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Author: Miguel Franquet Santos Silva Publisher: Routledge ISBN: 0429997639 Category : Social Science Languages : en Pages : 149
Book Description
Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is ‘moral’, and normative debates over what is ‘journalistic’, alongside technical debates as to what is ‘possible’, to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.
Author: Miguel Franquet Santos Silva Publisher: Routledge ISBN: 0429997639 Category : Social Science Languages : en Pages : 149
Book Description
Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is ‘moral’, and normative debates over what is ‘journalistic’, alongside technical debates as to what is ‘possible’, to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.
Author: Larry P. Gross Publisher: U of Minnesota Press ISBN: 9780816638253 Category : Language Arts & Disciplines Languages : en Pages : 404
Book Description
'Image Ethics in the Digital Age' brings together leading experts in the fields of journalism, media studies, & law to address the challenges presented by new technology & assess the implications for personal & societal values & behavior.
Author: Thomas H. Wheeler Publisher: Routledge ISBN: 1135633304 Category : Language Arts & Disciplines Languages : en Pages : 270
Book Description
This text examines the use of images in journalistic contexts and the manipulation of these images to accomplish varying objectives. It provides a framework for critical discussion among professionals, educators, students, and concerned consumers of newspapers, magazines, online journals, and other nonfiction media. It also offers a method of assessing the ethics of mass-media photos, which will help visual journalists to embrace new technologies while preserving their credibility. Phototruth or Photofiction? also: *recounts the invention of photography and how it came to be accorded an extraordinary degree of trust; *details how photos were staged, painted, composited and otherwise faked, long before digital technology; *lists contemporary image-altering products and practices; *details many examples of manipulated images in nonfiction media and lists rationales offered in defense of them; *explains how current ethical principles have been derived; *lays groundwork for an ethical protocol by explaining conventions of taking, processing, and publishing journalistic photos; and *offers tests for assessing the appropriateness of altered images in non-fiction media. Each chapter is followed by "Explorations" designed to facilitate classroom discussion and to integrate into those interactions the students' own perceptions and experiences. The book is intended for students and others interested in the manipulation of images.
Author: Thyra Lynn Page Publisher: ISBN: 9781267328830 Category : Journalistic ethics Languages : en Pages : 38
Book Description
Photographs are visually appealing in printed media and tend to cause a higher level of emotion than words. The importance of the image used holds significant power over the masses. This research points out the differences between ethical and unethical practices within photographic print/news journalism. Examples of digitally manipulated photographs are compared to original, unaltered photographs in an effort to foster awareness of the type of manipulation that compromises journalistic ethics and damages credibility of the photojournalism profession. Research examines the legal ramifications of fraudulent image manipulation as those images are used in printed media.
Author: Larry Gross Publisher: Oxford University Press ISBN: 0195361849 Category : Social Science Languages : en Pages : 401
Book Description
This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.
Author: Larry P. Gross Publisher: U of Minnesota Press ISBN: 9780816638246 Category : Language Arts & Disciplines Languages : en Pages : 410
Book Description
'Image Ethics in the Digital Age' brings together leading experts in the fields of journalism, media studies, & law to address the challenges presented by new technology & assess the implications for personal & societal values & behavior.
Author: Jeffrey Dvorkin Publisher: John Wiley & Sons ISBN: 111971429X Category : Language Arts & Disciplines Languages : en Pages : 180
Book Description
TRUSTING THE NEWS in a Digital Age How to use critical thinking to discern real news from fake news Trusting the News in a Digital Age provides an ethical framework and the much-needed tools for assessing information produced in our digital age. With the tsunami of information on social media and other venues, many have come to distrust all forms of communication, including the news. This practical text offers guidance on how to use critical thinking, appropriate skepticism, and journalistic curiosity to handle this flow of undifferentiated information. Designed to encourage critical thinking, each chapter introduces specific content, followed at the end of each section with an ethical dilemma. The ideas presented are based on the author’s experiences as a teacher and public editor/ombudsman at NPR News. Trusting the News in a Digital Age prepares readers to deal with changes to news and information in the digital environment. It brings to light the fact that journalism is about treating the public as citizens first, and consumers of information second. This important text: Reveals how to use critical thinking to handle the never-ending flow of information Contains ethical dilemmas to help sharpen critical thinking skills Explains how to verify sources and spot frauds Looks at the economic and technological conditions that facilitated changes in communication Written for students of journalism and media studies, Trusting the News in the Digital Age offers guidance on how to hone critical thinking skills needed to discern fact from fiction.
Author: Paul Martin Lester Publisher: Taylor & Francis ISBN: 1315455110 Category : Photography Languages : en Pages : 300
Book Description
Visual Ethics addresses the need for critical thinking and ethical behavior among professionals responsible for visual messages in photography and photojournalism, film, and digital media. From the author of Photojournalism: An Ethical Approach, published more than 20 years ago, this book goes beyond photojournalism ethics. It discusses crucial contemporary concerns, including persuasion, stereotyping, global perspectives, graphic design decisions, multimedia production, social media, and more. Written for an ever-growing discipline, author Paul Martin Lester gives serious ethical consideration to the complex field of visual communication.
Author: Katja Möhl Publisher: GRIN Verlag ISBN: 3640796845 Category : Language Arts & Disciplines Languages : en Pages : 20
Book Description
Essay from the year 2010 in the subject Communications - Journalism, Journalism Professions, grade: 2, University of Hamburg, language: English, abstract: 1. Introduction A lot of essays have been written, when it comes to the approach of codes of ethics in journalism. In globalizing times, where the Internet serves as an increasing news source, it is of importance to rethink the existing codes of ethics and to frame them in a broader, transnational context. If this, sooner or later, leads us to a Global or European code of ethics, has also been one of the main topics in the media communication research field, as Tiina Laitila for example defines common journalistic codes of ethics within the European countries.1 But whereas common ethical rules and guidelines regarding journalism in general seem more clear and discussed in several studies, ethical codes in terms of photojournalism are still not defined in a normative way. Especially in times of the digital age and its mistrust it brings concerning digital photography, there is an increasing need of clear ethical guidelines for photojournalism. To demonstrate the importance of codes of ethics in photojournalism, the impact visual images possess, will be discussed and reconsidered in the beginning. On the basis of these ideas, this essay will examine whether or not ethical codings exist in the field of photojournalism with a special emphasize on Germany. It will be analyzed, if a German code of ethics can be defined, or if a broader, transnational code of ethics can be assigned regarding photojournalism. As a concluding part, the conduct of photographic codes of ethics will be discussed with the help of single conflict images. If a photojournalist respects the rules of codes of ethics or not, doesn't make his or her work often easier. Especially when it comes to war or conflict reporting, journalists often have the dilemma about how to behave as a photographer in critical situations. Images, as for example the worldwide discussed picture of the starving child in Sudan taken by Kevin Carter in 1993(2), made us aware of the ambivalent decisions journalists often need to make. In comparison to print, news photography is morally challenging and often difficult to judge, considering the obvious participation of the photojournalist. The taken picture in its visual expression clearly interweaves the journalist in a more public way than it confronts print journalists. Publishing a picture with your name, shows actually that you, as a journalist, have been on location, which demands immense responsibility and commitment. [...]