Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 490
Book Description
The Faerie queene (concluded). Two cantos of Mutabilitie. Complaints
The Mutabilitie Cantos
Author: Edmund Spenser
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 176
Book Description
These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.
The Faerie Queene
Author: Edmund Spenser
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 390
Book Description
The Complete Works in Verse and Prose: Faerie queene (concluded) Two cantos on mutabilitie. Letter to Sir W. Raleigh. Commendatory poems and sonnets
The Faerie Queene, Book Six and the Mutabilitie Cantos
Author: Edmund Spenser
Publisher: Hackett Publishing
ISBN: 1603840265
Category : Poetry
Languages : en
Pages : 263
Book Description
Book Six and the incomplete Book Seven of The Faerie Queene are the last sections of the unfinished poem to have been published. They show Spenser inflecting his narrative with an ever more personal note, and becoming an ever more desperate and anxious author, worried that things were falling apart as Queen Elizabeth failed in health and the Irish crisis became ever more terrifying. The moral confusion and uncertainty that Calidore, the Knight of Courtesy, has to confront are symptomatic of the lack of control that Spenser saw everywhere around him. Yet, within such a troubling and disturbing work there are moments of great beauty and harmony, such as the famous dance of the Graces that Colin Clout, the rustic alter ego of the poet himself, conjures up with his pipe. Book Seven, the Two Cantos of Mutabilitie, is among the finest of Spenser's poetic works, in which he explains the mythical origins of his world, as the gods debate on the hill opposite his Irish house. Whether order or chaos triumphs in the end has been the subject of most subsequent critical debate.
Publisher: Hackett Publishing
ISBN: 1603840265
Category : Poetry
Languages : en
Pages : 263
Book Description
Book Six and the incomplete Book Seven of The Faerie Queene are the last sections of the unfinished poem to have been published. They show Spenser inflecting his narrative with an ever more personal note, and becoming an ever more desperate and anxious author, worried that things were falling apart as Queen Elizabeth failed in health and the Irish crisis became ever more terrifying. The moral confusion and uncertainty that Calidore, the Knight of Courtesy, has to confront are symptomatic of the lack of control that Spenser saw everywhere around him. Yet, within such a troubling and disturbing work there are moments of great beauty and harmony, such as the famous dance of the Graces that Colin Clout, the rustic alter ego of the poet himself, conjures up with his pipe. Book Seven, the Two Cantos of Mutabilitie, is among the finest of Spenser's poetic works, in which he explains the mythical origins of his world, as the gods debate on the hill opposite his Irish house. Whether order or chaos triumphs in the end has been the subject of most subsequent critical debate.
The Faerie queene, book VI.- Two cantos of Mutabilitie.- The shepheards calendar.- Muiopotmos
Spenser's Anatomy of Heroism
Author: Maurice Evans
Publisher: Cambridge University Press
ISBN: 0521076625
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
Publisher: Cambridge University Press
ISBN: 0521076625
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
Spenserian Moments
Author: Gordon Teskey
Publisher: Belknap Press
ISBN: 0674988442
Category : Literary Criticism
Languages : en
Pages : 553
Book Description
From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world. There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment. Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.
Publisher: Belknap Press
ISBN: 0674988442
Category : Literary Criticism
Languages : en
Pages : 553
Book Description
From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world. There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment. Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.