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Book Description
This study explores a character type who is neither androgynous nor feminine, presenting a critique of the way in which the term androgynous has been misapplied to the feminized male, and through the use of reader response theory, argues that this type of figure appeals to female readers because he reflects parts of themselves often ignored or outrightly ridiculed through male literary representation. The book presents new arguments about characters created by James Joyce (Ulysses), Ernest Hemingway (The Sun Also Rises, The Garden of Eden), Jack Kerouac (On the Road), and Saul Bellow (Humboldt's Gift), advancing a growing body of research rejecting the majority view of these four writers as antifeminine artists. The feminized male, whose male creator has intentionally endowed him with feminine as well as masculine qualities in an effort to explore the complexities of gender in a dialectically social (via literary) realm, presents a powerful technique to explore, challenge, and re-define gender, not only in fiction but in everyday lives as well.
Book Description
This study explores a character type who is neither androgynous nor feminine, presenting a critique of the way in which the term androgynous has been misapplied to the feminized male, and through the use of reader response theory, argues that this type of figure appeals to female readers because he reflects parts of themselves often ignored or outrightly ridiculed through male literary representation. The book presents new arguments about characters created by James Joyce (Ulysses), Ernest Hemingway (The Sun Also Rises, The Garden of Eden), Jack Kerouac (On the Road), and Saul Bellow (Humboldt's Gift), advancing a growing body of research rejecting the majority view of these four writers as antifeminine artists. The feminized male, whose male creator has intentionally endowed him with feminine as well as masculine qualities in an effort to explore the complexities of gender in a dialectically social (via literary) realm, presents a powerful technique to explore, challenge, and re-define gender, not only in fiction but in everyday lives as well.
Author: P. Zhu Publisher: Springer ISBN: 1137514736 Category : Literary Criticism Languages : en Pages : 194
Book Description
Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.
Author: John Stephens Publisher: Routledge ISBN: 1135363846 Category : Literary Collections Languages : en Pages : 276
Book Description
Given the substantial impact of feminism on children’s literature and culture during the last quarter century, it comes as no surprise that gender studies have focused predominantly on issues of female representation. The question of how the same patriarchal ideology structured representations of male bodies and behaviors was until very recently a marginal discussion. Now that masculinity has emerges as an overt theme in children’s literature and film, critical consideration of the subject is timely, if not long overdue Ways of Being Male addresses this new concern in an unprecedented collection of essays examining how contemporary debates about masculinity are reflected in fiction and film for young adults. An outstanding team of scholars elucidates the ways in which different versions of male identity are constructed and presented to young audiences. The contributors, drawn from a variety of academic disciplines, employ international discourses in literary criticism, feminism, social sciences, film theory, psychoanalytic criticism, and queer theory in their wide-ranging exploration of male representation. With its illuminating array of perspectives, this pioneering survey brings a long neglected subject into sharp focus.
Author: J. Armengol Publisher: Springer ISBN: 113748280X Category : Social Science Languages : en Pages : 264
Book Description
Inverting the traditional focus of ethnic studies on blackness as the object of scrutiny, this book explores dominant forms of white masculinity as seen by African American authors placed alongside certain white writers. Author analyzes texts by Herman Melville, Ernest Hemingway, Martha Gellhorn, Frederick Douglass, and James Baldwin.
Author: Ronna Johnson Publisher: Rutgers University Press ISBN: 9780813530659 Category : Literary Criticism Languages : en Pages : 332
Book Description
"Girls Who Wore Black recovers neglected women writers who deserve more attention for their writing and for their historical role in the mid-century arts scene. This collection of essays reopens and revises the Beat canon, Beat history, and Beat poetics; it is an important contribution to literary criticism and history."-Jennie Skerl, author of A Tawdry Place of Salvation: The Art of Jane Bowles "Ronna Johnson and Nancy Grace have done an invaluable service for students of American literature: their collection begins with an essential essay about the three generations of Beat women and then provides fine contributions by critics Anthony Libby, Linda Russo, Maria Damon, Tim Hunt, and others. The value of this book is so clear one must wonder why it wasn't available much earlier."-Linda Wagner-Martin, University of North Carolina, Chapel Hill What do we know about the women who played an important role in creating the literature of the Beat Generation? Until recently, very little. Studies of the movement have effaced or excluded women writers, such as Elise Cowen, Joyce Johnson, Joanne Kyger, Hettie Jones, and Diane Di Prima, each one a significant figure of the postwar Beat communities. Equally free-thinking and innovative as the founding generation of men, women writers, fluent in Beat, hippie, and women's movement idioms, partook of and bridged two important countercultures of the American mid-century. Persistently foregrounding female experiences in the cold war 1950s and in the counterculture 1960s and in every decade up to the millennium, women writing Beat have brought nonconformity, skepticism, and gender dissent to postmodern culture and literary production in the United States and beyond. Ronna C. Johnson is a lecturer in the departments of English and American Studies at Tufts University. Nancy M. Grace is an associate professor in the department of English and director of the Program in Writing at The College of Wooster in Ohio. She is the author of The Feminized Male Character in Twentieth-Century Literature.
Author: Josep M. Armengol Publisher: Springer Nature ISBN: 3030715965 Category : Literary Criticism Languages : en Pages : 195
Book Description
This book focuses on representations of aging masculinities in contemporary U.S. fiction, including shifting perceptions of physical and sexual prowess, depression, and loss, but also greater wisdom and confidence, legacy, as well as new affective patterns. The collection also incorporates factors such as race, sexuality and religion. The volume includes studies, amongst others, on Philip Roth, Paul Auster, Toni Morrison, Ernest Gaines, and Edmund White. Ultimately, this study proves that men’s aging experiences as described in contemporary U.S. literature and culture are as complex and varied as those of their female counterparts.
Author: Peter Schwenger Publisher: Routledge ISBN: 1317569865 Category : Literary Criticism Languages : en Pages : 209
Book Description
Phallic Critiques, first published in 1984, is a study of ‘masculine’ styles of writing in the twentieth century – an age, according to Virginia Woolf, when ‘virility has become self-conscious’. Writers who carry macho values to their extreme often subscribe to the popular feeling that writing is an effeminate activity for a real man to be engaged in. Consequently they attempt to forge ‘masculine’ style of writing in an effort to redeem language from its sexually suspect nature. These styles reveal much about the ambiguous and paradoxical attitudes of men towards their own masculine role. Peter Schwenger demonstrates the international nature of ‘masculine’ styles. His study ranges from such American authors as Norman Mailer, Ernest Hemingway and Philip Roth, to figures like Yukio Mishima, Alberto Moravia and Michel Leiris. This book should be of interest to students of literature.
Author: Nancy McCampbell Grace
Author: Nancy McCampbell Grace
Author: Nancy McCampbell Grace
Author: P. Zhu
Author: John Stephens
Author: Josep M. Armengol
Author: J. Armengol
Author: Ronna Johnson
Author: Josep M. Armengol
Author: Gale Research Company
Author: Peter Schwenger