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The First Hundred Years of the Boehm Flute in the United States, 1845-1945

The First Hundred Years of the Boehm Flute in the United States, 1845-1945 PDF Author: Susan Marie Beagle Berdahl
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 1778

Book Description
Describes the introduction and expansion of Boehm flute manufacturing in the United States, specific features of construction, and provides a comprehensive list of Boehm flutemakers active in the United States before 1945.

The First Hundred Years of the Boehm Flute in the United States, 1845-1945

The First Hundred Years of the Boehm Flute in the United States, 1845-1945 PDF Author: Susan Marie Beagle Berdahl
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 1778

Book Description
Describes the introduction and expansion of Boehm flute manufacturing in the United States, specific features of construction, and provides a comprehensive list of Boehm flutemakers active in the United States before 1945.

The first hundred years of the Boehm flute in the United States

The first hundred years of the Boehm flute in the United States PDF Author: Susan M. Berdahl
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


The First Hundred Years of the Boehm Flute in the United States, 1845-1945

The First Hundred Years of the Boehm Flute in the United States, 1845-1945 PDF Author: Susan Marie Beagle Berdahl
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 618

Book Description


Monarch of the Flute

Monarch of the Flute PDF Author: Nancy Toff
Publisher: Oxford University Press
ISBN: 0199883556
Category : Music
Languages : en
Pages : 452

Book Description
Georges Barrère (1876-1944) holds a preeminent place in the history of American flute playing. Best known for two of the landmark works that were written for him--the Poem of Charles Tomlinson Griffes and Density 21.5 by Edgard Varèse--he was the most prominent early exemplar of the Paris Conservatoire tradition in the United States and set a new standard for American woodwind performance. Barrère's story is a musical tale of two cities, and this book uses his life as a window onto musical life in Belle Epoque Paris and twentieth-century New York. Recurrent themes are the interactions of composers and performers; the promotion of new music; the management, personnel, and repertoire of symphony orchestras; the economic and social status of the orchestral and solo musician, including the increasing power of musicians' unions; the role of patronage, particularly women patrons; and the growth of chamber music as a professional performance medium. A student of Paul Taffanel at the Paris Conservatoire, by age eighteen Barrère played in the premiere of Debussy's Prelude to the Afternoon of a Faun. He went on to become solo flutist of the Concerts Colonne and to found the Sociètè Moderne d'Instruments á Vent, a pioneering woodwind ensemble that premiered sixty-one works by forty composers in its first ten years. Invited by Walter Damrosch to become principal flute of the New York Symphony in 1905, he founded the woodwind department at the Institute of Musical Art (later Juilliard). His many ensembles toured the United States, building new audiences for chamber music and promoting French repertoire as well as new American music. Toff narrates Barrère's relationships with the finest musicians and artists of his day, among them Isadora Duncan, Yvette Guilbert, André Caplet, Paul Hindemith, Albert Roussel, Wallingford Riegger, and Henry Brant. The appendices of the book, which list Barrère's 170 premieres and the 50 works dedicated to him, are a resource for a new generation of performers. Based on extensive archival research and oral histories in both France and the United States, this is the first biography of Barrère.

A Dictionary for the Modern Flutist

A Dictionary for the Modern Flutist PDF Author: Susan J. Maclagan
Publisher: Rowman & Littlefield
ISBN: 1538106663
Category : Music
Languages : en
Pages : 435

Book Description
The second edition of Susan J. Maclagan’s A Dictionary for the Modern Flutist presents clear and concise definitions of more than 1,600 common flute-related terms that a player of the Boehm-system or Baroque flute may encounter. Fully illustrated with more than 150 images, the entries describe flute types, flute parts; playing techniques; acoustics; articulations; intonation; common ornaments; flute-making and repairs; flute history; flute music books, and many more topics. Unique to the second edition are entries on beatbox techniques and muscles of the face and throat. Entries now also feature bibliographic cross-references for further research. Carefully labeled illustrations for many flute types, parts, mechanisms, and accessories help make definitions easier to visualize. Appendixes provide further information on such subjects as flute classifications, types of flutes and their parts, key and tone hole names, head joint options, orchestra and opera audition excerpts, and biographies of people mentioned in the definitions. Contributed articles include “An Easy Guide to Checking Your Flute Tuning and Scale” by Trevor Wye; “Flute Clutches” by David Shorey; "Early Music on Modern Flute” by Barthold Kuijken; and “Crowns and Stoppers” and “Boehm Flute Scales from 1847 to the Present:The Short Story” by Gary Lewis. Maclagan’s A Dictionary for the Modern Flutist, second edition is an essential reference volume for flutists of all levels and for libraries supporting student, professional, and amateur musicians.

The Flutist Quarterly

The Flutist Quarterly PDF Author:
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 344

Book Description


The Bassoon

The Bassoon PDF Author: James B. Kopp
Publisher: Yale University Press
ISBN: 030018364X
Category : Music
Languages : en
Pages : 360

Book Description
This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume [Publisher description].

History of the Boehm Flute

History of the Boehm Flute PDF Author: Christopher Welch
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 558

Book Description


The Ancient Times

The Ancient Times PDF Author:
Publisher:
ISBN:
Category : Drum
Languages : en
Pages : 372

Book Description


History of the Boehm Flute; with Illustrations Exemplifying Its Origin by Progressive Stages and an Appendix Containing the Attack Originally Made On

History of the Boehm Flute; with Illustrations Exemplifying Its Origin by Progressive Stages and an Appendix Containing the Attack Originally Made On PDF Author: Christopher Welch
Publisher: Theclassics.Us
ISBN: 9781230356488
Category :
Languages : en
Pages : 32

Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1883 edition. Excerpt: ... APPENDIX. INSTITUT DE FRANCE. ACADEMIE ROYALE DES BEAUX-ARTS. Le Secretaire perpetuel de l'Academie certifie que ce qui suit est extrait du Proces-verbal de la Seance du Samedi, 24 Mars 1838. Messieurs, D'apres l'invitation qui vous a ete faite par M. le Ministre de l'interieur, vous avez renvoye a votre section de Musique l'examen des perfectionnemens apportes dans la confection des Flutes, dites Flutes selon le systeme de Bohm, par M. Coche, professeur de flute a notre Conservatoire de Musique, et auteur d'une Methode ayant pour but de faciliter l'enseignement et l'etude de ce nouvel instrument. Nous nous sommes occupes de cet examen, et je vais avoir l'honneur de vous donner lecture du rapport dans lequel votre section de musique a consigne son opinion sur les merites de cette flute et ceux de la methode composee par M. Coche. L'instrument de musique auquel on a donne le nom de flute est sans contredit, l'un des instrumens le plus anciennement crees, et, depuis la flute de Pan jusqu'a celles en usage maintenant, et que l'on nomme flutes traversieres, par la raison qu'on les joue en travers, la forme et les moyens d'execution sur cet instrument ont continuellement eprouve de grands changemens, et l'on ne peut douter que ces divers changemens n'aient toujours eu pour but celui de chercher a corriger les vices d'intonation inherens a la construction des anciennes flutes. Nous pensons que l'inventeur de cette nouvelle facture a atteint ce but; et nous allons vous donner connaissance des moyens qu'il a su employer pour y parvenir....