Author: Colin N. Manlove
Publisher: Wipf and Stock Publishers
ISBN: 153267757X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
The Fantasy Literature of England
Author: Colin N. Manlove
Publisher: Wipf and Stock Publishers
ISBN: 153267757X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
Publisher: Wipf and Stock Publishers
ISBN: 153267757X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
The Fantasy Literature of England
Author: Colin Manlove
Publisher: Springer
ISBN: 1349274992
Category : Fiction
Languages : en
Pages : 229
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English Fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English Fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J.R.R. Tolkien and Salman Rushdie.
Publisher: Springer
ISBN: 1349274992
Category : Fiction
Languages : en
Pages : 229
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English Fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English Fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J.R.R. Tolkien and Salman Rushdie.
The Fantasy Literature of England
Author: Colin N. Manlove
Publisher: Wipf and Stock Publishers
ISBN: 1532677553
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
Publisher: Wipf and Stock Publishers
ISBN: 1532677553
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
The Dedalus Book of British Fantasy
Author: Brian M. Stableford
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 424
Book Description
Modern Fantasy
Author: Colin N. Manlove
Publisher: Wipf and Stock Publishers
ISBN: 1532691823
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
After a decade from 1965 which had seen the growth in Britain and America of an enormous interest in fantasy literature, and a rise in its academic repute from cold to lukewarm, a serious study of the subject seemed long overdue. In this first critical book in its time on modern English fantasy, Colin Manlove surveys a representative group of modern fantasies—in the Victorian period in the children's scientific and Christian fantasy The Water-Babies by Charles Kingsley and the mystical fantasy of the Scottish writer George MacDonald; and from the twentieth century the interplanetary romances of C. S. Lewis, the post-war fantasy of rebellious youth in Mervyn Peake's Gormenghast books, and the quest to avert apocalypse in J. R. R. Tolkien's The Lord of the Rings. The aim with all these works is to show the peculiar literary experiences they offer and to assess their strengths and limitations in relation to wider English literature. In the introduction to his book, Manlove gives a definition of fantasy, marking off the genre from its near neighbors science fiction and “Gothic” or horror story, and distinguishing between fantasies that are serious works of imagination and those that are fanciful or escapist. Each chapter that follows is primarily a literary analysis set in a context of the writer's life, thought, and other works. As the book proceeds, there begins to emerge a picture of the originality and merit of the writers, but at the same time the sense of a division in the purpose of each writer, whereby their works fail to abide by their own laws. In the conclusion to this book Manlove draws the different types of division found into one and argues that the problem is one that is endemic to the writing of modern fantasy.
Publisher: Wipf and Stock Publishers
ISBN: 1532691823
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
After a decade from 1965 which had seen the growth in Britain and America of an enormous interest in fantasy literature, and a rise in its academic repute from cold to lukewarm, a serious study of the subject seemed long overdue. In this first critical book in its time on modern English fantasy, Colin Manlove surveys a representative group of modern fantasies—in the Victorian period in the children's scientific and Christian fantasy The Water-Babies by Charles Kingsley and the mystical fantasy of the Scottish writer George MacDonald; and from the twentieth century the interplanetary romances of C. S. Lewis, the post-war fantasy of rebellious youth in Mervyn Peake's Gormenghast books, and the quest to avert apocalypse in J. R. R. Tolkien's The Lord of the Rings. The aim with all these works is to show the peculiar literary experiences they offer and to assess their strengths and limitations in relation to wider English literature. In the introduction to his book, Manlove gives a definition of fantasy, marking off the genre from its near neighbors science fiction and “Gothic” or horror story, and distinguishing between fantasies that are serious works of imagination and those that are fanciful or escapist. Each chapter that follows is primarily a literary analysis set in a context of the writer's life, thought, and other works. As the book proceeds, there begins to emerge a picture of the originality and merit of the writers, but at the same time the sense of a division in the purpose of each writer, whereby their works fail to abide by their own laws. In the conclusion to this book Manlove draws the different types of division found into one and argues that the problem is one that is endemic to the writing of modern fantasy.
The Cambridge Companion to Fantasy Literature
Author: Edward James
Publisher: Cambridge University Press
ISBN: 1107493730
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
Publisher: Cambridge University Press
ISBN: 1107493730
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).
The Fantasy Literature of England
Author: Colin N. Manlove
Publisher: Wipf and Stock Publishers
ISBN: 153267757X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
Publisher: Wipf and Stock Publishers
ISBN: 153267757X
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
In this, the first book on English fantasy, Colin Manlove shows that for all its immense diversity, English fantasy can best be understood in terms of its strong national character, rather than as an international genre. Showing its development from Beowulf to Blake, the author describes English fantasy's modern growth through secondary world, metaphysical, emotive, comic, subversive, and children's fantasy. In them all England has led the world, with authors as different as Chaucer, Lewis Carroll, J. R. R. Tolkien, and Salman Rushdie.
Children's Fantasy Literature
Author: Michael Levy
Publisher: Cambridge University Press
ISBN: 1316483134
Category : Literary Criticism
Languages : en
Pages :
Book Description
Fantasy has been an important and much-loved part of children's literature for hundreds of years, yet relatively little has been written about it. Children's Fantasy Literature traces the development of the tradition of the children's fantastic - fictions specifically written for children and fictions appropriated by them - from the sixteenth to the twenty-first century, examining the work of Lewis Carroll, L. Frank Baum, C. S. Lewis, Roald Dahl, J. K. Rowling and others from across the English-speaking world. The volume considers changing views on both the nature of the child and on the appropriateness of fantasy for the child reader, the role of children's fantasy literature in helping to develop the imagination, and its complex interactions with issues of class, politics and gender. The text analyses hundreds of works of fiction, placing each in its appropriate context within the tradition of fantasy literature.
Publisher: Cambridge University Press
ISBN: 1316483134
Category : Literary Criticism
Languages : en
Pages :
Book Description
Fantasy has been an important and much-loved part of children's literature for hundreds of years, yet relatively little has been written about it. Children's Fantasy Literature traces the development of the tradition of the children's fantastic - fictions specifically written for children and fictions appropriated by them - from the sixteenth to the twenty-first century, examining the work of Lewis Carroll, L. Frank Baum, C. S. Lewis, Roald Dahl, J. K. Rowling and others from across the English-speaking world. The volume considers changing views on both the nature of the child and on the appropriateness of fantasy for the child reader, the role of children's fantasy literature in helping to develop the imagination, and its complex interactions with issues of class, politics and gender. The text analyses hundreds of works of fiction, placing each in its appropriate context within the tradition of fantasy literature.
Race and Popular Fantasy Literature
Author: Helen Young
Publisher: Routledge
ISBN: 1317532171
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.
Publisher: Routledge
ISBN: 1317532171
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.
The A to Z of Fantasy Literature
Author: Brian Stableford
Publisher: Scarecrow Press
ISBN: 0810863456
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Publisher: Scarecrow Press
ISBN: 0810863456
Category : Literary Criticism
Languages : en
Pages : 568
Book Description
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.