The Floating Museum was a temporary museum, organized by the artist Lynn Hershman Leeson, which commissioned site-specific works around the Bay Area, at the SFMOMA, and abroad, providing exposure to many women artists, and artists working in mediums underrepresented in the museum context at the time. Among the near 350 artists commissioned were Eleanor Antin, Michael Asher, Judith Barry, Theresa Hak Kyung Cha, Gordon Matta Clark, R. Crumb, Douglas Davis, Barbara Hammer, Newton Harrison & Helen Mayer Harrison, Suzanne Lacy, Cindy Sherman, and Spain. Though very successful, The Floating Museum, remained under the historic radar until very recently. It's structure became a model for Creative Time and PS1, amongst other arts organizations.
Author: Lynn Hershman Leeson Publisher: ISBN: 9781736394908 Category : Languages : en Pages :
Book Description
The Floating Museum was a temporary museum, organized by the artist Lynn Hershman Leeson, which commissioned site-specific works around the Bay Area, at the SFMOMA, and abroad, providing exposure to many women artists, and artists working in mediums underrepresented in the museum context at the time. Among the near 350 artists commissioned were Eleanor Antin, Michael Asher, Judith Barry, Theresa Hak Kyung Cha, Gordon Matta Clark, R. Crumb, Douglas Davis, Barbara Hammer, Newton Harrison & Helen Mayer Harrison, Suzanne Lacy, Cindy Sherman, and Spain. Though very successful, The Floating Museum, remained under the historic radar until very recently. It's structure became a model for Creative Time and PS1, amongst other arts organizations.
Author: Timothy Clark Publisher: ISBN: 9781903973004 Category : Color prints, Japanese Languages : en Pages : 333
Book Description
This ambitious and groundbreaking publication accompanies an exhibition of highlights from the early ukiyo-e holdings of the Museum of Fine Arts, Boston. Much of Boston's renowned collection of 'pictures of the floating world' (ukiyo-e), an incomparable record of Japanese life, was acquired from the Boston physician William Sturgis Bigelow in the early twentieth century. Subject to a loan restriction since 1928, most of this collection has never before been seen outside Boston. Many of the works have been newly photographed for this catalogue and are hitherto unpublished in this format. Illustrated throughout in colour, this book also features essays, artist biographies and exhaustive catalogue entries by leading scholars examining the stylistic nuances of early masters such as Hishikawa Moronobu and Okumura Masanobu; the techniques used by early ukiyo-e artists; and the history of the Boston collection, 'the finest collection of oriental art under one roof in the world'.
Author: Julie Nelson Davis Publisher: University of Hawaii Press ISBN: 0824889339 Category : Art Languages : en Pages : 225
Book Description
Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
Author: Ann L. Buttenwieser Publisher: Cornell University Press ISBN: 1501716026 Category : Architecture Languages : en Pages : 182
Book Description
Why on earth would anyone want to float a pool up the Atlantic coastline to bring it to rest at a pier on the New York City waterfront? In The Floating Pool Lady, Ann L. Buttenwieser recounts her triumphant adventure that started in the bayous of Louisiana and ended with a self-sustaining, floating swimming pool moored in New York Harbor. When Buttenwieser decided something needed to be done to help revitalize the New York City waterfront, she reached into the city's nineteenth-century past for inspiration. Buttenwieser wanted New Yorkers to reestablish their connection to their riverine surroundings and she was energized by the prospect of city youth returning to the Hudson and East Rivers. What she didn't suspect was that outfitting and donating a swimming facility for free enjoyment by the public would turn into an almost-Sisyphean task. As she describes in The Floating Pool Lady, Buttenwieser battled for years with politicians and struggled with bureaucrats as she brought her "crazy" scheme to fruition. From dusty archives in the historic Battery Maritime Building to high-stakes community board meetings to tense negotiations in the Louisiana shipyard, Buttenwieser retells the improbable process that led to a pool named The Floating Pool Lady tying up to a pier at Barretto Point Park in the Bronx, ready for summer swimmers. Throughout The Floating Pool Lady, Buttenwieser raises consciousness about persistent environmental issues and the challenges of developing a constituency for projects to make cities livable in the twenty-first century. Her story and that of her floating pool function as both warning and inspiration to those who dare to dream of realizing innovative public projects in the modern urban landscape.
Author: Donald Jenkins Publisher: Portland Museum of Art ISBN: 9780824816148 Category : Arts, Japanese Languages : en Pages : 0
Book Description
A lovely volume, being the catalog of an exhibition held at the Portland Art Museum. Its subject is the golden age (roughly 1780 to 1800) of what the Japanese call ukiyo-e, a term that embraces, but is not limited to, what in the West are simply called Japanese prints. In addition to the exhibition
Author: Bathsheba Demuth Publisher: W. W. Norton & Company ISBN: 0393635171 Category : History Languages : en Pages : 416
Book Description
A groundbreaking exploration of the relationship between capitalism, communism, and Arctic ecology since the dawn of the industrial age. Whales and walruses, caribou and fox, gold and oil: through the stories of these animals and resources, Bathsheba Demuth reveals how people have turned ecological wealth in a remote region into economic growth and state power for more than 150 years. The first-ever comprehensive history of Beringia, the Arctic land and waters stretching from Russia to Canada, Floating Coast breaks away from familiar narratives to provide a fresh and fascinating perspective on an overlooked landscape. The unforgiving territory along the Bering Strait had long been home to humans—the Inupiat and Yupik in Alaska, and the Yupik and Chukchi in Russia—before Americans and Europeans arrived with revolutionary ideas for progress. Rapidly, these frigid lands and waters became the site of an ongoing experiment: How, under conditions of extreme scarcity, would the great modern ideologies of capitalism and communism control and manage the resources they craved? Drawing on her own experience living with and interviewing indigenous people in the region, as well as from archival sources, Demuth shows how the social, the political, and the environmental clashed in this liminal space. Through the lens of the natural world, she views human life and economics as fundamentally about cycles of energy, bringing a fresh and visionary spin to the writing of human history. Floating Coast is a profoundly resonant tale of the dynamic changes and unforeseen consequences that immense human needs and ambitions have brought, and will continue to bring, to a finite planet.
Author: Quintan Ana Wikswo Publisher: Coffee House Press ISBN: 1566894069 Category : Fiction Languages : en Pages : 306
Book Description
When love, lust, and longing, have all but killed you, and Newtonian physics has become too painfully restrictive, is it possible to find freedom in another dimension? Have you lost the will to live, or the will to live as human? Castaways in unmapped terrain, the characters in The Hope of Floating Has Carried Us This Far burrow underground in tunnels made by ancient nautiluses. They lay eggs by the seashore, and greet the sailors who come to carry those eggs away. And each by each, they choose to live—but to surrender their human forms. From within their peculiar neither-here-nor-there-doms, they learn to live in unbounded states, with edges that can no longer be marked, and meanings that can no longer be defined. Quintan Ana Wikswo is a writer and visual artist recognized for adventurous works that integrate her fiction, poetry, memoir, and essay with her photographs, performances, and films. Her works are published, performed, and exhibited throughout the world, including anthologies, artist books, magazines such as Tin House, Guernica, Conjunctions, the Kenyon Review, and Gulf Coast, and in multiple solo museum exhibitions in New York City and Berlin. A human rights worker for two decades, she now uses salvaged government typewriters and cameras to navigate known, unknown, and occluded worlds, especially obscured sites where crimes against humanity have taken place. She lives in Brooklyn.