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Author: Kathryn J. Oberdeck Publisher: ISBN: 9780801860607 Category : History Languages : en Pages : 454
Book Description
What is culture and who has the authority to define it? If culture is comprised of hierarchies, who determines what their standards should be, and how? What are the stakes involved in conceiving some forms of culture as good and others as bad? These may sound like questions from late-twentieth-century American culture wars, but they were already in vigorous dispute a century ago. In The Evangelist and the Impresario, Kathryn Oberdeck explores how a broad range of Americans addressed these questions at the vibrant intersection of religion, vaudeville, and class politics at the turn of the twentieth century. The Evangelist and the Impresario focuses on the intriguing careers of two remarkable public figures: Irish-born socialist Alexander Irvine and Italian-American entertainment mogul Sylvester Poli. Using these two characters as "tour guides," Oberdeck leads readers through a period of upheaval in America's intellectual history when religion and entertainment combined to produce critical cultural debate. The narrative follows Irvine's career as Protestant minister, socialist activist, popular author, and vaudeville actor and Poli's success as a theatrical entrepreneur with a circuit of East Coast vaudeville houses. Examining the varied connections the two men made across the Atlantic and the United States, Oberdeck traces the way Irvine drew on the formulas and themes of Poli's entertainment world to develop novel, popular approaches to evangelism and class politics. As both men sought audiences across lines of class as well as race, ethnicity, and gender, the author contends, their careers demonstrate how these intersecting dimensions of social difference informed definitivedebates about cultural standards among ordinary Americans. Irvine, Poli, and their audiences in theater, religion, and working-class politics pondered these differences in ways that helped to reformulate cultural hierarchies of Protestant uplift and Darwinian struggle into concepts of cultural pluralism. Thus, far from simply recounting biographies, Oberdeck traces cultural trajectories, mapping alliances that shaped the careers of two men whose engagement with popular audiences helped to transform intellectual arguments taking place in the twentieth-century public sphere. By charting connections across their converging paths, this stimulating book shows how Irvine, Poli, and the communities they addressed challenged the cultural vocabularies of class distinction in their era. In the process, it reveals how entertainment audiences, trade-unionist church-goers, working-class mothers, and immigrant thespians, along with cultural elites, helped to shape the terms of twentieth-century cultural debate.
Author: Kathryn J. Oberdeck Publisher: ISBN: 9780801860607 Category : History Languages : en Pages : 454
Book Description
What is culture and who has the authority to define it? If culture is comprised of hierarchies, who determines what their standards should be, and how? What are the stakes involved in conceiving some forms of culture as good and others as bad? These may sound like questions from late-twentieth-century American culture wars, but they were already in vigorous dispute a century ago. In The Evangelist and the Impresario, Kathryn Oberdeck explores how a broad range of Americans addressed these questions at the vibrant intersection of religion, vaudeville, and class politics at the turn of the twentieth century. The Evangelist and the Impresario focuses on the intriguing careers of two remarkable public figures: Irish-born socialist Alexander Irvine and Italian-American entertainment mogul Sylvester Poli. Using these two characters as "tour guides," Oberdeck leads readers through a period of upheaval in America's intellectual history when religion and entertainment combined to produce critical cultural debate. The narrative follows Irvine's career as Protestant minister, socialist activist, popular author, and vaudeville actor and Poli's success as a theatrical entrepreneur with a circuit of East Coast vaudeville houses. Examining the varied connections the two men made across the Atlantic and the United States, Oberdeck traces the way Irvine drew on the formulas and themes of Poli's entertainment world to develop novel, popular approaches to evangelism and class politics. As both men sought audiences across lines of class as well as race, ethnicity, and gender, the author contends, their careers demonstrate how these intersecting dimensions of social difference informed definitivedebates about cultural standards among ordinary Americans. Irvine, Poli, and their audiences in theater, religion, and working-class politics pondered these differences in ways that helped to reformulate cultural hierarchies of Protestant uplift and Darwinian struggle into concepts of cultural pluralism. Thus, far from simply recounting biographies, Oberdeck traces cultural trajectories, mapping alliances that shaped the careers of two men whose engagement with popular audiences helped to transform intellectual arguments taking place in the twentieth-century public sphere. By charting connections across their converging paths, this stimulating book shows how Irvine, Poli, and the communities they addressed challenged the cultural vocabularies of class distinction in their era. In the process, it reveals how entertainment audiences, trade-unionist church-goers, working-class mothers, and immigrant thespians, along with cultural elites, helped to shape the terms of twentieth-century cultural debate.
Author: Jeremiah Coogan Publisher: Oxford University Press ISBN: 0197580041 Category : Bible Languages : en Pages : 257
Book Description
Eusebius the Evangelist analyzes Eusebius of Caesarea's fourth-century reconfiguration of the Gospels as a window into broader questions of technology and textuality in the ancient Mediterranean. The four Gospels of the New Testament (Matthew, Mark, Luke, and John) share language, narratives, and ideas, yet they also differ in structure and detail. The sophisticated system through which Eusebius organized this intricate web of textual relationships is known as the Eusebian apparatus. Eusebius' editorial intervention--involving tables, sectioning, and tables of contents--participates in a broader late ancient transformation in reading and knowledge. To illuminate Eusebius' innovative use of textual technologies, the study juxtaposes diverse ancient disciplines--including chronography, astronomy, geography, medicine, philosophy, and textual criticism--with a wide range of early Christian sources, attending to neglected evidence from material texts and technical literature. These varied phenomena reveal how Eusebius' fourfold Gospel worked in the hands of readers. Eusebius' creative juxtapositions of Gospel material had an enduring impact on Gospel reading. Not only did Eusebius continue earlier trajectories of Gospel writing, but his apparatus continued to generate new possibilities in the hands of readers. For more than a millennium, in over a dozen languages and in thousands of manuscripts, Eusebius' invention transformed readers' encounters with Gospel text on the page. By employing emerging textual technologies, Eusebius created new possibilities of reading, thereby rewriting the fourfold Gospel in a significant and durable way.
Author: Ian Peddie Publisher: Bloomsbury Publishing USA ISBN: 1501345389 Category : Music Languages : en Pages : 616
Book Description
The Bloomsbury Handbook of Popular Music and Social Class is the first extensive analysis of the most important themes and concepts in this field. Encompassing contemporary research in ethnomusicology, sociology, cultural studies, history, and race studies, the volume explores the intersections between music and class, and how the meanings of class are asserted and denied, confused and clarified, through music. With chapters on key genres, traditions, and subcultures, as well as fresh and engaging directions for future scholarship, the volume considers how music has thought about and articulated social class. It consists entirely of original contributions written by internationally renowned scholars, and provides an essential reference point for scholars interested in the relationship between popular music and social class.
Author: Eric Arnesen Publisher: University of Illinois Press ISBN: 0252054709 Category : Political Science Languages : en Pages : 406
Book Description
Is class outmoded as a basis for understanding labor history? This collection emphatically answers, "No!" These thirteen essays delve into subjects like migrant labor, religion, ethnicity, agricultural history, and gender. Written by former students of preeminent labor figure and historian David Montgomery, the works advance the argument that class remains indispensable to the study of working Americans and their place in the broad drama of our shared national history.
Author: Colin Gunckel Publisher: Rutgers University Press ISBN: 0813570778 Category : Art Languages : en Pages : 273
Book Description
In the early decades of the twentieth-century, Main Street was the heart of Los Angeles’s Mexican immigrant community. It was also the hub for an extensive, largely forgotten film culture that thrived in L.A. during the early days of Hollywood. Drawing from rare archives, including the city’s Spanish-language newspapers, Colin Gunckel vividly demonstrates how this immigrant community pioneered a practice of transnational media convergence, consuming films from Hollywood and Mexico, while also producing fan publications, fiction, criticism, music, and live theatrical events. Mexico on Main Street locates this film culture at the center of a series of key debates concerning national identity, ethnicity, class, and the role of Mexicans within Hollywood before World War II. As Gunckel shows, the immigrant community’s cultural elite tried to rally the working-class population toward the cause of Mexican nationalism, while Hollywood sought to position them as part of a lucrative transnational Latin American market. Yet ironically, both Hollywood studios and Mexican American cultural elites used the media to present negative depictions of working-class Mexicans, portraying their behaviors as a threat to middle-class respectability. Rather than simply depicting working-class immigrants as pawns of these power players, however, Gunckel reveals their active participation in the era’s film culture. Gunckel’s innovative approach combines media studies, urban history, and ethnic studies to reconstruct a distinctive, richly layered immigrant film culture. Mexico on Main Street demonstrates how a site-specific study of cultural and ethnic issues challenges our existing conceptions of U.S. film history, Mexican cinema, and the history of Los Angeles.
Author: Brian M. Ingrassia Publisher: University Press of Kansas ISBN: 0700621393 Category : Sports & Recreation Languages : en Pages : 336
Book Description
The quarterback sends his wide receiver deep. The crowd gasps as he launches the ball. And when he hits his man, the team's fans roar with approval-especially those with the deep pockets. Make no mistake; college football is big business, played with one eye on the score, the other on the bottom line. But was this always the case? Brian M. Ingrassia here offers the most incisive account to date of the origins of college football, tracing the sport's evolution from a gentlemen's pastime to a multi-million dollar enterprise that made athletics a permanent fixture on our nation's campuses and cemented college football's place in American culture. He takes readers back to the late 1800s to tell how schools embraced the sport as a way to get the public interested in higher learning-and then how football's immediate popularity overwhelmed campuses and helped create the beast we know today. Contrary to conventional wisdom, Ingrassia proves that the academy did not initially resist the inclusion of athletics; rather, progressive reformers and professors embraced football as a way to make the ivory tower less elitist. With its emphasis on disciplined teamwork and spectatorship, football was seen as a "middlebrow" way to make the university more accessible to the general public. What it really did was make athletics a permanent fixture on campus with its own set of professional experts, bureaucracies, and ostentatious cathedrals. Ingrassia examines the early football programs at universities like Michigan, Stanford, Ohio State, and others, then puts those histories in the context of Progressive Era culture, including insights from coaches like Georgia Tech's John Heisman and Notre Dame's Knute Rockne. He describes how reforms emerged out of incidents such as Teddy Roosevelt's son being injured on the field and a section of grandstands collapsing at the University of Chicago. He also touches on some of the problems facing current day college football and shows us that we haven't come far from those initial arguments more than a century ago. The Rise of Gridiron University shows us where and how it all began, highlighting college football's essential role in shaping the modern university-and by extension American intellectual culture. It should have wide appeal among students of American studies and sports history, as well as fans of college football curious to learn how their game became a cultural force in a matter of a few decades.
Author: Amy Kittelstrom Publisher: Penguin ISBN: 0143108131 Category : History Languages : en Pages : 465
Book Description
A history of religion’s role in the American liberal tradition through the eyes of seven transformative thinkers Today we associate liberal thought and politics with secularism. When we argue over whether the nation’s founders meant to keep religion out of politics, the godless side is said to be liberal. But the role of religion in American politics has always been far less simplistic than today’s debates would suggest. In The Religion of Democracy, historian Amy Kittelstrom shows how religion and democracy have worked together as universal ideals in American culture—and as guides to moral action and to the social practice of treating one another as equals who deserve to be free. The first people in the world to call themselves “liberals” were New England Christians in the early republic. Inspired by their religious belief in a God-given freedom of conscience, these Americans enthusiastically embraced the democratic values of equality and liberty, giving shape to the liberal tradition that would remain central to our politics and our way of life. The Religion of Democracy re-creates the liberal conversation from the eighteenth century to the twentieth by tracing the lived connections among seven transformative thinkers through what they read and wrote, where they went, whom they knew, and how they expressed their opinions—from John Adams to William James to Jane Addams; from Boston to Chicago to Berkeley. Sweeping and ambitious, The Religion of Democracy is a lively narrative of quintessentially American ideas as they were forged, debated, and remade across our history.
Author: Rob King Publisher: Univ of California Press ISBN: 9780520942851 Category : Performing Arts Languages : en Pages : 378
Book Description
From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
Author: Kathryn J. Oberdeck
Author: Kathryn J. Oberdeck
Author: Jeremiah Coogan
Author: Ian Peddie
Author: Eric Arnesen
Author: Colin Gunckel
Author: Brian M. Ingrassia
Author: Amy Kittelstrom
Author: 
Author: Rob King
Author: