The Films of Rick Schmidt 1975-2015; FULL-COLOR Catalog of 26 Indie Features. PDF Download
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Author: Rick Schmidt Publisher: Blurb ISBN: Category : Languages : en Pages : 0
Book Description
For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's an exciting catalog of movies that Schmidt made, by hook or crook--26 no/low-budget features in 40 years. Budgets range right down to $39 for the DV movie THE HIGDEN MAN (see FOREWORD/Interview with feature filmmaker Sujewa Ekanayake). What matters is that if "filmmaking" is your dream, hopefully this little booklet will form a basis for your future efforts (if HE can do it so can U!). By examining the one-page entries the reader should get a sense of Schmidt's creative priorities--an improv approach to actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing. Hopefully, the take-away from this "used-car filmmaking" book is that ANYONE CAN BECOME A FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video and editing apps. And with determination, you can start to compile your own catalog of completed works, hopefully earning a trip to Park City/Sundance and beyond.
Author: Rick Schmidt Publisher: Blurb ISBN: Category : Languages : en Pages : 0
Book Description
For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's an exciting catalog of movies that Schmidt made, by hook or crook--26 no/low-budget features in 40 years. Budgets range right down to $39 for the DV movie THE HIGDEN MAN (see FOREWORD/Interview with feature filmmaker Sujewa Ekanayake). What matters is that if "filmmaking" is your dream, hopefully this little booklet will form a basis for your future efforts (if HE can do it so can U!). By examining the one-page entries the reader should get a sense of Schmidt's creative priorities--an improv approach to actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing. Hopefully, the take-away from this "used-car filmmaking" book is that ANYONE CAN BECOME A FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video and editing apps. And with determination, you can start to compile your own catalog of completed works, hopefully earning a trip to Park City/Sundance and beyond.
Author: Rick Schmidt Publisher: Blurb ISBN: Category : Languages : en Pages : 0
Book Description
For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's an exciting catalog of movies that Schmidt made, by hook or crook--26 no/low-budget features in 40 years. Budgets range right down to $39 for the DV movie THE HIGDEN MAN (see FOREWORD/Interview with feature filmmaker Sujewa Ekanayake). What matters is that if "filmmaking" is your dream, hopefully this little booklet will form a basis for your future efforts (if HE can do it so can U!). By examining the one-page entries the reader should get a sense of Schmidt's creative priorities--an improv approach to actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing. Hopefully, the take-away from this "used-car filmmaking" book is that ANYONE CAN BECOME A FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video and editing apps. And with determination, you can start to compile your own catalog of completed works, hopefully earning a trip to Park City/Sundance and beyond.
Author: Rick Schmidt Publisher: Blurb ISBN: Category : Languages : en Pages : 0
Book Description
For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's an exciting catalog of movies that Schmidt made, by hook or crook--26 no/low-budget features in 40 years (SEE THEM NOW; this COLLECTOR'S SPECIAL Hardcover/Full-Color 1st Edition includes HOT LINKS to Schmidt's entire 26-features Filmography presented here!). Budgets range right down to $39 for the DV movie THE HIGDEN MAN (see FOREWORD). What matters is that if "filmmaking" is your dream, hopefully this little booklet will form a basis for your future efforts (if HE can do it so can U!). By examining the one-page entries (and equating them to TRAILERS and FREE FULL MOVIES) the reader should get a sense of Schmidt's creative priorities--an improv approach to actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing. Hopefully, the take-away from this "used-car filmmaking" book is that ANYONE CAN BECOME A FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video and complete the storytelling process with inexpensive editing apps. With determination, you can start to compile your own catalog of completed works, hopefully earning a trip to Park City/Sundance and beyond. Good Luck!
Author: Rick Schmidt Publisher: Blurb ISBN: Category : Biography & Autobiography Languages : en Pages : 0
Book Description
For all those indie filmmakers who wonder about jumping into the "feature filmmaking" pond, here's an exciting catalog of movies that Schmidt made, by hook or crook--26 no/low-budget features in 40 years. Budgets range right down to $39 for the DV movie THE HIGDEN MAN (see FOREWORD). What matters is that if "filmmaking" is your dream, hopefully this HOW-TO BOOK, with numerous "Director's Statements" by Rick on the struggles to produce IMPROV features, will form a basis for your future efforts (if HE can do it so can U!). By examining the various one-page movie entries in this BIG-PRINT DELUXE EDITION, also reading Schmidt's "Director's Statements" about "the making of," and equating that information to TRAILERS and FREE FULL MOVIES, the reader should get a sense of Schmidt's creative priorities. His improv approach to actors/non-actors, on-the-spot story-telling, editorial exploration, and the nuts and bolts of no/low-budget producing should begin to make sense. After all, his fully-improv, ' $15,000 'Sundance' feature, Morgan's Cake, is pretty good proof of the pudding. Here's what the film critic from THE NEW YORK TIMES had to say about the movie: "Made on a shoestring - and a very small shoestring at that, the $15,000 budget recommended by Rick Schmidt in his book ''Feature Filmmaking at Used Car Prices'' - Mr. Schmidt's ''Morgan's Cake'' is a deadpan, unpretentious delight."--Janet Maslin. Hopefully, the take-away from Schmidt's "used-car filmmaking" book is that ANYONE CAN BECOME A SUCCESSFUL INDIE FEATURE FILMMAKER. With DV/digital moviemaking equipment-many features here were shot in DV--artists can now make their movies with affordable HD cameras or phones, shooting 4K video and complete the storytelling process with inexpensive editing apps. With determination, you can start to compile your own catalog of completed works, hopefully earning a trip to Park City/Sundance and beyond. Good Luck
Author: Barry Keith Grant Publisher: University of Texas Press ISBN: 0292745745 Category : Performing Arts Languages : en Pages : 785
Book Description
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Author: Corcoran Gallery of Art Publisher: Lucia Marquand ISBN: 9781555953614 Category : Painting Languages : en Pages : 0
Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author: Anthony Chemero Publisher: MIT Press ISBN: 0262516470 Category : Philosophy Languages : en Pages : 269
Book Description
A proposal for a new way to do cognitive science argues that cognition should be described in terms of agent-environment dynamics rather than computation and representation. While philosophers of mind have been arguing over the status of mental representations in cognitive science, cognitive scientists have been quietly engaged in studying perception, action, and cognition without explaining them in terms of mental representation. In this book, Anthony Chemero describes this nonrepresentational approach (which he terms radical embodied cognitive science), puts it in historical and conceptual context, and applies it to traditional problems in the philosophy of mind. Radical embodied cognitive science is a direct descendant of the American naturalist psychology of William James and John Dewey, and follows them in viewing perception and cognition to be understandable only in terms of action in the environment. Chemero argues that cognition should be described in terms of agent-environment dynamics rather than in terms of computation and representation. After outlining this orientation to cognition, Chemero proposes a methodology: dynamical systems theory, which would explain things dynamically and without reference to representation. He also advances a background theory: Gibsonian ecological psychology, “shored up” and clarified. Chemero then looks at some traditional philosophical problems (reductionism, epistemological skepticism, metaphysical realism, consciousness) through the lens of radical embodied cognitive science and concludes that the comparative ease with which it resolves these problems, combined with its empirical promise, makes this approach to cognitive science a rewarding one. “Jerry Fodor is my favorite philosopher,” Chemero writes in his preface, adding, “I think that Jerry Fodor is wrong about nearly everything.” With this book, Chemero explains nonrepresentational, dynamical, ecological cognitive science as clearly and as rigorously as Jerry Fodor explained computational cognitive science in his classic work The Language of Thought.
Author: Abhijit V. Banerjee Publisher: PublicAffairs ISBN: 1541762878 Category : Business & Economics Languages : en Pages : 398
Book Description
The winners of the Nobel Prize show how economics, when done right, can help us solve the thorniest social and political problems of our day. Figuring out how to deal with today's critical economic problems is perhaps the great challenge of our time. Much greater than space travel or perhaps even the next revolutionary medical breakthrough, what is at stake is the whole idea of the good life as we have known it. Immigration and inequality, globalization and technological disruption, slowing growth and accelerating climate change--these are sources of great anxiety across the world, from New Delhi and Dakar to Paris and Washington, DC. The resources to address these challenges are there--what we lack are ideas that will help us jump the wall of disagreement and distrust that divides us. If we succeed, history will remember our era with gratitude; if we fail, the potential losses are incalculable. In this revolutionary book, renowned MIT economists Abhijit V. Banerjee and Esther Duflo take on this challenge, building on cutting-edge research in economics explained with lucidity and grace. Original, provocative, and urgent, Good Economics for Hard Times makes a persuasive case for an intelligent interventionism and a society built on compassion and respect. It is an extraordinary achievement, one that shines a light to help us appreciate and understand our precariously balanced world.
Author: Danah Boyd Publisher: Yale University Press ISBN: 0300166311 Category : Social Science Languages : en Pages : 296
Book Description
Surveys the online social habits of American teens and analyzes the role technology and social media plays in their lives, examining common misconceptions about such topics as identity, privacy, danger, and bullying.
Author: Leo Adam Biga Publisher: River Junction Press, LLC ISBN: 9780997266702 Category : Film criticism Languages : en Pages : 0
Book Description
Leo Biga has reported on the career of filmmaker Alexander Payne for 20 years. In this updated collection of essays, the author-journalist-blogger offers the only comprehensive look at Payne's career and creative process. Based in Payne's hometown of Omaha, Nebraska, Biga has been granted access to location shooting for Nebraska and Sideways, the latter filmed in California's wine country. Biga has also been given many exclusive interviews by Payne and his creative collaborators. His insightful analysis of Payne's films and personal journey has been praised by Payne for its "honesty, thoughtfulness, and accuracy." The two-time Oscar-winner calls Biga's articles, "the most complete and perceptive of any journalist's anywhere." Payne's films are celebrated for their blend of humor and honest look at human relationships. Members of Hollywood's A-List, including George Clooney (The Descendants), Jack Nicholson (About Schmidt), Reese Witherspoon (Election), Paul Giamatti (Sideways), Laura Dern (Citizen Ruth), and Bruce Dern (Nebraska), have starred in his films.
Author: Rick Schmidt
Author: Rick Schmidt
Author: Rick Schmidt
Author: Rick Schmidt
Author: Rick Schmidt
Author: Barry Keith Grant
Author: Corcoran Gallery of Art
Author: Anthony Chemero
Author: Abhijit V. Banerjee
Author: Danah Boyd
Author: Leo Adam Biga