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Author: Martin Schongauer Publisher: New York : Dover Publications ISBN: Category : Art Languages : en Pages : 118
Book Description
"Painter and printmaker who was the finest German engraver before Albrecht Durer."--Britannica.com. Includes an essay about the artist.
Author: Martin Schongauer Publisher: New York : Dover Publications ISBN: Category : Art Languages : en Pages : 118
Book Description
"Painter and printmaker who was the finest German engraver before Albrecht Durer."--Britannica.com. Includes an essay about the artist.
Author: Max Lehrs Publisher: ISBN: Category : Engraving, German Languages : en Pages : 386
Book Description
Martin Schongauer (ca. 1450?1491) was the greatest Northern European printmaker of his time. A painter by training, he elevated engraving from a minor off-shoot of the goldsmith?s craft to a popular and prestigious art. His technical and artistic achievements opened the way to many followers, first and foremost Albrecht Durer. Max Lehrs?s authoritative catalogue of Schongauer?s prints was first published in 1925, as part of his encyclopedic treatise on the early engravers of northern Europe, and has long been out of print. For each engraving in Schongauer?s oeuvre, the catalogue provides a detailed description of the engraving, its variant states (if any), lists of impressions and watermarks, a discussion and bibliography of previous research, and a listing of engraved copies and other artwork inspired by the engraving. The catalogue distinguishes several grades of quality among the impressions, and notes the different watermarks represented by each grade, a major aide in the dating of the prints, and an invaluable tool to the art historian and collector.This volume presents the first English edition of the catalogue, adding reproductions of all the engravings and of their major variant states. Introductions by AlanShestack (1969) and Charles Minott (1971) are included, which present advances in Schongauer scholarship since Lehrs.The catalogue is followed by an illustrated list of watermarks, a list of copies and forgeries misattributed to Schongauer by earlier scholars, a list of collections mentioned in the text, and an index of the engravings.
Author: Max Schweidler Publisher: Getty Publications ISBN: 9780892368358 Category : Antiques & Collectibles Languages : en Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author: Shira Brisman Publisher: University of Chicago Press ISBN: 022635489X Category : Art Languages : en Pages : 232
Book Description
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Author: Stijn Alsteens Publisher: Metropolitan Museum of Art ISBN: 1588394514 Category : Art Languages : en Pages : 274
Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Author: Martin Schongauer
Author: Martin Schongauer
Author: Max Lehrs
Author: Max Schweidler
Author: Alpheus Hyatt Mayor
Author: Richard Fisher
Author: Shira Brisman
Author: Martin Schongauer
Author: Stijn Alsteens
Author: Richard Verdi
Author: comte Henri Delaborde