Author: United States. Department of Housing and Urban DevelopmentPublisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
The Feasibility of Utility Corridors at Fort Lincoln. By Building Systems International Inc. ... David Volkert & Associates, Hogan & Hartson
Author: United States. Department of Housing and Urban DevelopmentPublisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
The Feasibility of Utility Corridors at Fort Lincoln
Author: Building Systems InternationalPublisher:
ISBN:
Category : City planning
Languages : en
Pages : 160
Book Description
Housing and Urban Development Research Reports
Author: Monthly Catalog of United States Government Publications
Author: Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1814
Book Description
The Feasibility of Utility Corridors at Fort Lincoln
Author: The British Library general catalogue of printed books to 1975
Author: British LibraryPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 488
Book Description
Subject Index of Modern Books Acquired
Author: British LibraryPublisher:
ISBN:
Category : Best books
Languages : en
Pages : 690
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library (London)Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 956
Book Description
Hollywood Highbrow
Author: Shyon BaumannPublisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.