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Author: Tzvetan Todorov Publisher: Cornell University Press ISBN: 9780801491467 Category : Art Languages : en Pages : 196
Book Description
In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.
Author: James D MacDonald Publisher: Fantastic Books ISBN: 9781515424109 Category : Languages : en Pages : 176
Book Description
Introduction by Bruce Coville "For the bathroom, for the bedroom, for the bus to work, for that chair in the department store where bored spouses sit while their wives or husbands try on new clothes... this is a perfect way to entertain yourself during idle moments in a way that won't rot your mind. Read this and have fun." -Allen Steele Want something to read while you sit down for just a few minutes on the bus or in a waiting room? Here's just the thing: Forty authors, forty stories, mostly under 2,000 words, mostly reprints. Grouped according to their themes: fairy tales, torments, zombies, vampires, monsters, and more. Just remember: one sitting, one read! Others are waiting! But be sure you're alone... Really alone! Featuring stories by: E.C. Ambrose, Colleen Anderson, Kevin David Anderson, Diane Arrelle, Stewart C. Baker, T.L. Barrett, James Blakey, Bruce Boston, Michael Bracken, Tiffany Michelle Brown, Elliot Capon, Jeff C. Carter, Gregg Chamberlain, Brenda Clough, Ian Creasey, Randee Dawn, Steve Dillon, Stephanie Ellis, Kevin M. Folliard, Eric J. Guignard, Liam Hogan, Emma Johnson-Rivard, Daniel M. Kimmel, Chris Kuriata, Geoffrey A. Landis, Sharon Lee, Gordon Linzner, Nicola Lombardi, Linda Silverman McMullen, Gregory Nicoll, Brian Rappatta, Gary L. Robbs, Chuck Rothman, Steve Rasnic Tem, Mark Towse, Mary A. Turzillo, Douglas A. Van Belle, Marie Vibbert, Dawn Vogel, Marcia Wilson
Author: William Joyce Publisher: Simon and Schuster ISBN: 1442464895 Category : Juvenile Fiction Languages : en Pages : 56
Book Description
The book that inspired the Academy Award–winning short film, from New York Times bestselling author and beloved visionary William Joyce. Morris Lessmore loved words. He loved stories. He loved books. But every story has its upsets. Everything in Morris Lessmore’s life, including his own story, is scattered to the winds. But the power of story will save the day. Stunningly brought to life by William Joyce, one of the preeminent creators in children’s literature, The Fantastic Flying Books of Mr. Morris Lessmore is a modern masterpiece, showing that in today’s world of traditional books, eBooks, and apps, it’s story that we truly celebrate—and this story, no matter how you tell it, begs to be read again and again.
Author: Tzvetan Todorov Publisher: Cornell University Press ISBN: 9780801491467 Category : Art Languages : en Pages : 196
Book Description
In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.
Author: Ina Batzke Publisher: transcript Verlag ISBN: 3839440270 Category : Literary Criticism Languages : en Pages : 301
Book Description
The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.
Author: Laura Feldt Publisher: Routledge ISBN: 1317543831 Category : History Languages : en Pages : 325
Book Description
The Fantastic in Religious Narrative from Exodus to Elisha argues that perspectives drawn from literary-critical theories of the fantastic and fantasy are apt to explore Hebrew Bible religious narratives. The book focuses on the narratives' marvels, monsters, and magic, rather than whether or not the stories depict historical events. The Exodus narrative (Ex 1-18) and a selection of additional Hebrew Bible narratives (Num 11-14, Judg 6-8, 1 Kings 17-19, 2 Kings 4-7) are analysed from a fantasy-theoretical perspective. The 'fantasy perspective' helps to make sense of elements of these narratives that - although prominently featured in the stories - have previously often been explained by being explained away. These case studies can illuminate Hebrew Bible religion and offer wider perspectives on religious narrative generally. In light of the fantasy-theoretical approach, these Hebrew Bible stories - with the Exodus narrative at the centre - read not as foundational stories, affirming triumphantly and unambiguously the bond between the deity, his people, and their territory, but rather as texts that harbour and even actively encourage ambiguity and uncertainty, not necessarily prompting belief, orientation, and a sense of meaningfulness, but also open-ended reflection and doubt. The case studies suggest that other religious narratives, both in and beyond the Judaic tradition, may also be amenable to interpretation in these terms, thus questioning a dominant trend in myth studies. The results of the analyses lead to a discussion of the role of ambiguity, uncertainty, and transformation in religious narrative in broader perspective, and to a questioning of the emphasis in the study of religion on the capacity of religious narrative for founding and maintaining institutions, orienting identity, and defending order over disorder. The book suggests the wider importance of incorporating destabilisation, disorientation, and ambiguity more strongly into theories of what religious narrative is and does.
Author: Amaryll Beatrice Chanady Publisher: Routledge ISBN: 1000639053 Category : Literary Criticism Languages : en Pages : 193
Book Description
Every reader of literature interprets the literary text on the basis of information they have acquired from previous reading, and according to norms they have established, either consciously or not, with regard to a work of literature. In this study, originally published in 1985, the author clarifies the concepts of magical realism and the fantastic, and establishes a series of guidelines that will allow us to distinguish between the two similar yet independent modes. The reader will thus be able to identify the implicit framework upon which the author of the fantastic and of magical realism bases their text.
Author: Judith B. Kerman Publisher: McFarland ISBN: 1476618739 Category : History Languages : en Pages : 243
Book Description
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).
Author: I. Eynat-Confino Publisher: Springer ISBN: 0230616968 Category : Performing Arts Languages : en Pages : 202
Book Description
The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.
Author: Maurice Lévy Publisher: Wayne State University Press ISBN: 9780814319567 Category : Fiction Languages : en Pages : 156
Book Description
Maurice L'vy's book is a penetrating analysis of the themes running through the works of H. P. Lovecraft, the writer of horror and supernatural fiction. Broader than a thematic study, however, L'vy's analysis is unique in his use of Lovecraft's work as a model for fantastic writing in general and in his provocative theory as to why Lovecraft wrote the sort of works he did. At an early age, Lovecraft sloughed off all religious belief and came to adopt a bleak and nihilistic philosophy where humans have no importance in the cosmos but to serve as the playthings of incomprehensible and uncaring forces. L'vy sees Lovecraft's works as an attempt to purge himself of these feelings and to give himself a reason to love in a universe that cares nothing for him or for other human beings in general. It is this view of Lovecraft the writer, the thinker, and the man that sets L'vy's work apart from any Lovecraft criticism.
Author: Danielle Hipkins Publisher: Routledge ISBN: 1351195336 Category : Literary Criticism Languages : en Pages : 423
Book Description
"Contemporary fantastic fiction, particularly that written by women, often challenges traditional literary practice. At the same time the predominantly male-authored canon of fantastic literature offers a problematic range of gender stereotypes for female authors to 're-write'. Fantastic tropes, of space in particular, enable three important contemporary Italian female writers (Paola Capriolo, b. 1962; Francesca Duranti, b. 1935 and Rossana Ombres, b. 1931) to encounter and counter anxieties about writing from the female subject. All three writers begin by exploring the hermetic, fantastic space of enclosure with a critical, or troubled, eye, but eventually opt for wider national, and often international spaces, in which only a 'fantastic trace' remains. This shift mirrors their own increasingly confident distance from male-authored literary models and demonstrates the creative input that these writers bring to the literary canon, by redefining its generic boundaries."
Author: Tzvetan Todorov
Author: James D MacDonald
Author: William Joyce
Author: Tzvetan Todorov
Author: Ina Batzke
Author: Laura Feldt
Author: Amaryll Beatrice Chanady
Author: Judith B. Kerman
Author: I. Eynat-Confino
Author: Maurice Lévy
Author: Danielle Hipkins