The Flemish School of Painting PDF Download

Author: Alphonse-Jules Wauters
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 462

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Author: Norbert Wolf
Publisher: Prestel Publishing
ISBN: 9783791377674
Category : Art
Languages : en
Pages : 0

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This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

Author: Alphonse J. Wauters
Publisher:
ISBN: 9783337840822
Category :
Languages : en
Pages : 448

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Author: A. J. Wauters
Publisher:
ISBN: 9783337750268
Category :
Languages : en
Pages : 448

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Author: Jacques Lassaigne
Publisher:
ISBN: 9780847801473
Category : Painting, Flemish
Languages : en
Pages :

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Author: Hans Vlieghe
Publisher: Yale University Press
ISBN: 9780300104691
Category : Art
Languages : en
Pages : 356

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02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.

Author: Arthur K. Wheelock
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 304

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"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.

Author: Esther Singleton
Publisher: Forgotten Books
ISBN: 9781330168424
Category : Art
Languages : en
Pages : 477

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Excerpt from The Belgian Galleries: Being a History of the Flemish School of Painting, Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in Bruges, Antwerp, Ghent, Brussels and Other Belgian Cities In the following pages, I have endeavoured to give a concise description of the works of art in the Belgian galleries as well as some of the most famous masterpieces to be found in cathedrals, churches and other religious foundations. The visitor to the galleries of Antwerp, Brussels and Bruges will immediately notice that the great majority of the pictures are by native artists, only a few foreign works, principally by Italian and French masters, being met with. Dutch pictures, of course, are found in considerable numbers; but the Dutch School is so closely allied with the Flemish that it is difficult to distinguish them till the time of Rubens. Even the Little Masters of Belgium and Holland closely resemble one another in character, especially the painters Of genre and still-life. Sir Joshua Reynolds thought it more reasonable to class the pictures according to their size rather than the birthplaces of the artists, the style and manner of many of the Dutch and Flemish painters being identical. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: John Thomas James
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 420

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Author: A. J. Wauters
Publisher: Forgotten Books
ISBN: 9781330082607
Category : Art
Languages : en
Pages : 439

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Book Description
Excerpt from The Flemish School of Painting About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.