The Expressionist Revolution in German Art, 1871-1933 PDF Download

Author: Leicestershire Museums and Art Gallery
Publisher: Museums
ISBN:
Category : Art
Languages : en
Pages : 154

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Author: Leicestershire Museums and Art Gallery
Publisher: Museums
ISBN:
Category : Art
Languages : en
Pages : 152

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Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264

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This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.

Author: Christian Weikop
Publisher: Routledge
ISBN: 1351556444
Category : Art
Languages : en
Pages : 378

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Book Description
New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and material identity', 'collectivity and selfhood', as well as 'defamation and rehabilitation'. The book is unique in the field in that it seeks to excavate specific historical research relating to the activities of the Br?cke as a bohemian yet nonetheless enterprising artists' community, and considers the contributions of the key members in relation to the dynamics of that group rather than simply on an individual basis. It thoroughly explores the historiography of the Br?cke artists' reception throughout the turbulent history of the twentieth century up until the present day.

Author: Shulamith Behr
Publisher: Manchester University Press
ISBN: 9780719038440
Category : Art
Languages : en
Pages : 264

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"Expressionism reassesed focuses on the multi-disciplinary development of Expressionism, setting it in a cultural, political, and historical context. The international team of specialists cover painting, music, theatre, sculpture, film opera, architecture, and dance." -- Back cover.

Author: Frances Carey
Publisher: HarperCollins Publishers
ISBN:
Category : Art
Languages : en
Pages : 284

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Prints from the Department of Prints and Drawings in the British Museum with a section of illustrated books from the British Library by David Paisey. Met afbeeldingen van: Max Klinger, Käthe Kollwitz, Max Liebermann, Heinrich Vogeler, Paula Modersohn-Becker, Lovis Corinth, Ernst Barlach, Christian Rohlfs, Edvard Munch, Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Emil Nolde, Oskar Kokoschka, Franz Marc, August Macke, Vasily Kandinsky, Ludwig Meidner, Max Beckmann, George Grosz, Otto Dix, Bernard Kretzschmar, Karl Hubbuch, Johannes Itten, Lyonel Feininger, Gerhard Marcks, Paul Klee, Georg Muche, Lothar Schreyer, Oskar Schlemmer, Kurt Schwitters, El Lissitzky, Laszlo Moholy-Nagy, Rolf Nesch.

Author: Jutta Vinzent
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958993036
Category : Art
Languages : en
Pages : 403

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This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - "refugee art" is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that "transgressed" nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities.

Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 178803354X
Category : Art
Languages : en
Pages : 284

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Book Description
John McGreal's three new books – It’s Reproduction, Contently, It’s Revolution, Actively and It’s Transformation, Contently – continue the ‘It’ Series published by Matador since 2010.

Author: Olga Taxidou
Publisher: Routledge
ISBN: 1134424574
Category : Performing Arts
Languages : en
Pages : 220

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Book Description
No study of modern theater is complete without a thorough understanding of the enormous influence of visionary genius Edward Gordon Craig. Born in England in 1872, Craig went on to become famous world-wide as an actor, manager, director, playwright, designer, and most importantly an author and theorist, whose books were translated into German, Russian, Japanese, Dutch, Hungarian, and Danish. Although an essential parallel to the European avant-garde, Craig was often read as "exceptional" and highly innovative in his native Britain, thus, The Mask not only appears as Craig's main cosmopolitan project but also at times functions as a surrogate stage for his experiments in theater practice. The book has a comprehensive chronology, extensive notes and a bibliography making it an essential text for undergraduates, postgraduates, actors, theatre professionals, designers, directors, researchers and writers in the fields of theatre studies (especially theater set and lighting) and theater history.

Author: Dietmar Elger
Publisher: Taschen
ISBN: 9783822820421
Category : Art, European
Languages : en
Pages : 264

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