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Author: Margrethe Jolly Publisher: McFarland ISBN: 147661556X Category : Literary Criticism Languages : en Pages : 257
Book Description
It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.
Author: Margrethe Jolly Publisher: McFarland ISBN: 147661556X Category : Literary Criticism Languages : en Pages : 257
Book Description
It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.
Author: Margrethe Jolly Publisher: McFarland ISBN: 078647887X Category : Literary Criticism Languages : en Pages : 257
Book Description
It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.
Author: William Shakespeare Publisher: Cambridge University Press ISBN: 9780521653909 Category : Drama Languages : en Pages : 148
Book Description
The first quarto of Hamlet is radically different from the second quarto and Folio versions of the play, and about half their length. But despite its uneven verbal texture and simpler characterisation, the first quarto presents its own workable alternatives to the longer texts, reordering and combining key plot elements, and even including a unique scene between Horatio and the Queen. This new critical edition is designed for students, scholars and actors who are intrigued by the first printed text of Shakespeare's Hamlet. Although the first quarto has been reprinted many times, there is no other modernised edition in print. Irace's introduction outlines views of its origins, its special features, and its surprisingly rich performance history; her textual notes point out differences between the first quarto and the longer second quarto and Folio versions and offer alternatives which actors or directors might choose for specific productions.
Author: Wilhelm Vietor Publisher: ISBN: 9781331128526 Category : Drama Languages : en Pages : 327
Book Description
Excerpt from Hamlet: Parallel Texts of the First and Second Quartos and the First Folio The aim of the present volume is simply to place before the reader exact reprint« of the two earliest Quartos and the first Folio text of Hamlet arranged in parallel columns for ready reference. Collations of other editions would, of course, also have been desirable, but a« these would have inconveniently swelled the bulk of the volume, and are easily accessible in the Cambridge Edition, or in Furness's Variorum Shakespeare, they have been dispensed with. The First Quarto (Q1), of 1603, is here reprinted from the facsimile in photo-lithography by W. Griggs, reproduced from the Duke of Devonshire's copy, the last leaf, which is wanting in the Duke's copy, being supplied from that in the British Museum. Its title is as follows: The | Tragicall Historie of | Hamlet | Prince of Denmarke | By William Shakespeare. | As it hath beene diuerse times acted by his Highnesse fer- | uante in the Cittie of London: as also in the two V- | niuersities of Cambridge and Oxford, and else-where | [Vignette.] | At London printed for N. L. and Iohn Trundell. | 1603. Our reprint of the Second Quarto (Q2), of 1604, is likewise made from Mr. Griggs's facsimile in photo-lithography of the Duke of Devonshire's copy of the original, with the following title-page: The | Tragicall Historie of | Hamlet, | Prince of Denmarke. | By William Shakespeare. | Newly imprinted and enlarged to almost as much | againe as it was, according to the true and perfect | Coppie. | [Vignette.] | At London, | Printed by I. R. for N. L. and are to be fold at his | shoppe vnder Saint Dunstons Church in | Fleetstreet. 1604. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Ben Crystal Publisher: Penguin UK ISBN: 0141941529 Category : Literary Criticism Languages : en Pages : 676
Book Description
A vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.
Author: Publisher: Anaphora Literary Press ISBN: 1681145685 Category : Drama Languages : en Pages : 174
Book Description
The censored satirical or “bad” version of the “Shakespeare” classic that features a homosexual affair between Hamlet and Horatio, and Ofelia’s deflowering to feign heterosexual normalcy. The standard summary of Hamlet describes it as a “tragedy” about a “mad” or “tormented” Prince of Denmark, who follows the solicitation of the Ghost of his assassinated father to revenge-murder his incestuous and homicidal uncle Claudius. The commentary that accompanies this never-before fully-modernized First Quarto of Hamlet explains how it was initially designed to be a satire that diverged from Saxo Grammaticus’ Danish History where Amleth pretends to be mad not only to execute revenge but also to successfully win the crown from his uncle. The First Quarto subtracts any desire for the crown from Hamlet, and instead subversively explains that Hamlet is motivated to feign madness and to deflower Ofelia to disguise his outlawed homosexual love for Horatio. Hamlet makes no direct expressions of attraction towards Ofelia’s beauty. And in the resolution, Horatio offers to poison himself to death when he learns Hamlet is dying. The satirical perspective of this history is especially apparent in the cemetery scene where the Clown 1 gravedigger sifts through a mass-grave to help Hamlet find a dried skull among those that are still decomposing. The heavy re-write between the 1603 and 1604 editions of Hamlet also help to show Percy’s re-writing habit that confirms the attribution to him of diverging versions of anonymous and then “Shakespeare”-bylined versions of Leir/ Lear, and Tragedy of/ Richard III. “Hamlet: The First Quarto is an iconoclastic, unique, informative, and inherently interesting study that is highly recommended for personal, professional, community, college, and university library Literary Studies collections in general, and supplemental curriculum Shakespearean Studies lists in particular. It is volume twelve of the simply outstanding British Renaissance Re-Attribution and Modernization Series from Anaphora Literary Press. Ably translated by academician Anna Faktorovich, Hamlet: The First Quarto will have a particular interest and value for Shakespearean scholars and students, as well as the non-specialist general reader with an interest in the subject.” —Midwest Book Review, James Cox, February 2022 Exordium Plot and Staging Segments from “Book Three” and “Book Four” of Saxo Grammaticus’ The Danish History Introduction to the 1825 Edition by William Nicol Introduction to the 1860 Edition by Samuel Timmins Text Terms, References, Questions, Exercises
Author: Margrethe Jolly
Author: Margrethe Jolly
Author: William Shakespeare
Author: Margrethe Jolly
Author: William Shakespeare
Author: William Shakespeare
Author: William Shakespeare
Author: Wilhelm Vietor
Author: William Shakespeare
Author: Ben Crystal
Author: