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The Etching of Landscapes

Author: Henry Winslow
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 42

Book Description

The Etching of Landscapes

Author: Henry Winslow
Publisher:
ISBN:
Category : Etchers
Languages : en
Pages : 42

Book Description

Albrecht Altdorfer and the Origins of Landscape

Author: Christopher S. Wood
Publisher: Reaktion Books
ISBN: 1780231156
Category : Art
Languages : en
Pages : 439

Book Description
In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.

Degas Landscapes

Author: Richard Kendall
Publisher: Yale University Press
ISBN: 0300058373
Category : Art
Languages : en
Pages : 330

Book Description
Biografi om Degas landskaber set i relation til andre kunstneres behandling af landskabet som motiv

The Renaissance of Etching

Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311

Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

The Renaissance Print, 1470-1550

Author: David Landau
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453

Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.

Why Draw a Landscape?

Author: Kathan Brown
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112

Book Description
Cultural Writing. Art. WHY DRAW A LANDSCAPE talks about the relationship of the self to the real world, and looks at different approaches to landscape by eleven painters and sculptors whose styles ranges from Realist to Conceptual. This book follows Kathan Brown's well-received WHY DRAW A LIVE MODEL? (also available from SPD) about which Artforum's Bookforum commented The next best thing to being there. And from Contemporary Impressions: Brown's style feels like a conversation with a friend. Includes 83 color plates.