The ... Biennial Exhibition of Contemporary American Paintings ... PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 302

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Author: Francis V. O'Connor
Publisher: Hudson Hills
ISBN: 9781555952327
Category : Art
Languages : en
Pages : 228

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This lavish illustrated volume presents a visual history of Seliger's commitment to biomorphic abstraction and documents his extraordinary career from his auspicious beginnings as the youngest artist exhibiting with the original artisit of the Abstract Expressionist movement, through the development of his signature style of complex and intimate abstractions. 217 colour illustrations

Author: Virginia State Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1338

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Author: Ani Boyajian
Publisher:
ISBN:
Category :
Languages : en
Pages : 492

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Collected in three volumes, this is the highly anticipated, definitive reference on Stuart Daviss paintings, watercolors, drawings, and published illustrations.

Author: Anne Monahan
Publisher: Yale University Press
ISBN: 0300243308
Category : Art
Languages : en
Pages : 265

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This nuanced reassessment transforms our understanding of Horace Pippin, casting the artist and his celebrated paintings as more complex than has previously been recognized

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Category :
Languages : en
Pages :

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Author: William C. Agee
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416

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Collected in three volumes, this is the highly anticipated, definitive reference on Stuart Daviss paintings, watercolors, drawings, and published illustrations.

Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 112

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Author: Janet Bishop
Publisher: University of California Press
ISBN: 0520304373
Category : Art
Languages : en
Pages : 220

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This generously illustrated volume is the first comprehensive publication devoted to the powerfully expressive work of David Park (1911–60). Best known as the founder of Bay Area Figurative art, Park moved from Boston to California at the age of seventeen and spent most of his adult life in and around San Francisco. In the immediate postwar years, like many avant-garde American artists, he engaged with Abstract Expressionism and painted non-objectively. In a moment of passion in 1949, he made the radical decision to abandon nearly all of his abstract canvases at the Berkeley city dump and return to the human figure, in so doing marking the beginning of the Bay Area Figurative movement. The astonishingly powerful paintings he made in the decade that followed brought together his long-held interest in classic subjects such as portraiture, domestic interiors, musicians, rowers, and bathers with lush, gestural paint handling and an extraordinary sense of color. In 1958–59 Park reached his expressive peak, reveling in the sensuous qualities of paint to create intensely physical, psychologically charged, and deeply felt canvases. This fertile period cut short by illness in 1960, Park transferred his creative energy to other mediums when he could no longer work on canvas. In the last months of his life, bedridden, he produced an extraordinary thirty-foot-long felt-tip-pen scroll and a poignant series of gouaches. Published to accompany the first major museum exhibition of Park’s work in more than thirty years, David Park: A Retrospective traces the full arc of the artist’s career, from his early social realist and cubist-inspired efforts of the 1930s to his mature figurative paintings of the 1950s and his astounding final works on paper. An overview of Park’s full body of work by Janet Bishop, SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture, will be joined by approximately ninety full-color plates of paintings and works on paper; an essay by Tara McDowell on the figure drawing sessions held by Park, Richard Diebenkorn, Elmer Bischoff, Frank Lobdell, and others in their studios starting in 1953; short essays on Park’s scroll, his gouaches, and the portraits that Imogen Cunningham and Park made of each other; and an illustrated chronology. Published in association with the San Francisco Museum of Modern Art. Exhibition schedule: Modern Art Museum of Fort Worth: June 2–September 8, 2019 Kalamazoo Institute of Arts: December 21, 2019–March 15, 2020 San Francisco Museum of Modern Art: April 11–September 7, 2020

Author: Philip Guston
Publisher:
ISBN:
Category :
Languages : en
Pages : 70

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25 color and black and white illustrations depict Gustons drawings and paintings from this period, and a substantial essay discusses this little-known period of the artist's evolution during which he traveled between New York and Europe and underwent a self-analysis and transformation.