The English Della Cruscans and their time, 1783-1828 PDF Download

Author: William Norman Hargreaves-Mawdsley
Publisher:
ISBN: 9789401034951
Category : Della Cruscans (English writers)
Languages : en
Pages : 336

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Author: W.N. Hargreaves-Mawdsley
Publisher: Springer Science & Business Media
ISBN: 940103494X
Category : History
Languages : en
Pages : 331

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Book Description
The English Della Cruscan School, although its nucleus was formed in 1785 by the publication of The Florence Miscellany, existed neither in the consciousness of the group which formed it nor in that of the pu blic until it was so dubbed as a term of reproach by William Gifford in his bitter satire The Baviad (1791). As has already been mentioned Merry, the leader of the group, claimed to be a member of the Real Accademia Fiorentina which had swallowed up the Crusca and the two other Floren tine Academies in 1783; but it was not until the summer of 1787, when during his lingering voyage of return to England he began to send his contributions signed "Della Crusca" to the World, that the name became publicly known or even employed by his friends. Merry uses it of himself in a letter to Mrs. Piozzi after his arrival in England, on 27th February, 1788. 1 His public avowal of his romantic yearning after the suppressed Accademia della Crusca appears on the title-page of his Paulina (1787); for whereas on the title-page of Robert Manners (1785) he for the first time calls himself "A Member of the Royal Academy of Florence," the author of Paulina, "Robert Merry, Esq.

Author: W. N. Hargreaves-Mawdsley
Publisher:
ISBN:
Category : Della Cruscans (English writers)
Languages : en
Pages :

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Author: W. N. Hargreaves-Mawdsley
Publisher:
ISBN:
Category : Della Cruscans (English writers)
Languages : en
Pages : 322

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Author: Claire Knowles
Publisher: Springer Nature
ISBN: 3031372670
Category : Literary Criticism
Languages : en
Pages : 220

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This book explores Della Cruscan poetry in the late eighteenth-century literary scene. A sociable, ornate, and deeply theatrical type of poetry, Della Cruscanism was associated with writers like Robert Merry, Mary Robinson, and Hannah Cowley. While Merry is the poet most commonly associated with the Della Cruscan school, this book argues that Della Cruscanism was a movement dominated by female poets and that this was one of the key reasons for the later disavowal and downgrading of its poetic accomplishments. It offers a close examination of these women writers and their role in shaping the poetic culture of the fashionable newspaper. In doing so, this study offers the first account of the feminization of the fashionable newspaper and of popular literary culture in the final years of the eighteenth century.

Author: Minna Nevala
Publisher: John Benjamins Publishing Company
ISBN: 9027247099
Category : Language Arts & Disciplines
Languages : en
Pages : 203

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The chapters in this volume study the construction, representation and negotiation of a variety of social roles through self- and other-reference markers or the discussion of reference as a tool for identification. The chapters uncover new insights both from a historical and present-day perspective and show how positioning the self and other varies, what kind of reference choices language users make and what follows from these choices. The data come from a variety of public texts, private encounters and questionnaires, and the methodologies range from macro to micro perspectives, including combinations of qualitative close-reading and quantitative corpus methods, and synchronic and diachronic perspectives. The findings enhance our understanding and use of reference practices in the context of global, institutional, political and multicultural, as well as media texts.

Author: Jon Mee
Publisher: Cambridge University Press
ISBN: 1107133610
Category : History
Languages : en
Pages : 295

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Reveals the development of the idea of 'the people' through print and publicity in 1790s London. This title is also available as Open Access.

Author: Evan Gottlieb
Publisher: Routledge
ISBN: 1317065891
Category : Literary Criticism
Languages : en
Pages : 234

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Book Description
Revising traditional 'rise of the nation-state' narratives, this collection explores the development of and interactions among various forms of local, national, and transnational identities and affiliations during the long eighteenth century. By treating place as historically contingent and socially constructed, this volume examines how Britons experienced and related to a landscape altered by agricultural and industrial modernization, political and religious reform, migration, and the building of nascent overseas empires. In mapping the literary and cultural geographies of the long eighteenth century, the volume poses three challenges to common critical assumptions about the relationships among genre, place, and periodization. First, it questions the novel’s exclusive hold on the imagining of national communities by examining how poetry, drama, travel-writing, and various forms of prose fiction each negotiated the relationships between the local, national, and global in distinct ways. Second, it demonstrates how viewing the literature and culture of the long eighteenth century through a broadly conceived lens of place brings to the foreground authors typically considered 'minor' when seen through more traditional aesthetic, cultural, or theoretical optics. Finally, it contextualizes Romanticism’s long-standing associations with the local and the particular, suggesting that literary localism did not originate in the Romantic era, but instead emerged from previous literary and cultural explorations of space and place. Taken together, the essays work to displace the nation-state as a central category of literary and cultural analysis in eighteenth-century studies.

Author: Paula Byrne
Publisher: Random House
ISBN: 0307431606
Category : Biography & Autobiography
Languages : en
Pages : 482

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This thoroughly engaging and richly researched book presents a compelling portrait of Mary Robinson–darling of the London stage, mistress to the most powerful men in England, feminist thinker, and bestselling author, described by Samuel Taylor Coleridge as “a woman of undoubted genius.” One of the most flamboyant free spirits of the late eighteenth century, Mary Robinson led a life that was marked by reversals of fortune. After being abandoned by her merchant father, who left England to establish a fishery among the Canadian Eskimos, Mary was married, at age fifteen, to Thomas Robinson. His dissipation landed the couple and their baby in debtors’ prison, where Mary wrote her first book of poetry, gaining her the patronage of Georgiana, Duchess of Devonshire. On her release, Mary rose to become one of the London theater’s most alluring actresses, famously playing Perdita in The Winter’s Tale for a rapt audience that included the Prince of Wales, who fell madly in love with her. Never one to pass up an opportunity, she later used his ardent and numerous love letters as blackmail. After being struck down by paralysis, apparently following a miscarriage, she remade herself yet again, this time as a popular writer who was also admired by the leading intellectuals of the day. Filled with triumph and despair, and then triumph again, the amazing, multifaceted life of “Perdita” is marvelously captured in this stunning biography.

Author: S. Jones
Publisher: Springer
ISBN: 0312299869
Category : Literary Criticism
Languages : en
Pages : 268

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This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.