Author: Marie-Louise Hairs
Publisher:
ISBN:
Category : Botanical illustration
Languages : en
Pages : 530
Book Description
The Flemish Flower Painters in the XVIIth Century
Author: Marie-Louise Hairs
Publisher:
ISBN:
Category : Botanical illustration
Languages : en
Pages : 530
Book Description
Publisher:
ISBN:
Category : Botanical illustration
Languages : en
Pages : 530
Book Description
Seventeenth-Century Flemish Garland Paintings
Author: Susan Merriam
Publisher: Routledge
ISBN: 1351549073
Category : Art
Languages : en
Pages : 214
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Publisher: Routledge
ISBN: 1351549073
Category : Art
Languages : en
Pages : 214
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
The Flemish Flower Painters in the 17th Century
Author: Marie-Louise Hairs
Publisher:
ISBN:
Category : Painting, Flemish
Languages : en
Pages : 518
Book Description
Publisher:
ISBN:
Category : Painting, Flemish
Languages : en
Pages : 518
Book Description
Seventeenth-Century Flemish Garland Paintings
Author: Susan Merriam
Publisher: Routledge
ISBN: 1351549065
Category : Art
Languages : en
Pages : 223
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Publisher: Routledge
ISBN: 1351549065
Category : Art
Languages : en
Pages : 223
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Seventeenth-Century Dutch and Flemish Painting
Author: Ivan Gaskell
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Art
Languages : en
Pages : 556
Book Description
A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established. The art of Holland's Golden Age is perennially popular with collectors and gallery visitors alike and this book provides a new insight into this unique private collection. In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art. It ranges from minutely observed scens of everyday life to portraits, religious works and intimate still-life compositions. The Thyssen-Bornemisza Collection is especially rich in landscapes, a subject which had emerged as a seperate genre in the Netherlands in the previous century. The author outlines the development of painting on both sides of the border, placing it in its social and historical context, and goes on to discuss the taste for Dutch and Flemish art from the seventeenth century to the present day and spotlights some of the earlier collectors. This detailed catalogue of 128 paintings is the result of meticulous researchin British, Dutch and American libraries and archives. The entries are arranged in ten groups by subject so that thematic similarities can be conveniently examined. Amongst the most celebrated works is Frans Hal's monumental "Family Portrait" - once the most expensive painting in the world. All the paintings are illustrated in colour and are accompanied by comparative illustrations and technical photographs.
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Art
Languages : en
Pages : 556
Book Description
A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established. The art of Holland's Golden Age is perennially popular with collectors and gallery visitors alike and this book provides a new insight into this unique private collection. In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art. It ranges from minutely observed scens of everyday life to portraits, religious works and intimate still-life compositions. The Thyssen-Bornemisza Collection is especially rich in landscapes, a subject which had emerged as a seperate genre in the Netherlands in the previous century. The author outlines the development of painting on both sides of the border, placing it in its social and historical context, and goes on to discuss the taste for Dutch and Flemish art from the seventeenth century to the present day and spotlights some of the earlier collectors. This detailed catalogue of 128 paintings is the result of meticulous researchin British, Dutch and American libraries and archives. The entries are arranged in ten groups by subject so that thematic similarities can be conveniently examined. Amongst the most celebrated works is Frans Hal's monumental "Family Portrait" - once the most expensive painting in the world. All the paintings are illustrated in colour and are accompanied by comparative illustrations and technical photographs.
Dutch and Flemish Flower and Fruit Painters of the XVIIth and XVIIIth Centuries [1928].
Author: Ralph Warner
Publisher:
ISBN:
Category : Flowers in art
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Flowers in art
Languages : en
Pages : 244
Book Description
Dutch and Flemish Flower and Fruit Painters of the XVIIth and XVIIIth Centuries
Flemish Painting in the XVIIth Century
Author: Edouard Michel
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 288
Book Description
Each colored plate accompanied by guard sheet with descriptive letterpress. "Edited by Andr©♭ Gloeckner." Bibliography: p. 32.
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 288
Book Description
Each colored plate accompanied by guard sheet with descriptive letterpress. "Edited by Andr©♭ Gloeckner." Bibliography: p. 32.
Dutch and Flemish Flower and Fruit Painters of the XVIIth and XVIIIth Centuries ... Comprising 208 Illustrations, Representing 104 Masters
Dutch and Flemish Flower Pieces (2 vols in case)
Author: Sam Segal
Publisher: BRILL
ISBN: 9004427457
Category : Art
Languages : en
Pages : 1266
Book Description
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
Publisher: BRILL
ISBN: 9004427457
Category : Art
Languages : en
Pages : 1266
Book Description
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.