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Author: Michael Marmor Publisher: ISBN: Category : Art Languages : en Pages : 230
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: Michael F. Marmor Publisher: ISBN: Category : Art Languages : en Pages : 258
Book Description
Where medical science and artistic philosophy meet, you will find The Eye of the Artist. It offers a collection of essays and artworks that show the constraints which human vision places upon artistic creation - and the triumph of artistic talent over human vulnerability.
Author: Michael Marmor Publisher: ISBN: Category : Art Languages : en Pages : 230
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: Tony Angell Publisher: University of Washington Press ISBN: 0295989270 Category : Art Languages : en Pages : 146
Book Description
Artist and naturalist Tony Angell has used Puget Sound's natural diversity as his palette for nearly 50 years. He describes the methods he uses in his art and his observations and encounters with the species that make up the complex communities of the Sound's rivers, tidal flats, islands, and beaches: the flight of a young peregrine, an otter playfully herding a small red rockfish, the grasp of a curious octopus. Tony Angell is an illustrator, sculptor, and author of RAVENS, CROWS, MAGPIES, AND JAYS and OWLS. He served for thirty years as Washington State Director of Environmental Education.
Author: Philippe Costamagna Publisher: New Vessel Press ISBN: 1939931703 Category : Art Languages : en Pages : 229
Book Description
“Lifting the veil on the shadowy world of art insiders, Costamagna delivers an entertaining reflection on the dealers, devotees, and decision makers.” —Town & Country Magazine It’s a rare and secret profession, comprising a few dozen people around the world equipped with a mysterious mixture of knowledge and innate sensibility. Summoned to Swiss bank vaults, Fifth Avenue apartments and Tokyo storerooms, they are entrusted by collectors, dealers and museums to decide if a coveted picture is real or fake and to determine if it was painted by Leonardo da Vinci or Raphael. The Eye brings to light the rarified world of connoisseurs devoted to the authentication and discovery of Old Master art works. This is an art adventure story and a memoir all in one, written by a leading expert on the Renaissance whose métier is a high-stakes detective game involving massive amounts of money and frenetic activity in the service of the art market and scholarship alike. It’s also an eloquent argument for the enduring value of visual creativity, told with passion, brilliance and surprising candor. “[A] rollicking and erudite tour of the art world . . . Costamagna’s candor and well-earned hubris make for an entertaining foray into the high-stakes art world.” —Publishers Weekly “As thrilling as a police novel.” —La Croix “An insider’s look at the dramatic world of attributing and dating art . . . This art world Sherlock Holmes travels the globe . . . Delightful.” —Introspective Magazine “One comes away feeling somewhat re-sensitized to beauty and somewhat nostalgic for an era when museums weren’t the selfie-stick madhouses they are today.” —The Washington Post
Author: National Gallery of Art Publisher: Chicago Review Press ISBN: 1613748973 Category : Juvenile Nonfiction Languages : en Pages : 187
Book Description
Lavishly illustrated with hundreds of full-color images, this family-oriented art resource introduces children to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and creative writing. This treasure trove of artwork from the National Gallery of Art includes, among others, works by Raphael, Rembrandt, Georgia O’Keeffe, Henri Matisse, Chuck Close, Jacob Lawrence, Pablo Picasso, and Alexander Calder, representing a wide range of artistic styles and techniques. Written by museum educators with decades of hands-on experience in both art-making activities and making art relatable to children, the activities include sculpting a clay figure inspired by Edgar Degas; drawing an object from touch alone, inspired by Joan Miro’s experience as an art student; painting a double-sided portrait with one side reflecting physical traits and the other side personality traits, inspired by Leonardo da Vinci’s Ginevra de' Benci; and creating a story based on a Mary Cassatt painting. Educators, homeschoolers, and families alike will find their creativity sparked by this art extravaganza.
Author: Jeremy Frommer Publisher: powerHouse Books ISBN: 1576877302 Category : Art Languages : en Pages : 228
Book Description
Omni was a jewel among popular science magazines of its era (1978–1998). Science Digest, Science News, Scientific America, and Discover may have all been selling well to armchair scientists, but Omni masterfully blended cutting edge science news and science fiction, flashy graphic design, a touch of sex, and the images of a generation of artists completely free and unburdened by the disciplines of the masters. Created by the legendary Bob Guccione, better known for founding Penthouse than perhaps any of the other facets of his inspired career in business, art, and literature, Guccione handpicked the artists and illustrators that contributed to the Omni legacy—they in turn created works ignited by passion and intellect, two of Guccione's principal ideals. The Mind's Eye: The Art of Omni is the very first publication to celebrate in stunning detail the exceptional science fiction imagery of this era in an oversized format. The Mind's Eye contains 185 images from contributing Omni artists including John Berkey, Chris Moore, H.R. Giger, Rafal Olbinski, Rallé, Tsuneo Sanda, Hajime Sorayama, Robert McCall, and Colin Hay among many more, along with quotes from artists, contributors, writers, and critics. Omni lived in a time well before the digital revolution. The images you see on these pages have taken years to track down and brought the editors in touch with many esteemed artists, amazing photographers and dusty storage lockers. Their quest is far from over; you'll notice an almost decade-long gap in the material, the contents of which were either lost or destroyed. Efforts to search throughout the universe for any images will continue and will be shared with the world at the all-things-Omni website, omnireboot.com. Stay tuned... Collected in book form for the first time ever, the striking art from this extraordinary magazine will delight fans who remember seeing the work years ago and newcomers interested in the unique aesthetic of this genre's biggest artists. "Omni was a magazine about the future. From 1978 to 1998 Omni blew minds by regularly featuring extensive Q&As with some of the top scientists of the 20th century—E.O. Wilson, Francis Crick, Jonas Salk—tales of the paranormal, and some of the most important science fiction to ever see magazine publication: William Gibson's genre-defining stories 'Burning Chrome' and 'Johnny Mnemonic,' Orson Scott Card's 'Unaccompanied Sonata,' novellas by Harlan Ellison and George R. R. Martin, 'Thanksgiving,' a postapocalyptic tale by Joyce Carol Oates—even William S. Burroughs graced its pages." —Vice magazine, Motherboard "Omni is not a science magazine. It is a magazine about the future...Omni was sui generis. Although there were plenty of science magazines over the years...Omni was the first magazine to slant all its pieces toward the future. It was fun to read and gorgeous to look at." —Ben Bova, six-time Hugo award winner
Author: Betty Edwards Publisher: Souvenir Press ISBN: 1782838481 Category : Self-Help Languages : en Pages :
Book Description
THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent
Author: Peter Jenny Publisher: Princeton Architectural Press ISBN: 9781616890568 Category : Art Languages : en Pages : 0
Book Description
This series of small primers on drawing encourages readers not only to pick up a pen and start drawing, but to see the world that surrounds them with fresh eyes. Visual thinking and using one's imagination are skills that are often neglected in today's world. With author Peter Jenny's help, readers will learn to perceive their environment in a new way and will soon follow his lead, discovering the joy of drawing. The three books in the series each present a short introduction by Jenny and twenty-two easy exercises, with each book focusing on a different aspect: Notes on Drawing Technique takes actions such as gesticulating, touching, feeling, doodling, and moving as the starting points for putting pen to paper. Notes on Figure Drawing focuses on the archetypal presentation of the human figure, and Learning to See teaches the reader to discover art in everyday objects.
Author: Michael Marmor
Author: Michael F. Marmor
Author: Michael Marmor
Author: Jack Clifton
Author: Andrew Loomis
Author: Tony Angell
Author: Philippe Costamagna
Author: National Gallery of Art
Author: Jeremy Frommer
Author: Betty Edwards
Author: Peter Jenny