Author: Robert Greenough BlackPublisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
The fifteenth-century Spanish cancionero MS. Esp. 226 of The Bibliothèque Nationale, Paris
Author: Robert Greenough BlackCancionero Ms. Esp. 226
Author: Robert Greenough BlackPublisher:
ISBN:
Category :
Languages : en
Pages : 445
Book Description
The Fifteenth-century Spanish "Cancionero"
Author: Robert Greenough BlackPublisher:
ISBN:
Category :
Languages : en
Pages : 445
Book Description
Vertical and Horizontal Dialogue in the Fifteenth-century Spanish Cancionero
Author: Marilyn Jean Sconza CarpenterPublisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
The Church Music of Fifteenth-century Spain
Author: Kenneth KreitnerPublisher: Boydell Press
ISBN: 9781843830757
Category : Music
Languages : en
Pages : 206
Book Description
He moves on from this to set Penalosa's work, written in a more mature, northern-oriented style which influenced Iberian composers for generations after his death."--BOOK JACKET.
Vertical and horizontal dialogue in the fifteenth-century spanish cancionero
Author: Marilyn J. SconzaLove, Religion and Politics in Fifteenth Century Spain
Author: Ian MacPhersonPublisher: BRILL
ISBN: 9004624279
Category : Architecture
Languages : en
Pages : 303
Book Description
Ian Macpherson and Angus MacKay have collaborated on many occasions, and the sixteen articles brought together in this volume provide insights into the complex relationships between real life and imaginative writing in this turbulent period of Spanish history.
Religious Elements in Fifteenth-century Spanish "Cancioneros"
Author: Jane Yvonne TillierOf Kings and Poets
Author: Ingrid BahlerPublisher: Peter Lang Pub Incorporated
ISBN: 9780820418766
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Songs and Musicians in the Fifteenth Century
Author: David FallowsPublisher: Taylor & Francis
ISBN: 1040243355
Category : Music
Languages : en
Pages : 335
Book Description
The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.