Author: Thomas Heywood
Publisher: Manchester University Press
ISBN: 9780719015663
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The play depicts the streets and houses in which its original spectators lived and worked with a precision unprecedented in English writing. But this vividly realised London is under assault, first from rebels outside its walls, and subsequently (and more seriously) from the predations of two monarchs."
The First and Second Parts of King Edward IV
Author: Thomas Heywood
Publisher: Manchester University Press
ISBN: 9780719015663
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The play depicts the streets and houses in which its original spectators lived and worked with a precision unprecedented in English writing. But this vividly realised London is under assault, first from rebels outside its walls, and subsequently (and more seriously) from the predations of two monarchs."
Publisher: Manchester University Press
ISBN: 9780719015663
Category : Biography & Autobiography
Languages : en
Pages : 340
Book Description
Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The play depicts the streets and houses in which its original spectators lived and worked with a precision unprecedented in English writing. But this vividly realised London is under assault, first from rebels outside its walls, and subsequently (and more seriously) from the predations of two monarchs."
The First and Second Parts of King Edward IV.
Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 224
Book Description
The First and Second Parts of King Edward Iv by Thomas Heywood, first published in 1842, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 224
Book Description
The First and Second Parts of King Edward Iv by Thomas Heywood, first published in 1842, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The First and Second Parts of King Edward 4. Histories
Memoir. First and second parts of King Edward the Fourth. 1600. If you know not me, you know no body, or The troubles of Queen Elizabeth. 1605. The second part of If you know not me ... 1632
Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 456
Book Description
Memoir. First and second parts of King Edward the Fourth. If you know not me, you know no body, or The troubles of Queen Elizabeth. The second part of If you know not me
The First and Second Parts of the Fair Maid of the West
The Dramatic Works of Thomas Heywood: Edward IV, pt. 1-2. Fair maid of the exchange. Fortune by land and sea. Fair maid of the west, pt. 1-2
Queen Elizabeth I
Author: Christa Jansohn
Publisher: LIT Verlag Münster
ISBN: 9783825875299
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany.
Publisher: LIT Verlag Münster
ISBN: 9783825875299
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
This work marks the 400th anniversary of the death of one of England's greatest monarchs, a highly intelligent and successful ruler. The volume appeals to everyone interested in the charismatic character of Elizabeth I, her time and cultural afterlife. Contributors focus on important aspects of Elizabeth's subtle and resourceful political power and the longstanding struggle she faced at home and abroad as well as the threats posed to her realm. This edition presents a series of essays about fictional representations of Queen Elizabeth I in literature, music, and film. Articles illuminate the fascinating story of her numerous afterlives and their significance for the cultural history of England, its sense of identity and psyche. Essays investigate the ceremony, festivities, and dance practices at her court and bring to life the cultural significance of this colorful and extraordinary monarch. Christa Jansohn is professor of British culture at the University of Bamberg, Germany.
The Disguised Ruler in Shakespeare and his Contemporaries
Author: Kevin A. Quarmby
Publisher: Routledge
ISBN: 1317035550
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
Publisher: Routledge
ISBN: 1317035550
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
Reading Richard III and the Tower of London
Author: Kristen Deiter
Publisher: Taylor & Francis
ISBN: 1040113478
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
This is the first book on Richard III and the Tower of London, shedding new light on the King’s reputation, the Castle’s lore, and early modern literature’s role in building associations between them. It is also one of the first books to integrate conceptual blending theory and spatial literary studies, empowering scholars and students to analyze literature and locations in new ways. This book fills gaps in the existing knowledge about both Richard III and the Tower of London. Neither literary nor historical scholarship has treated the process through which Richard III and the Tower became associated in the cultural and historical imagination and how such representations have shaped the King’s reputation and the Castle’s lore. This study analyzes this process while offering new understandings of Richard III as a literary character in prose, drama, and poetry and extending knowledge about the Tower as an iconic literary and cultural symbol.
Publisher: Taylor & Francis
ISBN: 1040113478
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
This is the first book on Richard III and the Tower of London, shedding new light on the King’s reputation, the Castle’s lore, and early modern literature’s role in building associations between them. It is also one of the first books to integrate conceptual blending theory and spatial literary studies, empowering scholars and students to analyze literature and locations in new ways. This book fills gaps in the existing knowledge about both Richard III and the Tower of London. Neither literary nor historical scholarship has treated the process through which Richard III and the Tower became associated in the cultural and historical imagination and how such representations have shaped the King’s reputation and the Castle’s lore. This study analyzes this process while offering new understandings of Richard III as a literary character in prose, drama, and poetry and extending knowledge about the Tower as an iconic literary and cultural symbol.